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In his fourth volume of Family Trees, celebrated rock historian Pete Frame spans several decades and many musical styles to offer another unique insight into the development of popular culture. Among the featured artists are Jeff Beck, Black Sabbath, CSN&Y, The Cult, Dr Feelgood, Bob Dylan, Happy Mondays, Buddy Holly, Iron Maiden, The Lightning Seeds, The Lovin' Spoonful, The Mamas And The Papas, New Order, Oasis Ozzy Osbourne, Pink Floyd, Public Image Limited, Santana, Sex Pistols, Siouxsie & The Banshees, The Smiths, Spirit, Stone Roses, The Velvet Underground.
It was our version of a Hollywood epic, shot in black and white over a ten year period, with no script and a cast of thousands who had to make it up as they went along. Tommy Steele, Cliff Richard, Lonnie Donegan, Terry Dene, Marty Wilde, Mickie Most, Lionel Bart, Tony Sheridan, Billy Fury, Joe Brown, Wee Willie Harris, Adam Faith, John Barry, Larry Page, Vince Eager, Johnny Gentle, Jim Dale, Duffy Power, Dickie Pride, Georgie Fame and Johnny Kidd were just a few of those hoping to see their name in lights. From the widescreen perspective of one who watched the story unfold, Pete Frame traces the emergence of rock music in Britain, from the first stirrings of skiffle in suburban pubs and jazz clubs, through the primitive experimentation of teenage revolutionaries in the coffee bars of Soho, to the moulding and marketing of the first generation of television idols, and the eventual breakthrough of such global stars as the Beatles and the Rolling Stones. Castic and irreverent, but authoritative and honest, this is the definitive story.
Hawkwind's fusion of agit-prop and improvised space rock-including Lemmy and lyrics by Michael Moorcock-made them intriguing outsiders in rock. For over 30 years, Hawkwind have successfully existed outside the traditional music business, and spawned a fanatical fanbase. This high quality, authoritative biography contains dozens of new interviews with band members and over 100 rare illustrations, many published for the first time. With a cover designed by Hawkwind's own sleeve artist Peter Pracownik and full co-operation of the all the key protagonists, this authoritative, high-quality biography is the definitive account of one of the UK's most innovative bands.
Within the Frame is a book about finding and expressing your photographic vision, specifically where people, places, and cultures are concerned. A personal book full of real-world wisdom and incredible images, author David duChemin (of pixelatedimage.com) shows you both the how and the why of finding, chasing, and expressing your vision with a camera to your eye. Vision leads to passion, and passion is a cornerstone of great photography. With it, photographs draw the eye in and create an emotional experience. Without it, a photograph is often not worth—and can’t capture—a viewer’s attention. Both instructional and inspirational, Within the Frame helps you on your photographic journey to make better images of the places and people you love, whether they are around the world or in your own backyard. duChemin covers how to tell stories, and the technology and tools we have at our disposal in order to tell those narratives. Most importantly, he stresses the crucial theme of vision when it comes to photographing people, places, and cultures—and he helps you cultivate and find your own vision, and then fit it within the frame.
'Owls Do Cry remains innovative and relevant' GUARDIAN 'Janet Frame was a unique and troubled soul whose luminous words are the more precious' HILARY MANTEL 'Her dark, eloquent song captured my heart ' JANE CAMPION Owls Do Cry is the story of the Withers family: Francie, soon to leave school to start work at the woollen mills; Toby, whose days are marred by the velvet cloak of epilepsy; Chicks, the baby of the family; and Daphne, whose rich, poetic imagination condemns her to a life in institutions. It is one of the classics of New Zealand literature and has remained in print continuously for fifty years. A fiftieth anniversary edition was published in 2007. Owls Do Cry is Janet Frame's firs...
Take to the trails for a celebration of nature — and a day spent with dad. In the cool and quiet early light of morning, a father and child wake up. Today they’re going on a hike. Follow the duo into the mountains as they witness the magic of the wilderness, overcome challenges, and play a small role in the survival of the forest. By the time they return home, they feel alive — and closer than ever — as they document their hike and take their place in family history. In detail-rich panels and textured panoramas, Pete Oswald perfectly paces this nearly wordless adventure, allowing readers to pause for subtle wonders and marvel at the views. A touching tribute to the bond between father and child, with resonant themes for Earth Day, Hike is a breath of fresh air.
Frame is justly celebrated for his unique contribution to the literature of the music he loves. This latest set includes newly drawn family trees of Elton John, the Allman Brothers Band, Fleetwood Mac, the Beach Boys, Eric Clapton, and many others.
They had just a few hundred pounds, one band missing a drummer, a sock drawer for an office, more dreams than sense and not a clue between them how to run a record company. But when Alan Horne and Edwyn Collins decided to start their own label from a shabby Glasgow flat in 1979, nobody was going to stand in their way. Postcard Records was the mad, makeshift and quite preposterous result. Launching the careers of Orange Juice, Aztec Camera and cult heroes Josef K, the self-styled ‘Sound of Young Scotland’ stuck it to the London music biz and, quite by accident, kickstarted the 1980s indie music revolution. Simon Goddard has interviewed everyone involved in the making of the Postcard legend to tell this thrilling rock’n’roll story of punk audacity, knickerbocker glories, broken windscreens, raccoon-fur hats, comedy, violence and creating something beautiful from nothing, against all the odds.