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Jan Peter Hammer
"This is the first monograph detailing the practice of the German artist Jan Peter Hammer. The two essays and the conversation between the artist and Adam Kleinmann address the economic, social and historical tones that characterize Hammer's video installations, as well as his sculptures and neon pieces, which are chronicled from 1993 to 2015"--Publisher's website.
Every Tool's a Hammer
In this New York Times bestselling “imperative how-to for creativity” (Nick Offerman), Adam Savage—star of Discovery Channel’s Mythbusters—shares his golden rules of creativity, from finding inspiration to following through and successfully making your idea a reality. Every Tool’s a Hammer is a chronicle of my life as a maker. It’s an exploration of making, but it’s also a permission slip of sorts from me to you. Permission to grab hold of the things you’re interested in, that fascinate you, and to dive deeper into them to see where they lead you. Through stories from forty-plus years of making and molding, building and breaking, along with the lessons I learned along the...
Three Approaches to Data Analysis
In this book, the following three approaches to data analysis are presented: - Test Theory, founded by Sergei V. Yablonskii (1924-1998); the first publications appeared in 1955 and 1958, - Rough Sets, founded by Zdzisław I. Pawlak (1926-2006); the first publications appeared in 1981 and 1982, - Logical Analysis of Data, founded by Peter L. Hammer (1936-2006); the first publications appeared in 1986 and 1988. These three approaches have much in common, but researchers active in one of these areas often have a limited knowledge about the results and methods developed in the other two. On the other hand, each of the approaches shows some originality and we believe that the exchange of knowledg...
The Hammers Genealogy
Peter Hammer was born 19 August 1757 in Bucks Co., Pennsylvania, married 17 Sept. 1812 in Monongalia Co., Virginia to Sarah Pearce, and died 18 April 1838.
Gender and Diversity Issues in Religious-Based Institutions and Organizations
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Friday Evening, Eight O’Clock
Tasha is a dreamer in search of a new dream. Shes bored with Pilates. Shes never tried yoga. She doesnt even have a drivers license. She lives a pretty ordinary life as a freelance writer who battles the occasional flow of melancholy with the regular flow of martinis. Nestled into her couch, her television remote in one hand and a cold adult beverage in the other, shes found a favorite way to pass the hours on a Friday evening. Its comfortable and familiar, but its not exactly an exciting way to live. With two of her closest friends, a bossy mother, an eighty-two-year-old grandmother, and Griffin, her fat yellow Labrador at her side, she knows that there has to be something better out there. But where? When she gets an unexpected offer to relocate to France to write a magazine column, she thinks her circumstances are improving. But life in a new country isnt all pches et la crme. Now far away from her comfort zone, Tasha must find the inner strength to start a new career and navigate the bizarre and unknown world of professional jealousy, intrigue, and conflicting personalities in a very foreign land. Its enough to make a girl yearn for those quiet nights on the couch.
Critical Readings on Hammer Horror Films
This collection offers close readings on Hammer’s cycle of horror films, analysing key films and placing particular emphasis on the narratives and themes present in the works discussed. Ranging from the studio’s first horror outing, The Mystery of the Mary Celeste (1935) to Hammer’s last contemporary film, Doctor Jekyll (2023), the collection celebrates cult-favourites such as The Quatermass Experiment, the films of Terence Fisher, to overlooked classics such as Captain Clegg or The Mummy franchise. This volume also delves into Hammer’s psychological thrillers, the studio’s venture into TV with Hammer’s House of Horrors, with theoretical frameworks varying from queer studies to postcolonial readings. This volume will appeal to scholars and students of film studies, international cinema, film history and horror studies.
Creating German Communism, 1890-1990
Eric Weitz presents a social and political history of German communism from its beginnings at the end of the nineteenth century to the collapse of the German Democratic Republic in 1990. In the first book in English or in German to explore this entire period, Weitz describes the emergence of the Communist Party of Germany (KPD) against the background of Imperial and Weimar Germany, and clearly explains how the legacy of these periods shaped the character of the GDR to the very end of its existence. In Weimar Germany, social democrats and Germany's old elites tried frantically to discipline a disordered society. Their strategies drove communists out of the workplace and into the streets, wher...
