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The Role of Jack Kerouac’s Identity in the Development of his Poetics
This work revolves round the analysis of Jack Kerouac's complex identity and his main artistic inspirations. Even though the writer was born in Lowell, MA, he was raised in a Franco-American family with strong bonds with the Quebec region. The resultant split identity led to deep existential doubts that Kerouac was never able to overcome. However, the awareness of his cultural dichotomy proved extremely important for his own work. Indeed, the Beat author was able to reach an original poetics which was inspired by both American and French writers. Despite Kerouac's innovative style and writing method, an analysis of the artists who influenced his work could help contextualize and better understand his literary and linguistic genius.
Mania
Mania takes you into the world of the young rebels who transformed American culture in the 1950s-a world of sex, drugs, jazz, crime, insanity, and a defiant new literature. It tells the story of Lucien Carr's killing of David Kammerer, the car chase that led to Allen Ginsberg's committal to a mental asylum, William S. Burroughs' heroin addiction and deadly "William Tell act," Jack Kerouac's seven-year struggle to publish On The Road, and the creation of Ginsberg's ecstatic masterpiece "Howl," which the authorities declared obscene and fought fervently to suppress. It is a story too unbelievable to make up. Book jacket.
The Black Romantic Revolution
The prophetic poetry of slavery and its abolition During the pitched battle over slavery in the United States, Black writers—enslaved and free—allied themselves with the cause of abolition and used their art to advocate for emancipation and to envision the end of slavery as a world-historical moment of possibility. These Black writers borrowed from the European tradition of Romanticism—lyric poetry, prophetic visions--to write, speak, and sing their hopes for what freedom might mean. At the same time, they voiced anxieties about the expansion of global capital and US imperial power in the aftermath of slavery. They also focused on the ramifications of slavery's sexual violence. Authors...
Kerouac Ascending
Kerouac Ascending: Memorabilia of the Decade of On the Road is a memoir written by Elbert Lenrow about his relationship with Jack Kerouac, whom he taught at the New School in New York when Jack was emerging as a writer, and with Allen Ginsberg, both of whom Lenrow befriended and encouraged. Lenrow writes with sympathy and charm about both writers and their “beat” friends, revealing Kerouac’s seriously academic side by sharing papers he wrote in his course and giving insight about both writers through letters and poems they shared or wrote in Lenrow’s apartment. In her preface, Katherine Burkman, editor and cousin to Lenrow, gives a context for the memoir, expanding on Lenrow’s gifts as a teacher while Lenrow’s niece, Barbara Phillips, adds further insights. Howard Cunnell’s Introduction offers excellent material on the young Kerouac’s development, partly under Lenrow’s tutelage. An appendix of Ginsberg’s handwritten letters to Elbert, typewritten in the memoir, reveals the drama of his own handwriting and the enormous warmth in his relationship with Lenrow over a period of many years. With an introduction by Howard Cunnell.
The Cambridge Companion to American Poets
This Companion brings together essays on some fifty-four American poets, from Anne Bradstreet to contemporary performance poetry. This book also examines such movements in American poetry as modernism, the Harlem (or New Negro) Renaissance, "confessional" poetry, the Black Mountain School, the New York School, the Beats, and L=A=N=G=U=A=G=E poetry.
American Countercultures: An Encyclopedia of Nonconformists, Alternative Lifestyles, and Radical Ideas in U.S. History
Counterculture, while commonly used to describe youth-oriented movements during the 1960s, refers to any attempt to challenge or change conventional values and practices or the dominant lifestyles of the day. This fascinating three-volume set explores these movements in America from colonial times to the present in colorful detail. "American Countercultures" is the first reference work to examine the impact of countercultural movements on American social history. It highlights the writings, recordings, and visual works produced by these movements to educate, inspire, and incite action in all eras of the nation's history. A-Z entries provide a wealth of information on personalities, places, events, concepts, beliefs, groups, and practices. The set includes numerous illustrations, a topic finder, primary source documents, a bibliography and a filmography, and an index.
Discovering Robin Hood
The name of Joseph Ritson, born in Stockton-on-Tees in 1752, will be familiar to very few people. The name of Robin Hood is known the world over. Yet it was Ritson whose research in the late eighteenth century ensured the survival of the Robin Hood legend. He traveled all over the country looking for ancient manuscripts which told of the life and deeds of England’s most famous outlaw. Without his efforts, the legend of Robin Hood might have gone the way of other medieval outlaws such as Adam Bell — famous in their day but not so much now. Yet this is not only a story about the formation of the Robin Hood legend. Ritson’s story is one of rags to riches. Born in humble circumstances, his...
How Myth Became History
"The book explores how border subjects have been created and disputed in cultural narratives of the Texas-Mexico border, comparing and analyzing Mexican, Mexican American, and Anglo literary representations of the border"--Provided by publisher.
Food and Feast in Modern Outlaw Tales
This collection of scholarly essays presents new work from an emerging line of inquiry: modern outlaw narratives and the textual and cultural relevance of food and feasting. Food, its preparation and its consumption, is presented in outlaw narratives as central points of human interaction, community, conflict, and fellowship. Feast scenes perform a wide variety of functions, serving as cultural repositories of manners and behaviors, catalysts for adventure, or moments of regrouping and redirecting narratives. The book argues that modern outlaw narratives illuminate a potent cross-cultural need for freedom, solidarity, and justice, and it examines ways in which food and feasting are often used to legitimate difference, create discord, and manipulate power dynamics.
Fugitive Life
During the 1970s in the United States, hundreds of feminist, queer, and antiracist activists were imprisoned or became fugitives as they fought the changing contours of U.S. imperialism, global capitalism, and a repressive racial state. In Fugitive Life Stephen Dillon examines these activists' communiqués, films, memoirs, prison writing, and poetry to highlight the centrality of gender and sexuality to a mode of racialized power called the neoliberal-carceral state. Drawing on writings by Angela Davis, the George Jackson Brigade, Assata Shakur, the Weather Underground, and others, Dillon shows how these activists were among the first to theorize and make visible the links between conservative "law and order" rhetoric, free market ideology, incarceration, sexism, and the continued legacies of slavery. Dillon theorizes these prisoners and fugitives as queer figures who occupied a unique position from which to highlight how neoliberalism depended upon racialized mass incarceration. In so doing, he articulates a vision of fugitive freedom in which the work of these activists becomes foundational to undoing the reign of the neoliberal-carceral state.
