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Henrik Ibsen
A magnificent new biography of Henrik Ibsen, among the greatest of modern playwrights Henrik Ibsen (1820–1908) is arguably the most important playwright of the nineteenth century. Globally he remains the most performed playwright after Shakespeare, and Hedda Gabler, A Doll’s House, Peer Gynt, and Ghosts are all masterpieces of psychological insight. This is the first full-scale biography to take a literary as well as historical approach to the works, life, and times of Ibsen. Ivo de Figueiredo shows how, as a man, Ibsen was drawn toward authoritarianism, was absolute in his judgments over others, and resisted the ideas of equality and human rights that formed the bases of the emerging democracies in Europe. And yet as an artist, he advanced debates about the modern individual’s freedom and responsibility—and cultivated his own image accordingly. Where other biographies try to show how the artist creates the art, this book reveals how, in Ibsen’s case, the art shaped the artist.
Americana Norvegica, Volume 2
American studies in the scholarly sense are old in Europe. But academic chairs and research institutions were late in developing, as they were in the United States themselves. In most European universities the subject was firmly established only after the Second World War. The University of Oslo in Norway in 1946 founded a full professorship of American literature, the first of its kind in Scandinavia, and in 1948 an American Institute. In the following year the Institute started a series of book publications in cooperation with the University of Pennsylvania. This is the second of two volumes titled Americana Norvegica.
An Essay Toward a History of Shakespeare in Norway
"An Essay Toward a History of Shakespeare in Norway" by Martin B. Ruud. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
The Correspondence of Henrik Ibsen
Excerpt from The Correspondence of Henrik Ibsen ON the 3lst of May 1880, Henrik Ibsen wrote to his publisher, Frederik Hegel, that he had begun a little book in which he intended to give some account of the outward and inward conditions under which each one of his works had come into being (letter It was to be called From Simian, to Rome, and was to give descriptions of his life at Skien and Grimstad, Bergen and Christiania, Dresden, Munich, and Rome. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Ibsen and the Greeks
"Was Ibsen influenced by Greek culture? Were allusions to the Greeks configured in the Norwegian playwright's works? According to author Norman Rhodes, whether consciously or unconsciously, many of Ibsen's plays are encoded with veiled references to ancient Greek culture. Rhodes also postulates that Ibsen's perception of the importance of the Greeks was most likely mediated to him through German Romanticism and Scandinavian culture." "According to Rhodes, numerous echoes of Greek literature resonate in such early Ibsen plays as Catiline, The Warrior's Barrow, Olaf Liljerkrans, and Love's Comedy. Ibsen's Brand and Peer Gynt are a dialectic pair which in key ways are suggestive of Homer's Iliad and Odyssey, A Doll House has important parallels with Sophocles' Antigone, and An Enemy of the People correlates with both Plato's Apology and Sophocles' Oedipus Tyrannos. Moreover, a Euripidean sense of fatal irrationality seems inscribed in Ibsen's final plays: the protagonists John Rosmer, Hedda Gabler, Master Builder Solness, John Gabriel Borkman, and the sculptor Rubek all destroy themselves."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
History of Norwegian Literature
A history designed for college students, the author's objective being an account sufficiently brief to offer no difficulty from the point of view of time, & yet detailed enough to be convenient as a work of reference. Considerable space is given to modern literature. "An indispensable book."--NEW REPUBLIC. "A big book on a big theme."--NEW YORK TIMES. "A real contribution."--YALE REVIEW.
Gammelt nytt i våre tidligste ukeblader
Unndertit.: Aktstykker om folketro og sagn i Illustrert Nyhedsblad og Norsk Folkeblad. Dette er en folkloristisk antologi satt sammen av eldre ukebladsartikler. Utvalget har i følge redaktøren nærmest gitt seg selv. "Illustert Nyhedsblad" og "Norsk Folkeblad" var premisslevrandører for den skandinaviske ukepresse i 1850- og 1860-årene, og bidragsyterne tilhører våre ypperste essayister; Peter Christen Asbjørnsen, Paul Botten-Hansen, Johannes Flood og Henrik Ibsen. I denne perioden gikk ukebladene aktivt inn for å vekke leselysten, å gi allmuen et estetisk syn på omgivelsene, samt åoppøve dens kritiske sans. Boken er illustert med historiske fotos og tegninger i svart/hvitt. Med noter.
Norway's Christiania Theatre, 1827-1867
Norway's struggle to assert an independent cultural and political identity in the nineteenth century was played out with particular fervor at the Christiania Theatre in Christiania (now Oslo). Until the 1860s the Danish actors and directors dominated the Christiania Theatre, and even plays written by Norwegian authors were performed in Danish. This study examines the intellectual campaigns that transformed the Christiania Theatre from a Danish stage into the forerunner of Norway's National Theatre. It focuses on the culture wars between the Norwegian nationalists and the so-called Danomanians in the 1830s; the promotion of the Hegelian and national romantic cultural agenda in the 1840s and 1850s; Bjornson's and Ibsen's rejection of both radical nationalism and the entrenched Danishness of the theater in the 1850s' and Bjornson's ambitious attempt to reform the theater in the mid-1860s. It is illustrated. Ann Schmiesing is an Associate Professor of Scandinavian and German literature and culture at the University of Colorado at Boulder.
