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Franz Liszt: The Weimar years, 1848-1861
The final volume of Walker's monumental study (Franz Liszt, Vol. 1: The Virtuoso Years, 1811-47, Franz Liszt, Vol. 2: The Weimar Years, 1848-61,) draws upon some recent scholarship to present a more complete picture of Liszt's life and achievements than had been previously possible. Liszt's remarkably peripatetic existence creates manifold challenges for the conscientious scholar, but Walker is more than equal to the task. His narrative is copiously footnoted yet never seems to bog down in minutiae. In fact, quite the opposite: the prose is so lively that the reader is often swept along by the narrative. A particularly fascinating section concerns the infamous Cosima Liszt-Hans von Buelow-Ri...
Franz Fühmann: Innovation and Authenticity
This is the first full-length study of the life and works of Franz Fühmann (1922-1984) to be published in English. It provides a complete reassessment of his importance as a prose-writer, informed by the extensive corpus of Fühmann's writing which has only appeared posthumously or is now accessible in the archives of the Akademie der Künste in East Berlin. Dennis Tate argues that, from the middle 1950s onwards, Fühmann's prose writing is both stylistically innovative and committed to the authentic representation of his experience, thereby challenging the conventional wisdom that little writing of international significance could be produced in the ideological context of the GDR until Hon...
Franz Liszt
This biography of the musician Franz Liszt contributes to our understanding of national identity formation and its interaction with cosmopolitanism. Liszt exemplified the nineteenth-century quest for subjective definition and fulfillment. Seeking to gain agency, authority, and community, Liszt experimented with various subject positions from which to forward his goals. The stances he selected, anchored in ideas about nation, religion, and art, allowed him to retain his cosmopolitan sensibility while making specific aesthetic and creative claims. Quinn’s analysis of Liszt’s correspondence and musical criticism, as well as of contemporary reviews of his performances, compositions, and essays, demonstrates the lack of a nationalist exclusivity in Liszt’s life was a historical phenomenon rather than a personal quirk as previous scholarship has often claimed.
Franz Liszt
Franz Liszt: A Research and Information Guide is an annotated bibliography concerning both the nature of primary sources related to the composer and the scope and significance of the secondary sources which deal with him, his compositions, and his influence as a composer and performer. The second edition includes research published since the publication of the first edition and provide electronic resources. Franz Liszt was born on 22 October 1811 at Raiding, today located in Austria’s Burgenland. He received his first piano lessons from his father, Adam Liszt, an employee of the celebrated Eszterházy family. Young Franz was quickly acclaimed a prodigy, and in 1820 a group of Hungarian magnates offered to underwrite his musical education. Shortly thereafter the Liszts moved to Vienna, where Franz studied piano and composition with Carl Czerny and Anton Salieri. Performances there earned Liszt local fame; even Beethoven expressed interest in him.
Franz Liszt: The virtuoso years, 1811-1847
The third volume in Alan Walker's magisterial biography of Franz Liszt. "You can't help but keep turning the pages, wondering how it will all turn out: and Walker's accumulated readings of Liszt's music have to be taken seriously indeed."--D. Kern Holoman, New York Review of Books "A conscientious scholar passionate about his subject. Mr. Walker makes the man and his age come to life. These three volumes will be the definitive work to which all subsequent Liszt biographies will aspire."--Harold C. Schonberg, Wall Street Journal "What distinguishes Walker from Liszt's dozens of earlier biographers is that he is equally strong on the music and the life. A formidable musicologist with a lively ...
A Companion to the Works of Franz Kafka
Kafka's novels and stories fascinate readers and critics of each generation. Although all theories attempt to appropriate Kafka, there is no one key to his work. This work aims to present a point of view while taking account of previous Kafka research.
Franz Schreker, 1878-1934
Franz Schreker was the most frequently performed opera composer of his generation. His controversial works dominated the central European repertory in the years after the First World War and exercised a major influence on such younger contemporaries as Alban Berg, Kurt Weill, and Ernst Krenek. Forced into retirement by Hitler's racial decrees in 1933, the composer, his music banned, died a broken man. Thereafter Schreker became a forgotten chapter in the history of new music. Schreker's music is only now beginning to enjoy a revival. This first major biography not only introduces the reader to this important repertory, but sets the composer's life and works in the context of his turbulent times. Franz Schreker is a dramatic narrative of an artist poised between the intoxicating late Romanticism of fin-de-siecle Vienna and the sober "New Objectivity" of Weimar Berlin, between a precipitous rise to fame and an equally sudden fall from favor in which aesthetic fashion and political intrigue played their parts. Above all, the Schreker phenomenon can provide a key to understanding the evolution of musical thought during the problematic years before and after the First World War.
Franz Kafka
"This short and readable critical biography emphasizes the relationship between Franz Kafka's life and works as read through his culture and his understanding of his own 'body'. Kafka's writings, letters and diaries provide a window into his ongoing attempt to create an identity for himself in a world where being a Central European Jew dictated an uneasy fate. Sander L. Gilman stresses the image and role of the Jew in Kafka's world of the 'modern' and how Kafka responded to these attitudes, actions and stereotypes." "Gilman also looks at the impact of psychoanalysis on Kafka and his works. The book contains much material that elucidates how Kafka reshaped such experiences of the world in his literary texts. It examines the creation of the 'Kafka-myth' after his death, presenting material emerging from the subsequent eighty years, including work by such illustrious minds as Walter Benjamin and Ted Hughes."--BOOK JACKET.
