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Neorationalism as a distinctive philosophical trajectory, exploring the outermost possibilities of Prometheanism, Inhumanism, and Enlightenment. What is the fate of Reason in the twenty-first century? Today more than ever, in the face of disinformation, memetic plagues, and neuroactive media, if we are to resist not just the continual solicitation of our cognitive reflexes, but also the unearned authority of endless everyman rationalists and self-appointed secular priests of rationality, then we have no choice but to mobilize Reason to continually dissect the responsibilities they shirk, and to embrace the future demands of thought. Peter Wolfendale has long been dedicated to this philosophi...
A remarkably clear explication of the tenets of Object-Oriented Philosophy and an acute critique of the movement's ramifications for philosophy today. How does the patience and rigour of philosophical explanation fare when confronted with an irrepressible desire to commune with the object and to escape the subjective perplexities of reference, meaning, and sense? Moving beyond the hype and the inflated claims made for “Object-Oriented” thought, Peter Wolfendale considers its emergence in the light of the intertwined legacies of twentieth-century analytic and Continental traditions. Both a remarkably clear explication of the tenets of OOP and an acute critique of the movement's ramifications for philosophy today, Object-Oriented Philosophy is a major engagement with one of the most prevalent trends in recent philosophy.
This book works through the notion of the alien in contemporary philosophy. The authors attempt to think through politics, posthumanism, and alienation beyond and across the circuitry of thought that would otherwise enfold the alien in its regressive and parochial trappings. The figure of the Other has held critical thought in its sway for decades, to the point that we now suffer from a surfeit of alterity. This book considers whether the figure of the alien can offer us something better. It traces the outlines, intersections, and problems of emergent vectors of thought that coalesce around a renewed relationship to alienation: left accelerationism, xenofeminism, and inhumanism. Their common...
An examination of the new technological mediations between the human sensorium and the planetary media network and of the aesthetic as an enabler of new modes of knowledge. This series of interventions on the ramifications of Speculative Realism for aesthetics ranges from contemporary art's relation to the aesthetic, to accelerationism and abstraction, logic and design. From varied perspectives of philosophy, art, and design, participants examine the new technological mediations between the human sensorium and the massive planetary media network within which it now exists and consider how the aesthetic enables new modes of knowledge by processing sensory data through symbolic formalisms and technological devices. Speculative Aesthetics anticipates the possibility of a theory and practice no longer invested in the otherworldly promise of the aesthetic, but acknowledging the real force and traction of images in the world today, experimentally employing techniques of modelling, formalisation, and presentation so as to simultaneously engineer new domains of experience and map them through a reconfigured aesthetics that is inseparable from its sociotechnical conditions.
Bringing together contributors from philosophy, international relations, security studies, and strategic studies, New Wars and New Soldiers offers a truly interdisciplinary analysis reflective of the nature of modern warfare. This comprehensive approach allows the reader to see the broad scope of modern military ethics, and to understand the numerous questions about modern conflict that require critical scrutiny. Aimed at both military and academic audiences, this paperback will be of significant interest to researchers and students in philosophy, sociology, military and strategic studies, international relations, politics, and security studies, acting as an ideal course text or as supplementary reading.
Verzameling verhalen uit de wereldliteratuur, sprookjes en fabels, alle met illustraties van de Engelse illustrator Arthur Rackham (1867-1939).
More than 15 years have passed since the speculative realism conference at Goldsmiths College, London, hosted Ray Brassier, Iain Hamilton Grant, Graham Harman, and Quentin Meillassoux. Their dictum was simple: Reality is not what it seems. 15 Years of Speculative Realism begins with four chapters, each dedicated to the work of a speculative realism panellist. On one level, their respective projects engaged with the great philosophical systems of yesteryear: Cartesian dualism; the Platonist distinction between reality and appearance; and the Kantian revival of noumena. But there is much more at stake here, such as the repositioning of the subject as yet another object in the universe, and the...
Offers a new understanding of representational cognition that synthesizes postwar philosophical approaches to the question of objective knowledge This study develops a novel account of representational cognition, explaining how cognitive systems progressively come to map the structure of their worlds. Daniel Sacilotto offers a constructive response to the critique of representation formulated throughout the post‐Kantian philosophical tradition. Rather than a skepticism or idealism whereby thinking can grasp appearances but never the real, representation, Sacilotto shows, is a constitutive dimension of cognitive systems’ creative capacity to know and intervene in the world of which they a...
An examination of the new technological mediations between the human sensorium and the planetary media network and of the aesthetic as an enabler of new modes of knowledge. This series of interventions on the ramifications of Speculative Realism for aesthetics ranges from contemporary art's relation to the aesthetic, to accelerationism and abstraction, logic and design. From varied perspectives of philosophy, art, and design, participants examine the new technological mediations between the human sensorium and the massive planetary media network within which it now exists and consider how the aesthetic enables new modes of knowledge by processing sensory data through symbolic formalisms and technological devices. Speculative Aesthetics anticipates the possibility of a theory and practice no longer invested in the otherworldly promise of the aesthetic, but acknowledging the real force and traction of images in the world today, experimentally employing techniques of modelling, formalisation, and presentation so as to simultaneously engineer new domains of experience and map them through a reconfigured aesthetics that is inseparable from its sociotechnical conditions.
A critique of both classical humanism and dominant trends in posthumanism that formulates the ultimate form of intelligence as a theoretical and practical thought unfettered by the temporal order of things. In Intelligence and Spirit Reza Negarestani formulates the ultimate form of intelligence as a theoretical and practical thought unfettered by the temporal order of things, a real movement capable of overcoming any state of affairs that, from the perspective of the present, may appear to be the complete totality of history. Intelligence pierces through what seems to be the totality or the inevitable outcome of its history, be it the manifest portrait of the human or technocapitalism as the...