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First Published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
The essays gathered in the present collection provide textual explorations of the theoretical borderland between interiors and exteriors, undertaken from a variety of perspectives and representing varying approaches and understandings of these terms. In the realm of theory, the distinction between what we choose to include and what we exclude remains a political choice, often fraught with dilemmas that cannot be resolved. How to discern between interiors and exteriors? Where do we draw dividing lines? Do we want to draw them anymore? Or, alternately, can we afford not to divide and discern between the inside and outside, between here and there, between “us” and “them”? If the binary divisions, so much discredited, no longer hold, if we must include multiplicity and plurality of readings, is any distinction between these dimensions possible? Essays collected in the present volume attempt to present a wide plethora of answers to these questions.
This collection of 15 original essays, assembled by renowned Mamet and Pinter scholar Leslie Kane, examines the pervasiveness of crime and criminality in the plays and screenplays of two of the most influential contemporary dramatists. The contributors generally focus on one or more works by a single writer, while a few take a comparative approach. Often the works studied are lesser-known or infrequently discussed works, thereby making this volume a valuable addition to current scholarship. In addition, this volume complements other works on Mamet and Pinter on our backlist, including Kane's earlier edited volumes on Mamet which both received solid sales and accolades from Choice. Assembled by a Garland/Routledge author with a proven sales record and impressive critical reception, this collection should be an easy sell to academic and theater libraries, as well as Pinter and Mamet specialists.
Stephen Sondheim is arguably the most important writer for the American musical stage today, the equivalent in his field of Miller, Albee, O'Neill, and Williams. Yet he has rarely been treated seriously within the academy. Reading Stephen Sondheim: A Collection of Critical Essays is an attempt to remedy that situation. Bringing together scholars and critics from a wide variety of literary and theoretical perspectives, this book undertakes to examine all of Sondheim's major productions and themes.
This collection of essays focuses on one of Harold Pinter’s most popular and challenging plays, The Dumb Waiter, while addressing also a range of significant issues current in Pinter studies and which are applicable beyond this play. The interesting and provocative dialogues between established and emerging scholars featured here provide close readings of The Dumb Waiter, within relevant cultural and historical contexts and from a range of theoretical perspectives. The essays range over issues of autobiography and theater, genre studies, and the impact of Pinter’s political activism on his dramatic production, among others. The collection is also concerned with the meaning of the play wh...
For British playwright, John Osborne, there are no brave causes; only people who muddle through life, who hurt, and are often hurt in return. This study deals with Osborne's complete oeuvre and critically examines its form and technique; the function of the gaze; its construction of gender; and the relationship between Osborne's life and work. Gilleman has also traced the evolution of Osborne's reception by turning to critical reviews at the beginning of each chapter.
The controversial British writer Ford Madox Ford (1873-1939) is increasingly recognized as a major presence in early twentieth-century literature. This series of International Ford Madox Ford Studies was founded to reflect the recent resurgence of interest in him. Each volume is based upon a particular theme or issue; and relates aspects of Ford's work, life, and contacts, to broader concerns of his time. The present book is part of a large-scale reassessment of his roles in literary history. Ford is best-known for his fiction, especially The Good Soldier, long considered a modernist masterpiece; and Parade's End, which Anthony Burgess described as 'the finest novel about the First World War...
This all-new collection examines the social, gendered, ethnic, and cultural problems of incarceration as explored in contemporary theatre.