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William Armstrong was a brilliant and charismatic figure of the 19th Century – a self-made man whose achievements are now being more widely recognised. Inventor, scientist, engineer, and an early advocator of renewable energy, he built a pioneering house in Northumberland in the North East of England called Cragside, the first house in the world to be lit by hydroelectricity. Armstrong's industrial powerhouse Elswick Works on the Tyne employed over 25,000 people in its heyday manufacturing hydraulic cranes, warships and armaments. He was a visionary who was loved, and hated, and feared in equal measure. While he brought great fame and fortune to his native Newcastle upon Tyne, and to his country as a whole, he was condemned in some quarters as 'a merchant of death' for his manufacturing of weapons of war. 'This intimate, authoritative portrait reveals as never before the extraordinary achievements of a multi-faceted Victorian giant.' David Kynaston 'An excellent book – hugely enjoyable.' Alexander Armstrong
British Horror Cinema investigates a wealth of horror filmmaking in Britain, from early chillers like The Ghoul and Dark Eyes of London to acknowledged classics such as Peeping Tom and The Wicker Man. Contributors explore the contexts in which British horror films have been censored and classified, judged by their critics and consumed by their fans. Uncovering neglected modern classics like Deathline, and addressing issues such as the representation of family and women, they consider the Britishness of British horror and examine sub-genres such as the psycho-thriller and witchcraftmovies, the work of the Amicus studio, and key filmmakers including Peter Walker. Chapters include: the 'Psycho Thriller' the British censors and horror cinema femininity and horror film fandom witchcraft and the occult in British horror Horrific films and 1930s British Cinema Peter Walker and Gothic revisionism. Also featuring a comprehensive filmography and interviews with key directors Clive Barker and Doug Bradley, this is one resource film studies students should not be without.
How do we make social democracy - by seizing the unknown possibilities of the future, or by focusing our attention on the immediate present? Julian Wright examines French reformist and idealist socialism's fascination with modern history, using interlocking biographical essays to understand the timeframe of their social transformation.
Discusses how plant-based chemicals affect and interact with the human brain and its evolution.
This original collection draws on the latest empirical research to explore the practical challenges facing happiness researchers today. By uniquely combining the critical approach of sociology with techniques from other disciplines, the contributors illuminate new qualitative and biographical approaches of the study of happiness and well-being.
Publisher Description
Offers new readings of Laurence Sterne's Tristram Shandy by considering its design features alongside broader developments in eighteenth-century book production.
This is a book of photographs about the people who use and work the English countryside and it is about people and their relationship to animals: ferrets, dogs, pigs, birds horses and more, memorably recorded with visual wit, and a constant eye for the extraordinary.
This book offers the first integrated study of the formation of diasporas from the islands of Ireland and Britain, and explores how the examples and experiences of the constituent nations and peoples of those islands compare.
This illuminating study explores crimes against, and involving, wildlife and the resultant social harms. The authors go well beyond basic conceptions of animal-related crime, such as illicit trade, for a deeper exploration of wildlife criminology, using a novel approach that combines philosophical, legal and criminological perspectives. They shed light on both legal and illegal harms, including blood sports, wildlife as food and abuse in zoos, and consider the potential connections with inter-human crimes. This is a unique treatment of wildlife as victims of crime and a consideration of their rights as sentient beings that sets new horizons for the concept of wildlife criminology.