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Francisco de Paula Brito
"Francisco de Paula Brito: A Black Publisher in Imperial Brazil is the biography of a black merchant, printer, bookseller, and publisher who lived in Rio de Janeiro from his birth in 1809 until his death in 1861"--
The Mystery of Samba
Samba is Brazil's "national rhythm," the foremost symbol of its culture and nationhood. To the outsider, samba and the famous pre-Lenten carnival of which it is the centerpiece seem to showcase the country's African heritage. Within Brazil, however, samba symbolizes the racial and cultural mixture that, since the 1930s, most Brazilians have come to believe defines their unique national identity. But how did Brazil become "the Kingdom of Samba" only a few decades after abolishing slavery in 1888? Typically, samba is represented as having changed spontaneously, mysteriously, from a "repressed" music of the marginal and impoverished to a national symbol cherished by all Brazilians. Here, however, Hermano Vianna shows that the nationalization of samba actually rested on a long history of relations between different social groups--poor and rich, weak and powerful--often working at cross-purposes to one another. A fascinating exploration of the "invention of tradition," The Mystery of Samba is an excellent introduction to Brazil's ongoing conversation on race, popular culture, and national identity.
Slave Portraiture in the Atlantic World
Slave Portraiture in the Atlantic World is the first book to focus on the individualized portrayal of enslaved people from the time of Europe's full engagement with plantation slavery in the late sixteenth century to its final official abolition in Brazil in 1888. While this period saw the emergence of portraiture as a major field of representation in Western art, 'slave' and 'portraiture' as categories appear to be mutually exclusive. On the one hand, the logic of chattel slavery sought to render the slave's body as an instrument for production, as the site of a non-subject. Portraiture, on the contrary, privileged the face as the primary visual matrix for the representation of a distinct individuality. Essays address this apparent paradox of 'slave portraits' from a variety of interdisciplinary perspectives, probing the historical conditions that made the creation of such rare and enigmatic objects possible and exploring their implications for a more complex understanding of power relations under slavery.
O livro no Brasil
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Poetics of Race in Latin America
Poetics of Race constitutes a critically and theoretically innovative analysis of racial and ethnic dynamics in Latin America, and their symbolic – artistic, ideological – representation. The book illustrates the relevance of cultural and racial minorities in different national contexts (particularly in Mexico, Brazil, the Andean region and the Caribbean) through the study of literary, filmic and visual productions that depict otherness, marginalization and popular resistance. The book focuses on negritude, indigenous cultures, andinismo, performance and cinematic discourses in which racial issues are displayed, elaborated and symbolized. The various critical approaches utilized in this volume also contribute to expand methodological horizons in the field while contributing to widening the corpus of literary texts and cultural practices in this area of studies.
The Party of Order
This study focuses on the Brazilian Empire's Conservative Party and its success and failure in constructing a representative, constitutional monarchy to defend a slaveholding plantation society.
Brazil in the Making
This innovative volume traces Brazil's singular character, exploring both the remarkable richness and cohesion of the national culture and the contradictions and tensions that have developed over time. What shared experiences give its citizens their sense of being Brazilian? What memories bind them together? What metaphors and stereotypes of identity have emerged? Which groups are privileged over others in idealized representations of the nation? The contributors--a multidisciplinary group of U.S. and Brazilian scholars--offer a fresh look at questions that have been asked since the early nineteenth century and that continue to drive nationalist discourse today. Their chapters explore Brazilian identity through an innovative framework that brings in seldom-considered aspects of art, music, and visual images, offering a compelling analysis of how nationalism functions as a social, political, and cultural construction in Latin America. Contributions by: Cristina Antunes, Dain Borges, Valéria Costa e Silva, James Green, Efrain Kristal, Ludwig Lauerhass Jr., Cristina Magaldi, Elizabeth A. Marchant, José Mindlin, Carmen Nava, José Luis Passos, Robert Stam, and Valéria Torres
Machado de Assis
A lively and accessible introduction to Machado de Assis and his work Machado de Assis (1839-1908) is a world-class writer and arguably the greatest of Brazilian literature. Susan Sontag deemed him "the greatest writer ever produced in Latin America," and Harold Bloom, "the supreme black literary artist to date." John Updike called him a "master," and Carlos Fuentes, a "miracle." This book guides the reader through Machado's biography, times, and critical reception and examines his various personas - the translator, poet, playwright, critic, cronista, short story writer, and novelist - paying particular attention to his fictional prose, which most clearly conveys his acerbic criticism of Brazilian society and his deft view of the human condition. The book closes with an updated list of Machado's works available in English translation and a selection of further critical studies.
