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Then in a beautiful cloud of Holy, I go out the door to meet with my people, to see if I really am. With the angelus and two and six in my pocket, I am a rich and holy possible Jesus. I stop and talk to everyone I meet: 'Hello, I might be Jesus.' Meet Pakie. An orphan, a storyteller, an adventurer, a survivor. He may not be the sharpest sandwich in the tool box, but Pakie knows a thing or two about the history of his native town – from the vicious Vikings, to the less-than Christian Brothers. Pakie's a laugh a minute . . . but he's got secrets. Secrets the God-fearing people of Oggle may not be ready to hear. Written by renowned Irish actor Peter Gowen, The Chronicles of Oggle is a hilarious and heartbreaking story of small towns and even smaller minds.
Coming of the English, 1169-1690 - Unionists - Republicans - Easter rising to Civil War, 1916-1923 - Truce, 1922-1968 - Birminhgam six - Bernadette Devlin - Ian Paisley - Sinn Fein - Women's Peace Movement - Black and Tans - Bloody Sundaya_____________
Teaching Research Methods in Political Science brings together experienced instructors to offer a range of perspectives on how to teach courses in political science. It focuses on numerous topics, including identifying good research questions, measuring key concepts, writing literature reviews and developing information literacy skills.
Ancestors include: David Evans (fl. 1717-1764) of Prince George County, Maryland, and Virginia -- Rev. Hawte Wyatt (1594-1638) of Boxley, Kent, England, and Jamestown, Virginia -- John Heard (fl. 1702-1708) of King William County, Virginia -- William Hammock (fl. 1672) of old Rappahannock County, Virginia -- Joseph Fitzpatrick (ca. 1720-1777) of Ireland and Albermarle County, Virginia -- Thomas Blassingame (d. ca. 1770) of Virginia and Craven County, South Carolina.
Set in Ireland, this book tells the story of teenage hero Francie Brady. Things begin to fall apart after his mother's suicide - when he is consumed with fury and commits a horrible crime. Committed to an asylum, it is only here that he finally achieves peace. Shortlisted for the 1992 Booker Prize.
In this wide-ranging and incisive collection, Peter Gowan traces the contours of the world order that emerged after the end of the Cold War and assesses its prospects in the light of the global economic downturn. Arguing that the present inter-state system was shaped from the outset by Washington's drive to maintain its status as global hegemon, Gowan dissects several cherished myths of the liberal mainstream, offering a radical counter-history of the UN and a sharp critique of the West's interventions in the Balkans. He provides a forceful response to advocates of a new cosmopolitanism, and engages with neo-realist theories of international relations-asking whether the US invasions of Iraq and Afghanistan have resulted in a crisis for their visions of American power, and discussing what the lineaments of a future order might be. Closing with an interview conducted just before his death which discusses his life's work, A Calculus of Power is a penetrating look at contemporary world politics by one of the most renowned thinkers of the New Left.
This bold new play from award-winning playwright Carmel Winters deals with the near-taboo topics of sex, power and parentage within modern relationships. Set in the intoxicating height of the boom and, finally, the sober fall of the bust, Best Man prompts a public reckoning of our most private struggles as questions of power within the family are examined with scorching insight. Following the nationwide success of the high-profile B for Baby tour by the Abbey Theatre, this world premiere is the second major work from one of Ireland's most exciting writers. Best Man will run at the Everyman, Cork from 21 – 29 June and then at the Project Arts Centre, Dublin, from 16 – 27 July.
This study examines the Chinese model of modern development, reflecting on the historical experience of China's reform and highlighting theoretical issues that are crucial for understanding the reform in its historical and global contexts. Bringing together articles from scholars, including designers of and active participants in the reform, opinion setters in the current debates on the nature and future of the reform, and Western scholars whose ideas have had great impact on Chinese intellectuals, the book considers the goals of China's reforms and the ways in which these goals may be achieved, the most urgent issues now facing China, and globalization and its impact on China.
Few individuals can document their ancestry back 85 generations. Even fewer can trace their ancestry to the Merovingian, Capetian, and Carolingian Kings, the Sea-Kings of Norway, the Ancient Irish Kings of Tara, and the Grail Fisher Kings of ancient Wales. These ancestry lines extend as far back as 780 BC in the ancient city of Jerusalem, at Tara Castle in Ireland, and Skarra Brae in ancient Orkney. Family names such as Wolter, Schwartz, Hanke, Kittlesby, Rolefson, Austin, Scott, Thorndyke, Madill, Easley and Russell soon give way to Grunewald and Albrechts from Germany, Brandt from Norway and Allington, Sinclair, Ruthven, Plantagenet, Redmayne, DeGotham, Waldegrave, de La Tour, DeVere, and de Coucy of Britain and Normandy - to Rollo, Halfdan Sveidisoon, Thorfinn of Orkney, Frosti, King of Kvenland and Owain of Wales. Queens, Kings, Earls and Templar Knights, Lords and Barons dominate the lines; all ambitious, powerful and enigmatic leaders of the past who encouraged and fought for the future that we enjoy.
* Lucid and accessible style makes the series appealing to the general reader * Liberally illustrated throughout with stills from the film under discussion. * Collaboration between Cork University Press and the Film Institute of Ireland. Between the premiere of Brian Friel's stage play "Dancing at Lughnasa" in 1990 and Pat O'Connor's cinematic adaptation in 1998, Ireland experienced seismic economic and social changes, as well as "Riverdance", "Angela's Ashes" and an international vogue for all things Irish. Set in 1936, "Dancing at Lughnasa", as both film and play, imagines an anachronistic past in which the loss of joyous communal ritual is symptomatic of the cultural malaise so often associated with Ireland in the 1930s. Drawing upon unpublished material from the Friel archive at the National Library of Ireland, Joan FitzPatrick Dean contrasts the expressly theatrical elements of Friel's play and their cinematic counterparts