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Renaissance Women Writers
A collective awareness of the determining role of gender marks the essays in this volume, providing fresh insights into the works of Renaissance women writers.
The Art of Meditation and the French Renaissance Love Lyric
The Art of Meditation and the French Renaissance Love Lyric examines the poetics of meditation in the French love lyric at the height of the Lyonnais Renaissance as illustrated by one of the country's most prominent writers. Maurice Scève's Délie is the first French sequence of poems devoted to a single woman in the manner of Petrarch's Rime. It is also the first Renaissance work to use emblems in a sustained work on love. At their core, most amatory lyrics involve a triple relation among lover, beloved, and the meaning of love. Whether the poet-lover is a man or woman, poetic discourse generally takes the form of an interior monologue frequently intermingled with direct and indirect address to the beloved. Though the dominant quality of this lyric is personal introspection, Michael Giordano finds Délie to be consistent with traditions of Christian meditation. He argues that the amatory lyric served as a vehicle for contests of value and paradigm change not only because it was conditioned both by sacred and profane sources, but also because it occurred at a time of religious upheaval and scientific revolution.
Critical Tales
Appearing in print for the first time in 1558, the book that we now know as the Heptameron is the work of Marguerite, Queen of Navarre. Left incomplete, but dearly modeled on Boccaccio's Decameron, the Heptameron consists of a frame narrative and seventy-two tales told by five men and five women characters in the shady meadow at Notre Dame de Sarrance. As John D. Lyons and Mary B. McKinley contend in their introduction to this volume, the tales of the Heptameron portray the conflicts, ruptures, and upheavals that agitated early modern French society. They present a forum in which different elements of Renaissance and Reformation culture meet and, at times, collide. Contradictory suppositions...
King's Sister - Queen of Dissent
This study reconstructs for the first time Marguerite of Navarre s leadership of a broad circle of nobles, prelates, humanist authors, and commoners, who sought to advance the reform of the French church along evangelical (Protestant) lines. Hitherto misunderstood in scholarship, they are revealed to have pursued, despite persecution, a consistent reform program from the Meaux experiment to the end of Francis I s reign through a variety of means: fostering local church reform, publishing a large corpus of religious literature, high-profile public preaching, and attempting to shape the direction of royal policy. Their distinctive doctrines, relations with major reformers including their erstwhile colleague Calvin involvement in major Reformation events, and the impact of their unsuccessful attempt are all explored.
The Visionary Queen
The Visionary Queen affirms Marguerite de Navarre’s status not only as a political figure, author, or proponent of nonschismatic reform but also as a visionary. In her life and writings, the queen of Navarre dissected the injustices that her society and its institutions perpetuated against women. We also see evidence that she used her literary texts, especially the Heptaméron, as an exploratory space in which to generate a creative vision for institutional reform. The Heptaméron’s approach to reform emerges from statistical analysis of the text’s seventy-two tales, which reveals new insights into trends within the work, including the different categories of wrongdoing by male, institutional representatives from the Church and aristocracy, as well as the varying responses to injustice that characters in the tales employ as they pursue reform. Throughout its chapters, The Visionary Queen foregrounds the trope of the labyrinth, a potent symbol in early modern Europe that encapsulated both the fallen world and redemption, two themes that underlie Marguerite's project of reform.
Sacred and Secular Agency in Early Modern France
Challenging the master narrative of secularization, an exploration of the persistent influence of religious categories in the cultural landscape of Europe's first secular state.
Distant Voices Still Heard
The highs and lows of structuralist reading / François Rigolot -- Rabelais' strength and the pitfalls of methodology / Michel Jeanneret -- "Blonde chef, grande conqueste" / Ann Rosalind Jones -- Louise Labé's feminist poetics / Carla Freccero -- Reading and writing in the tenth story of the Heptaméron / Floyd Gray -- Fetishism and storytelling in the Nouvelle 57 of Marguerite de Navarre's Heptaméron / Nancy Frelick -- Creative choreography / Malcolm Quainton -- An overshadowed valediction / Thomas Greene -- "De l'amitié" / Ann Moss -- Montaigne's death sentences / Lawrence Kritzman
Writings by Pre-Revolutionary French Women
First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
Secrets
In Secrets: Humanism, Mysticism, and Evangelism in Erasmus of Rotterdam, Bishop Guillaume Briçonnet, and Marguerite de Navarre, Jacob Vance argues that Erasmus and French Evangelical humanists made secrecy central to their literary thought. They revived Scriptural, medieval, and early Renaissance notions of secrecy in their spiritual and profane literature to advance the reforms in church and society that they advocated. Erasmus, Briçonnet, and Marguerite expanded on Origenian, Augustinian, and pseudo-Dionysian concepts of divine mystery, as being secret, throughout their works. By developing the idea that the divine remains both transcendent and immanent in the world of creation, these humanists explored, through literature, how the human spirit can either accede, or fail to accede, to the secrets of Christian wisdom.
