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What Makes a Great Exhibition?
For better or worse, museums are changing from forbidding bastions of rare art into audience-friendly institutions that often specialize in “blockbuster” exhibitions designed to draw crowds. But in the midst of this sea change, one largely unanswered question stands out: “What makes a great exhibition?” Some of the world’s leading curators and art historians try to answer this question here, as they examine the elements of a museum exhibition from every angle. What Makes a Great Exhibition? investigates the challenges facing American and European contemporary art in particular, exploring such issues as group exhibitions, video and craft, and the ways that architecture influences th...
What Makes a Great Exhibition?
Fourteen essays by leading curators and art historians address the most pressing issues surrounding exhibition-making today. Contributors include Glenn Adamson, Iwona Blazwick, Lynne Cooke, Detlef Mertins, Mark Nash and Robert Storr.
Pigeons on the Grass Alas
"Gathers together interviews with 41 curators to talk about their influences, aspirations, and challenges, offering a candid assessment of the field at this moment in time."--Publishers website.
Curating Now
In a time which one critic characterized recently as the era of the curator, it is not only relevant but absolutely necessary to thoroughly question the current state of curatorial practice, its professional values, and the assumptions implicit in them. Curating Now gathers together the thoughts of a diverse group of internationally recognized, influential curators, comments presented for the benefit and examination of their peers at a weekend-long symposium held in October 2000. Questions regarding curatorial power and authorship, as well as how external pressures and challenges shape exhibitions, were addressed by participants including Robert Storr, Senior Curator, The Museum of Modern Art, New York; Thelma Golden, Deputy Director of exhibitions, the Studio Museum in Harlem, New York; Hans-Ulrich Obrist, Curator, Musee d'Art Moderne de la Ville de Paris; and Nicholas Serota, Director, Tate Gallery, London.
Site Read: Seven Curators on Their Landmark Exhibitions
The curators and creators of some of the most influential exhibitions in recent decades talk about their history-making shows In this anthology, seven exhibition makers, including Mary Jane Jacob, Alan W. Moore, Seth Siegelaub, Jennifer Winkworth and others lay out the motivations, conditions, logistics and consequences of shows they organized that now stand as icons of structural innovation in terms of site. These exhibitions treat the museum as a studio (with works realized on-site); appear outside the museum (in the landscape, in domestic spaces, in the street, in the sky); and take the form of publishing or broadcasting (in books, online, on television), dispersing or networking (as mail art, or simultaneous happenings in different cities), or interspersing (interventions in the public sphere). This book gets at the core of their innovations--how the shows came to be, and what they became--and brings out the story and character of exhibitions that have, in many cases, already been written about extensively, while mitigating hagiography and historicization.
Collecting the New
Twelve distinguished curators discuss the questions & challenges faced by museums in acquiring & preserving contemporary art.
Hanging by a Thread
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Neuroendocrine Tumours
This book is a timely textbook that covers all aspects of neuroendocrine tumors (NET) from epidemiology, pathological classification and evaluation and molecular biology through to diagnostic imaging methods and therapeutic options, including the latest targeted therapies. The various types of NET are individually discussed, including carcinoid tumors, insulinomas, gastrinomas, glucagonomas, VIPomas, somatostatinomas, PPomas, medullary thyroid carcinomas, adrenocortical cancer, pheochromocytomas, paragangliomas and non-functioning pancreatic NETs. The contributing authors are internationally recognized experts who bring a wealth of experience to the subject. This book will be an invaluable source of information for practicing medical oncologists, surgeons, endocrinologists, gastroenterologists and pathologists and also trainees.
Curating Worship
Curation is a term usually used in the art world for the role of imagining and overseeing an exhibition or art experience. However the word is now being adopted by people in alternative worship, as it affords a very different and inventive way of thinking about how to lead a service or praise event. Rather than simply presiding over liturgy or fronting a band, curation involves negotiating between institutions and artists and making do with what is to hand to create something brilliant. The hope is that moments of epiphany will be experienced as God is invited to be and breathe in the space, and people make connections with their own lives and stories. Curating Worship is in two parts. The first considers the kind of thinking, skills and disciplines involved in good curation. The second consists of in depth interviews, which tease out from people who have curated amazing worship experiences around the world, the ideas and theories behind their approaches and the practical processes involved.
Letting Go?
Thought pieces, case studies, and conversations explore the implications of letting audiences create--not just receive--historical content.
