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Public Sculpture of North-East England
Documents some 450 public monuments and sculptures of the northeast of England. Entries on each piece contain bandw photos and details on materials, physical conditions, ownership and commissioning, and use and interpretation at various times in history. From this emerges a picture both of the development of public sculpture and monuments in the region and of the contribution these objects make to ideas of local identity. Material is arranged geographically. Includes bandw maps, a glossary, introductory essays, and brief biographies of sculptors and architects. Distributed by ISBS. Annotation copyrighted by Book News Inc., Portland, OR
Art, Money, Parties
From the phenomenally successful new Tate Modern to the Dia:Beacon and Liverpool Biennial, contemporary visual art seems more than ever enmeshed in prominent public institutions and new forms of patronage, whether public commissions or corporate sponsorships. InArt, Money, Parties,renowned figures from the art world—including artists, dealers, and gallery owners—join scholars to consider these new institutional faces of contemporary art, their influence on art and artists, and how they affect the future of art. The essays in this collection, which originated at a conference organized by Tate Liverpool and the University of Liverpool, offer frequently contentious positions on the role of ...
The Making of Women Artists in Victorian England
When women were admitted to the Royal Academy Schools in 1860, female art students gained a foothold in the most conservative art institution in England. The Royal Female College of Art, the South Kensington Schools and the Slade School of Fine Art also produced increasing numbers of women artists. Their entry into a male-dominated art world altered the perspective of other artists and the public. They came from disparate levels of society--Princess Louise, the fourth daughter of Queen Victoria, studied sculpture at the National Art Training School--yet they all shared ambition, talent and courage. Analyzing their education and careers, this book argues that the women who attended the art schools during the 1860s and 1870s--including Kate Greenaway, Elizabeth Butler, Helen Allingham, Evelyn De Morgan and Henrietta Rae--produced work that would accommodate yet subtly challenge the orthodoxies of the fine art establishment. Without their contributions, Victorian art would be not simply the poorer but hardly recognizable to us today.
Memorializing the Anglo-Boer War of 1899-1902
Memorializing the Anglo-Boer War of 1899-1902 is a study of a group of memorials to soldiers who fought in a now nearly forgotten war, and deals with the many factors influencing why there was such an unprecedented number of memorials compared to those to previous conflicts like the Crimean War, fifty years earlier. One of the most important issues was the impact of changes in the organization of the British Army in the late 1800s, particularly the creation of locally-based regiments, heavily manned by volunteers drawn from local communities. The book includes a detailed commentary on the social conditions in England that also account for the unprecedented number of commemorations of this co...
Pre-Raphaelite Masculinities
Drawing on recent theoretical developments in gender and men?s studies, Pre-Raphaelite Masculinities shows how the ideas and models of masculinity were constructed in the work of artists and writers associated with the Pre-Raphaelite movement. Paying particular attention to the representation of non-normative or alternative masculinities, the contributors take up the multiple versions of masculinity in Dante Gabriel Rossetti?s paintings and poetry, masculine violence in William Morris?s late romances, nineteenth-century masculinity and the medical narrative in Ford Madox Brown?s Cromwell on His Farm, accusations of ?perversion? directed at Edward Burne-Jones?s work, performative masculinity and William Bell Scott?s frescoes, the representations of masculinity in Pre-Raphaelite illustration, aspects of male chastity in poetry and art, Tannh?er as a model for Victorian manhood, and masculinity and British imperialism in Holman Hunt?s The Light of the World. Taken together, these essays demonstrate the far-reaching effects of the plurality of masculinities that pervade the art and literature of the Pre-Raphaelite Brotherhood.
Popular imperialism and the military, 1850-1950
Colonial war played a vital part in transforming the reputation of the military and placing it on a standing equal to that of the navy. The book is concerned with the interactive culture of colonial warfare, with the representation of the military in popular media at home, and how these images affected attitudes towards war itself and wider intellectual and institutional forces. It sets out to relate the changing image of the military to these fundamental facts. For the dominant people they were an atavistic form of war, shorn of guilt by Social Darwinian and racial ideas, and rendered less dangerous by the increasing technological gap between Europe and the world. Attempts to justify and un...
Hadrian's Wall
In Hadrian's Wall: A Life, Hingley addresses the post-Roman history of Hadrian's Wall, and considers the ways in which the monument has been imagined, represented, and researched from the sixth century to the internet. With over 100 images, it discusses the significant political, cultural, and religious role the Wall has played over the years.
Museums and Public Art?
While many museums have ignored public art as a distinct arena of art production and display, others have – either grudgingly or enthusiastically – embraced it. Some institutions have partnered with public art agencies to expand the scope of special exhibitions; other museums have attempted to establish in-house public art programs. This is the first book to contextualize the collaborations between museums and public art through a range of essays marked by their coherence of topical focus, written by leading and emerging scholars and artists. Organized into three sections it represents a major contribution to the field of art history in general, and to those of public art and museum stud...
Newcastle The Biography
The story of the city of Newcastle, from its earliest origins in Roman Britain to the present day.
