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A Bloody and Barbarous God
A Bloody and Barbarous God investigates the relationship between gnosticism, a system of thought that argues that the cosmos is evil and that the human spirit must strive for liberation from manifest existence, and the perennial philosophy, a study of the highest common factor in all esoteric religions, and how these traditions have influenced the later novels of Cormac McCarthy, namely, Blood Meridian, All the Pretty Horses, The Crossing, Cities of the Plain, No Country for Old Men, and The Road. Mundik argues that McCarthy continually strives to evolve an explanatory theodicy throughout his work, and that his novels are, to a lesser or greater extent, concerned with the meaning of human existence in relation to the presence of evil and the nature of the divine.
Cormac McCarthy's Violent Destinies
Since the release of his first novel, The Orchard Keeper, in 1965, Cormac McCarthy’s characters, intricate plots, and sometimes forbidding settings have captivated the attention of countless readers while exploring deep philosophical problems, including that of human agency and free will. This multiauthor volume places the full range of his novels in historical, literary, and cultural contexts and shifts the focus of critical engagement to questions of determinism, fatalism, and free will. Essayists over the course of eleven chapters show how McCarthy’s protagonists and antagonists often confront grotesque realities and destinies, and find themselves prey to incessant subconscious and un...
Morality in Cormac McCarthy's Fiction
This book argues that McCarthy’s works convey a profound moral vision, and use intertextuality, moral philosophy, and questions of genre to advance that vision. It focuses upon the ways in which McCarthy’s fiction is in ceaseless conversation with literary and philosophical tradition, examining McCarthy’s investment in influential thinkers from Marcus Aurelius to Hannah Arendt, and poets, playwrights, and novelists from Dante and Shakespeare to Fyodor Dostoevsky and Antonio Machado. The book shows how McCarthy’s fiction grapples with abiding moral and metaphysical issues: the nature and problem of evil; the idea of God or the transcendent; the credibility of heroism in the modern age; the question of moral choice and action; the possibility of faith, hope, love, and goodness; the meaning and limits of civilization; and the definition of what it is to be human. This study will appeal alike to readers, teachers, and scholars of Cormac McCarthy.
Dive Deeper
An easy-to-navigate guide to Herman Melville's epic American novel, Dive Deeper consists of 135 brief chapters, along with Etymology, Extracts, and Epilogue, each keyed to a phrase, issue, image, sensibility or notion in corresponding chapters of the original.
Unguessed Kinships
"It took six novels and nearly thirty years for Cormac McCarthy to find commercial success as a writer with the National Book Award-winning All the Pretty Horses coming twenty-seven years after his debut. The second half of his long career brought major prizes, more bestsellers, and Hollywood adaptations of his work. The sharp upturn in McCarthy's readership, especially with the genre exercises No Country for Old Men and The Road, has obscured his commitment to a decidedly old-fashioned style of literature: naturalism. It is hardly a secret that McCarthy's work tends to darker themes: violence, brutality, warfare, the cruel indifference of nature. There is a bright line running from some of ...
Evil and Creation
"My help comes from the Lord, maker of heaven and earth." Evil is an intruder upon a world created by God and declared good. Scripture emphasizes this: laments are regularly juxtaposed with declarations of God as creator. But evil is not merely a problem for the doctrine of creation. Rather, the doctrine of creation provides a hopeful response to evil. In Evil and Creation, David J. Luy, Matthew Levering, and George Kalantzis collect essays investigating how the doctrine of creation relates to moral and physical evil. Essayists pursue philosophical and theological analyses of evil rather than neatly solving the problem of evil itself. Including contributions from Constantine Campbell, Paul Blowers, and Paul Gavrilyuk, this volume draws upon biblical and patristic voices to produce constructive theology, considering topics ranging from vanity in Ecclesiastes and its patristic interpreters to animal suffering. Readers will gain a broader appreciation of evil and how to faithfully respond to it as well as a renewed hope in God as creator and judge.
Cormac McCarthy’s Borders and Landscapes
Cormac McCarthy's work is attracting an increasing number of scholars and critics from a range of disciplines within the humanities and beyond, from political philosophy to linguistics and from musicology to various branches of the sciences. Cormac McCarthy's Borders and Landscapes contributes to this developing field of research, investigating the way McCarthy's writings speak to other works within the broader fields of American literature, international literature, border literature, and other forms of comparative literature. It also explores McCarthy's literary antecedents and the movements out of which his work has emerged, such as modernism, romanticism, naturalism, eco-criticism, genre-based literature (western, southern gothic), folkloric traditions and mythology.
If God Meant to Interfere
The rise of the Christian Right took many writers and literary critics by surprise, trained as we were to think that religions waned as societies became modern. In If God Meant to Interfere, Christopher Douglas shows that American writers struggled to understand and respond to this new social and political force. Religiously inflected literature since the 1970s must be understood in the context of this unforeseen resurgence of conservative Christianity, he argues, a resurgence that realigned the literary and cultural fields. Among the writers Douglas considers are Marilynne Robinson, Barbara Kingsolver, Cormac McCarthy, Thomas Pynchon, Ishmael Reed, N. Scott Momaday, Gloria Anzaldúa, Philip...
American Gnosis
The Greek word "gnosis," defined as direct spiritual knowledge or insight, has its origins in historical offshoots of Christianity in late antiquity. But the terms "Gnosticism" and "gnosis" have become widespread in many other contexts. They are common in contemporary scholarship on religion and in popular usage among magical, religious, and spiritual practitioners. And they have entered popular usage in contemporary society, with applications in numerous political, religious, and cultural contexts. Gnosis and Gnosticism have become leitmotifs in popular culture, in films such as The Matrix and Dark City, as well as in anime and other popular art forms. In American Gnosis, Arthur Versluis ex...
Cormac McCarthy and Performance
Drawing on Cormac McCarthy's recently opened archive, as well as interviews with several of his collaborators, this book presents the first comprehensive overview of McCarthy's writing for film and theater, as well as film adaptations of his novels.
