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In his vivid, lively account of how Greek Cypriot villagers coped with a thirty-year displacement, Peter Loïzos follows a group of people whom he encountered as prosperous farmers in 1968, yet found as disoriented refugees when revisiting in 1975. By providing a forty year in-depth perspective unusual in the social sciences, this study yields unconventional insights into the deeper meanings of displacement. It focuses on reconstruction of livelihoods, conservation of family, community, social capital, health (both physical and mental), religious and political perceptions. The author argues for a closer collaboration between anthropology and the life sciences, particularly medicine and social epidemiology, but suggests that qualitative life-history data have an important role to play in the understanding of how people cope with collective stress.
This book is an account of the experiences of the people of Argaki, a Cypriot village hit by Turkish invasion.
In the first coprehensive introduction to the nature and development of ethnographic film, Peter Loizos reviews fifty of the most important films made between 1955 and 1985. Going beyond programmatic statements, he analyzes the films themselves, identifying and discussing their contributions to ethnographic documentation. Loizos begins by reviewing works of John Marshall and Timothy Asch in the 1950s and moves through those of Jean Rouch, Robert Gardner, and many more recent filmmakers. He reveals a steady course of innovations along four dimensions: production technology, subject matter, strategies of argument, and ethnographic authentication. His analyses of individual films address questions of realism, authenticity, genre, authorial and subjective voice, and representation of the films' creators as well as their subjects. Innovation in Ethnographic Film, as a systematic and iluminating review of developments in ethnographic film, will be an important resource for the growing number of anthropologists and other scholars who use such films as tools for research and teaching.
This work examines the reasons why anthropologists have not used the camera as a research instrument or film as a means of communicating ethnographic knowledge. It suggests that images and words in this discipline operate on different logical levels; that they are hierarchically related; that whereas writings may encompass the images produced by film, the inverse of this cannot be true. The author argues for this position further by suggesting that the visual is to the written mode as "thin description" (giving a record of the form of behaviour) is to "thick description" (giving an account of meaning).
Filmed images dominate our time, from the movies and TV that entertain us to the news and documentary that inform us and shape our cultural vocabulary. Crossing disciplinary boundaries, Fields of Vision is a path-breaking collection that inquires into the power (and limits) of film and photography to make sense of ourselves and others. As critics, social scientists, filmmakers, and literary scholars, the contributors converge on the issues of representation and the construction of visual meaning across cultures. From the dismembered bodies of horror film to the exotic bodies of ethnographic film and the gorgeous bodies of romantic cinema, Fields of Vision moves through eras, genres, and soci...
"Based on anthropological studies across the globe, this book explores the experiences and contested meanings of home for people whose lives are characterized by migration related to varying forms of violence. Taking seriously the political implications and exploitation of discourses of home in the transnational processes that connect, yet differently affect, the movement of people and capital, it challenges the sedentarist assumption that territoriality and nation are necessarily the primary determinants of identification. However, it does not replace this sedentarism with a free floating, placeless approach. Instead, through the detailed ethnography of actual experiences of displacement an...
In Greece, women speak of mothering as "within the nature" of a woman. But this durable association of motherhood with femininity exists in tension with the highest incidence of abortion and one of the lowest fertility rates in Europe. In this setting, how do women think of themselves as proper individuals, mothers, and Greek citizens? In this anthropological study of reproductive politics and ethics in Athens, Greece, Heather Paxson tracks the effects of increasing consumerism and imported biomedical family planning methods, showing how women's "nature" is being transformed to meet crosscutting claims of the contemporary world. Locating profound ambivalence in people's ethical evaluations of gender and fertility control, Paxson offers a far-reaching analysis of conflicting assumptions about what it takes to be a good mother and a good woman in modern Greece, where assertions of cultural tradition unfold against a backdrop of European Union integration, economic struggle, and national demographic anxiety over a falling birth rate.
In this collection leading anthropologists provide a comprehensive yet highly nuanced view of what it means to be a Greek man or woman, married or unmarried, functioning within a complex society based on kinship ties. Exploring the ways in which sexual identity is constructed, these authors discuss, for example, how going out for coffee embodies dominant ideas about female sexuality, moral virtue, and autonomy; why men in a Lesbos village maintain elaborate friendships with nonfamily members while the women do not; why young housewives often participate in conflict-resolution rituals; and how the dominant role of mature married householders is challenged by unmarried persons who emphasize spontaneity and personal autonomy. This collection demonstrates that kinship and gender identities in Greece are not unitary and fixed: kinship is organized in several highly specific forms, and gender identities are plural, competing, antagonistic, and are continually being redefined by contexts and social change.
Croatia gained the world's attention during the break-up of Yugoslavia in the early 1990s. In this context its image has been overshadowed by visions of ethnic conflict and cleansing, war crimes, virulent nationalism, and occasionally even emergent regionalism. Instead of the norm, this book offers a diverse insight into Croatia in the 1990s by dealing with one of the consequences of the war: the more or less forcible migration of Croats from Serbia and their settlement in Croatia, their "ethnic homeland." This important study shows that at a time in which Croatia was perceived as a homogenized nation-in-the-making, there were tensions and ruptures within Croatian society caused by newly arrived refugees and displaced persons from Serbia and Bosnia and Herzegovina. Refugees who, in spite of their common ethnicity with the homeland population, were treated as foreigners; indeed, as unwanted aliens.
This 11th issue of the Anthropological Journal on European Cultures is dedicated to presenting ongoing and recent innovative ethnographic work on Europe. Prompted by relentless social, political and cultural reconfigurations 'on the ground', the issue seeks to explore the challenges that these pose to ethnographic fundamentals. In doing so, it takes a broad and inclusive approach to what constitutes ethnography, considering questions of theory and practice in and beyond the field, and provocatively reflecting on what constitutes 'the field' itself. Fundamentals that are put under the Spotlight in the volume are: place and space, history and time, disciplinarity, relationships between ethnographic and other sites and modes of expertise, and forms of representation and reception. All of these, as we show, are in a state of movement - they are all destabilised by ongoing change within the world and within anthropology itself. A challenge for contemporary ethnography is to find ways of wor