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Art, Money, Parties
From the phenomenally successful new Tate Modern to the Dia:Beacon and Liverpool Biennial, contemporary visual art seems more than ever enmeshed in prominent public institutions and new forms of patronage, whether public commissions or corporate sponsorships. InArt, Money, Parties,renowned figures from the art world—including artists, dealers, and gallery owners—join scholars to consider these new institutional faces of contemporary art, their influence on art and artists, and how they affect the future of art. The essays in this collection, which originated at a conference organized by Tate Liverpool and the University of Liverpool, offer frequently contentious positions on the role of ...
Hadrian's Wall
In Hadrian's Wall: A Life, Hingley addresses the post-Roman history of Hadrian's Wall, and considers the ways in which the monument has been imagined, represented, and researched from the sixth century to the internet. With over 100 images, it discusses the significant political, cultural, and religious role the Wall has played over the years.
The Making of Women Artists in Victorian England
When women were admitted to the Royal Academy Schools in 1860, female art students gained a foothold in the most conservative art institution in England. The Royal Female College of Art, the South Kensington Schools and the Slade School of Fine Art also produced increasing numbers of women artists. Their entry into a male-dominated art world altered the perspective of other artists and the public. They came from disparate levels of society--Princess Louise, the fourth daughter of Queen Victoria, studied sculpture at the National Art Training School--yet they all shared ambition, talent and courage. Analyzing their education and careers, this book argues that the women who attended the art schools during the 1860s and 1870s--including Kate Greenaway, Elizabeth Butler, Helen Allingham, Evelyn De Morgan and Henrietta Rae--produced work that would accommodate yet subtly challenge the orthodoxies of the fine art establishment. Without their contributions, Victorian art would be not simply the poorer but hardly recognizable to us today.
"Marketing Art in the British Isles, 1700 to the Present "
A cultural history of the first truly modern art market, Marketing Art in the British Isles, 1700 to the Present furthers the burgeoning exploration of Britain's struggle to carve a niche for itself on the international art scene. Bringing together scholars from the UK, US, Europe, and Asia, this collection sheds new light on such crucial notions as the internationalization of the art market; the emergence of an increasingly complex exhibition culture; issues of national rivalry and emulation; artists' individual and collective strategies for their own promotion and survival; the persistent anti-commercialism of an elite group of art lovers and critics and accusations of philistinism levelle...
England and Scotland at War, c.1296-c.1513
The Anglo-Scottish wars of the late Middle Ages have long attracted scholarly attention, but studies focussing on the military aspects of the conflict over the longue durée and from both sides of the border have been lacking. In this collection of essays covering the years between the battles of Dunbar (1296) and Flodden (1513), Andy King and David Simpkin bring together leading historians in the field to consider afresh the armies and soldiers engaged in the wars, while also reflecting on the conflict's impact either side of the border. At a time when military history is undergoing a renaissance, the Anglo-Scottish wars offer a case-study not only of military institutions but also of the contributions made by individuals and communities. Contributors are Amanda Beam, Steve Boardman, Michael Brown, Sean Cunningham, Claire Etty, Jonathan Gledhill, David Grummitt, Andy King, Alastair Macdonald, Iain MacInnes, Gordon Pentland, David Simpkin, Andrew Spencer, Katie Stevenson and Thea Summerfield.
The Disability Studies Reader
The Fourth Edition of the Disability Studies Reader breaks new ground by emphasizing the global, transgender, homonational, and posthuman conceptions of disability. Including physical disabilities, but exploring issues around pain, mental disability, and invisible disabilities, this edition explores more varieties of bodily and mental experience. New histories of the legal, social, and cultural give a broader picture of disability than ever before. Now available for the first time in eBook format 978-0-203-07788-7.
Rutherford's Ladder
'Rutherford's Ladder' is the story of one of the largest universities in Britain and the academic institutions from which it was created.
Soldiers of the Short Grass
This is the first complete history of the Curragh Camp, from its foundation in 1855 to the present day, under both British and Irish occupation. Dan Harvey, a military historian and an experienced senior officer, presents a compelling and fascinating narrative of the camp’s many evocative eras and episodes. This unique establishment has been key in shaping Irish history while being shaped in turn by the great national and international conflicts that it was founded to respond to: the Crimean War, the Boer War, the Great War, the Easter Rising and War of Independence are all accounted for under the banner of the British Army. The first tricolour hoisted overhead of the camp signalled no cha...
The language of empire
The debate about the Empire dealt in idealism and morality, and both sides employed the language of feeling, and frequently argued their case in dramatic terms. This book opposes two sides of the Empire, first, as it was presented to the public in Britain, and second, as it was experienced or imagined by its subjects abroad. British imperialism was nurtured by such upper middle-class institutions as the public schools, the wardrooms and officers' messes, and the conservative press. The attitudes of 1916 can best be recovered through a reconstruction of a poetics of popular imperialism. The case-study of Rhodesia demonstrates the almost instant application of myth and sign to a contemporary i...
