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A Bloody and Barbarous God
A Bloody and Barbarous God investigates the relationship between gnosticism, a system of thought that argues that the cosmos is evil and that the human spirit must strive for liberation from manifest existence, and the perennial philosophy, a study of the highest common factor in all esoteric religions, and how these traditions have influenced the later novels of Cormac McCarthy, namely, Blood Meridian, All the Pretty Horses, The Crossing, Cities of the Plain, No Country for Old Men, and The Road. Mundik argues that McCarthy continually strives to evolve an explanatory theodicy throughout his work, and that his novels are, to a lesser or greater extent, concerned with the meaning of human existence in relation to the presence of evil and the nature of the divine.
Cormac McCarthy's Violent Destinies
Since the release of his first novel, The Orchard Keeper, in 1965, Cormac McCarthy’s characters, intricate plots, and sometimes forbidding settings have captivated the attention of countless readers while exploring deep philosophical problems, including that of human agency and free will. This multiauthor volume places the full range of his novels in historical, literary, and cultural contexts and shifts the focus of critical engagement to questions of determinism, fatalism, and free will. Essayists over the course of eleven chapters show how McCarthy’s protagonists and antagonists often confront grotesque realities and destinies, and find themselves prey to incessant subconscious and un...
Unguessed Kinships
"It took six novels and nearly thirty years for Cormac McCarthy to find commercial success as a writer with the National Book Award-winning All the Pretty Horses coming twenty-seven years after his debut. The second half of his long career brought major prizes, more bestsellers, and Hollywood adaptations of his work. The sharp upturn in McCarthy's readership, especially with the genre exercises No Country for Old Men and The Road, has obscured his commitment to a decidedly old-fashioned style of literature: naturalism. It is hardly a secret that McCarthy's work tends to darker themes: violence, brutality, warfare, the cruel indifference of nature. There is a bright line running from some of ...
Dive Deeper
Herman Melville's epic tale of obsession has all the ingredients of a first rate drama--fascinating characters in solitude and society, battles between good and evil, a thrilling chase to the death--and yet its allusions, digressions, and sheer scope can prove daunting to even the most intrepid reader. George Cotkin's Dive Deeper provides both a guide to the novel and a record of its dazzling cultural train. It supplies easy-to-follow plot points for each of the novel's 135 sections before taking up a salient phrase, image, or idea in each for further exploration. Through these forays, Cotkin traces the astonishing reach of the novel, sighting the White Whale in mainstream and obscure subcultures alike, from impressionist painting circles to political terrorist cells. In a lively and engaging style, Dive Deeper immerses us into the depths of Melville's influence on the literature, film, and art of our modern world. Cotkin's playful wit and critical precision stretch from Camus to Led Zeppelin, from Emerson to Bob Dylan, and bring to life the terrors and wonders of what is arguably America's greatest novel.
Morality in Cormac McCarthy's Fiction
This book argues that McCarthy’s works convey a profound moral vision, and use intertextuality, moral philosophy, and questions of genre to advance that vision. It focuses upon the ways in which McCarthy’s fiction is in ceaseless conversation with literary and philosophical tradition, examining McCarthy’s investment in influential thinkers from Marcus Aurelius to Hannah Arendt, and poets, playwrights, and novelists from Dante and Shakespeare to Fyodor Dostoevsky and Antonio Machado. The book shows how McCarthy’s fiction grapples with abiding moral and metaphysical issues: the nature and problem of evil; the idea of God or the transcendent; the credibility of heroism in the modern age; the question of moral choice and action; the possibility of faith, hope, love, and goodness; the meaning and limits of civilization; and the definition of what it is to be human. This study will appeal alike to readers, teachers, and scholars of Cormac McCarthy.
Evil and Creation
"My help comes from the Lord, maker of heaven and earth." Evil is an intruder upon a world created by God and declared good. Scripture emphasizes this: laments are regularly juxtaposed with declarations of God as creator. But evil is not merely a problem for the doctrine of creation. Rather, the doctrine of creation provides a hopeful response to evil. In Evil and Creation, David J. Luy, Matthew Levering, and George Kalantzis collect essays investigating how the doctrine of creation relates to moral and physical evil. Essayists pursue philosophical and theological analyses of evil rather than neatly solving the problem of evil itself. Including contributions from Constantine Campbell, Paul Blowers, and Paul Gavrilyuk, this volume draws upon biblical and patristic voices to produce constructive theology, considering topics ranging from vanity in Ecclesiastes and its patristic interpreters to animal suffering. Readers will gain a broader appreciation of evil and how to faithfully respond to it as well as a renewed hope in God as creator and judge.
Cormac McCarthy’s Borders and Landscapes
Cormac McCarthy's work is attracting an increasing number of scholars and critics from a range of disciplines within the humanities and beyond, from political philosophy to linguistics and from musicology to various branches of the sciences. Cormac McCarthy's Borders and Landscapes contributes to this developing field of research, investigating the way McCarthy's writings speak to other works within the broader fields of American literature, international literature, border literature, and other forms of comparative literature. It also explores McCarthy's literary antecedents and the movements out of which his work has emerged, such as modernism, romanticism, naturalism, eco-criticism, genre-based literature (western, southern gothic), folkloric traditions and mythology.
American Gnosis
Drawing from the early Christian heretical category of Gnosticism, American Gnosis explores the emergence of new forms of Gnostic religion throughout the Americas. Arthur Versluis explores the concept of Gnosis and examines neo-gnostic elements in contemporary American culture, including in religion, literature, film, and politics.
Philosophical Approaches to Cormac McCarthy
This book is the first edited collection to explore the role of philosophy in the works of Cormac McCarthy, significantly expanding the scope of philosophical inquiry into McCarthy’s writings. There is a strong and growing interest amongst philosophers in the relevance of McCarthy’s writings to key debates in contemporary philosophy, for example, debates on trauma and violence, on the relationship between language and world, and the place of the subject within history, temporality, and borders. To this end, the contributors to this collection focus on how McCarthy’s writings speak to various philosophical themes, including violence, war, nature, history, materiality, and the environmen...
Cormac McCarthy
This definitive assessment of Cormac McCarthy’s novels captures the interactions among the literary and mythic elements, the social dynamics of violence, and the natural world in The Orchard Keeper, Child of God, Outer Dark, Blood Meridian, and The Road. Elegantly written and deeply engaged with previous scholarship as well as interviews with the novelist, this study provides a comprehensive introduction to McCarthy’s work while offering an insightful new analysis. Drawing on René Girard’s mimetic theory, mythography, thermodynamics, and information science, Markus Wierschem identifies a literary apocalypse at the center of McCarthy’s work, one that unveils another buried deep within the history, religion, and myths of American and Western culture.
