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This collection of research has attempted to capture the essence and promise embodied in the concept of “identity” and built a bridge to the realm of second language studies. However, the reader will notice that we did not build just one link. This volume brings to light the diversity of research in identity and second language studies that are grounded the notions of community, instructors and students, language immersion and study abroad, pop culture and music, religion, code switching, and media. The chapters reflect the efforts of contributors from Canada, Japan, Norway, New Zealand, the United Arab Emirates, and the United States who performed their research in the countries just mentioned and in other regions around the world. Because of this, this volume truly offers an international perspective.
Christianity flourishes in areas facing profound dislocations amidst regime change and warfare. This book explains the appeal of Christianity in the Chaozhou-Shantou (Chaoshan) region during a time of transition, from a stage of disintegration in the late imperial era into the cosmopolitan and entrepreneurial area it is today. The authors argue that Christianity played multiple roles in Chaoshan, facilitating mutual accommodations and adaptations among foreign missionaries and native converts. The trajectory of Christianization should be understood as a process of civilizational change that inspired individuals and communities to construct a sacred order capable of empowerment in times of chaos and confusion.
This volume examines the progress of Chinese art during the time period of the Five Dynasties, Northern and Southern Song, Liao, Western Xia, Jin Dynasties as well as the Yuan Dynasty. A special focus lies on the analysis of cultural policies adopted during the reign of the respective dynasties and their effects on the development of dance, court music and drama. A General History of Chinese Art comprises six volumes with a total of nine parts spanning from the Prehistoric Era until the 3rd year of Xuantong during the Qing Dynasty (1911). The work provides a comprehensive compilation of in-depth studies of the development of art throughout the subsequent reign of Chinese dynasties and explores the emergence of a wide range of artistic categories such as but not limited to music, dance, acrobatics, singing, story telling, painting, calligraphy, sculpture, architecture, and crafts. Unlike previous reference books, A General History of Chinese Art offers a broader overview of the notion of Chinese art by asserting a more diverse and less material understanding of arts, as has often been the case in Western scholarship.
At publication date, a free ebook version of this title will be available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. Revolutionary Bodies is the first English-language primary source–based history of concert dance in the People’s Republic of China. Combining over a decade of ethnographic and archival research, Emily Wilcox analyzes major dance works by Chinese choreographers staged over an eighty-year period from 1935 to 2015. Using previously unexamined film footage, photographic documentation, performance programs, and other historical and contemporary sources, Wilcox challenges the commonly accepted view that Soviet-inspired revolutionary ballets are the primary legacy of the socialist era in China’s dance field. The digital edition of this title includes nineteen embedded videos of selected dance works discussed by the author.
This volume comprises papers presented at the China-US Millennium Symposium on Earthquake Engineering, held in Beijing, China, on November 8-11, 2000. This conference provides a forum for advancing the field of earthquake engineering through multi-lateral cooperation.
The Great Proletarian Cultural Revolution occurred in the second decade after Mao Zedong and his comrades came to power in 1949. A comprehensive narrative account of this colossal event, written by Yan Jiaqi, one of the principal leaders of China's pro-democracy movement, and his wife, Gao Gao, a noted sociologist, appeared in Hong Kong in 1986 and was quickly banned by the Communist government. Not surprisingly, censorship and restricted circulation in China resulted in underground reproduction and serialization. The work was thus widely read, coveted, and appreciated by a populace who had just freed itself from the cultural drought and political dread of the event. Yan and Gao later spent ...
The pervasiveness of computers in every field of science, industry and everyday life has meant that applied mathematics, particularly in relation to modeling and simulation, has become ever more important in recent years. This book presents the proceedings of the 2021 International Conference on Applied Mathematics, Modeling and Computer Simulation (AMMCS 2021), hosted in Wuhan, China, and held as a virtual event from 13 to 14 November 2021. The aim of the conference is to foster the knowledge and understanding of recent advances across the broad fields of applied mathematics, modeling and computer simulation, and it provides an annual platform for scholars and researchers to communicate imp...
"Breaks new ground in analyzing China's decision to enter the war and its subsequent struggle to hold its own against the world's most powerful nation. Should stand for some time as the standard comprehensive treatment of China in the Korean War". -- William Stueck, author of The Korean War. "Offers provocative insights into Mao's thinking about strategy, tactics, and the human costs of warfare. Highly recommended". -- John Lewis Gaddis, author of The Long Peace.