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Poetry. LGBT Studies. REFRAINS/UNWORKINGS is Paul Foster Johnson's first book of poetry. Juxtaposing Romantic ideology against a postmodern disregard for "found" or "authentic" meaning, where "everybody's ontological investigation/ is guided by anticipated findings," these poems explore the social space of sound and rhythm and rhetoric. These are love poems, too, paeans so private and so simultaneously public, they evoke a contemporary return to Hart Crane's White Buildings. Yet, the speaker here resists the totalities of lyric history and their familiar arguments of selfhood: Romantic Man of Taste, revenant noisemaker of the New York School, vatic observer of the Republic, gay poet. Every n...
Poetry. STUDY IN PAVILIONS AND SAFE ROOMS is an exploration of public and private space at their extremes. Borrowing titles from state-planned exhibition halls and panic rooms built for riding out the approaching apocalypse, these poems stage collisions of aesthetics, politics, and history in artificial environments. These poems are phenomenological investigations gone awry under the sway of unruly and contradictory forces. "Smart, elusive, like Debussy's Nuages, crossed with Ashbery's Three Poems—a stately Happening, where Stockhausen drops by to dish. Paul Foster Johnson uses syntax as a friend, a chaperone, a punching bag: it keeps him—and his happy reader—in a sequestered, cozy space of detente and narcosis. Reading these taut, architectural poems, I feel like I'm figure-skating on Bauhaus ice; thus Johnson gives us a sexually ambiguous, cerebral map of how to write a poem today"—Wayne Koestenbaum.
First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.
This is a collection within the anthropology of violence and witness studies, a discipline inaugurated in the 1980s. It accomplishes a tight focus while tackling seemingly disparate topics: from Rigoberat Menchu to O.J. Simpson, and from feminist poetry to Hiroshima Mon Amour. With approaches ranging from anthropological and historical to literary and philosophical, this collection is engaging in both subject matter and writing style.
First published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
What is a gift? What do gifts mean and do? Drawing on Marcel Mauss's 1925 essay, this volume studies novels, autobiographical texts, aesthetic treatises, and political writings by Virginia Woolf, Jean Rhys, Gertrude Stein, and H.D. to explore the idea of the gift in Modernist literature.
This book reveals the strain of a moment in American cultural history that led several remarkable writers -- Emerson, Warner, and Melville -- to render loss in innovative ways. These three key writers rejected Calvinist and sentimental models of bereavement, creating instead the compensations of a mature American literature.
-Culled from Dia Art Foundation's -Readings in Contemporary Poetry- series, this anthology includes ninety-four poets who have participated in the reading series from 2010 to 2016. Edited by poet and author Vincent Katz, the book stresses the experimental aspects of contemporary poetic practice, highlighting commonalities among poets and placing their diverse voices in conversation with one another---
Lauryn Mayer examines chronicle histories that have been largely ignored by scholars, bringing these neglected texts into dialogue.
First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.