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Muslim Pilgrimage in the Modern World
Pilgrimage is one of the most significant ritual duties for Muslims, entailing the visitation and veneration of sites associated with the Prophet Muhammad or saintly figures. As demonstrated in this multidisciplinary volume, the lived religion of pilgrimage, defined by embodied devotional practices, is changing in an age characterized by commerce, technology, and new sociocultural and political frameworks. Traveling to and far beyond the Hajj, the most well-known Muslim pilgrimage, the volume's contributors reveal and analyze emerging contemporary Islamic pilgrimage practices around the world, in minority- and majority-Muslim countries as well as in urban and rural settings. What was once a ...
The Cultural Politics of Art in Iran
Modernist Iranian art represents a highly diverse field of cultural production deeply involved in discussing questions of modernity and modernization as practiced in Iran. This book investigates how artistic production and art criticism reflected upon the discourse about gharbzadegi (westoxification), the most substantial critique of Iran's adaptation of Western modernity, and ultimately proved to be a laboratory for the negotiation of an anti-colonial concept of an Iranian artistic modernity, which artists and critics envisioned as a significant other to Western colonial modernity. In this book, Katrin Nahidi revisits Iranian modernist art, aiming to explore a political and contextualized interpretation of modernism. Based on extensive fieldwork, interviews, and archival research, Nahidi provides a history of modernist art production since the 1950s and reveals the complex political agency underlying art historiographical processes. Offering a key contribution to postcolonial art history, Nahidi shows how Iranian artistic modernity was used to flesh out anti-colonial concepts and ideas around Iranian national identity.
The Iranian Metaphysicals
What do the occult sciences, séances with the souls of the dead, and appeals to saintly powers have to do with rationality? Since the late nineteenth century, modernizing intellectuals, religious leaders, and statesmen in Iran have attempted to curtail many such practices as "superstitious," instead encouraging the development of rational religious sensibilities and dispositions. However, far from diminishing the diverse methods through which Iranians engage with the immaterial realm, these rationalizing processes have multiplied the possibilities for metaphysical experimentation. The Iranian Metaphysicals examines these experiments and their transformations over the past century. Drawing o...
Encounters with the Hidden Imam in Early and Pre-Modern Twelver Shīʿī Islam
The history of Twelver Shīʿī Islam is a history of attempts to deal with the abrupt loss of the Imam. In Encounters with the Hidden Imam in Early and Pre- Modern Twelver Shīʿī Islam, Omid Ghaemmaghami demonstrates that in the early years of what came to be known as the Greater Occultation, Shīʿī authorities maintained that all contact with the Imam had been sundered, forcing him to remain incommunicado until his (re)appearance . This position, however, proved untenable to maintain. Almost a century after the start of the Greater Occultation, prominent scholars began to concede the possibility that some Shīʿa can meet the Hidden Imam. Accounts of encounters with the Imam from the Greater Occultation soon began to appear, adumbrating their exponential growth in later centuries.
A Social History of Modern Tehran
Tehran, the capital of Iran since the late eighteenth century, is now one of the largest cities in the Middle East. Exploring Tehran's development from the nineteenth to the mid-twentieth century, Ashkan Rezvani Naraghi paints a vibrant picture of a city undergoing rapid and dynamic social transformation. Rezvani Naraghi demonstrates that this shift was the product of a developing discourse around spatial knowledge, in which the West became the model for the social practices of the state and sections of Iranian society. As traditional social spaces, such as coffee houses, bathhouses, and mosques, were replaced by European-style cafes, theatres, and sports clubs, Tehran and its people were irreversibly altered. Using an array of archival sources, Rezvani Naraghi stresses the agency of everyday inhabitants in shaping urban change. This enlightening history not only allows us to better understand the contours of contemporary Tehran, but to develop a new way of imagining, talking about, and building 'the city'.
Rebuilding Community
Over the course of the twentieth century, Shia Ismaili Muslim communities were repeatedly displaced. How, in the aftermath of these displacements, did they remake their communities? Shenila Khoja-Moolji highlights women's critical role in this rebuilding process and breaks new ground by writing women into modern Ismaili history. Rebuilding Community tells the story of how Ismaili Muslim women who fled East Pakistan and East Africa in the 1970s recreated religious community (jamat) in North America. Drawing on oral histories, fieldwork, and memory texts, Khoja-Moolji illuminates the placemaking activities through which Ismaili women reproduce bonds of spiritual kinship: from cooking for congr...
Narrating the Pilgrimage to Mecca
Narrating the pilgrimage to Mecca discusses a wide variety of historical and contemporary personal accounts of the pilgrimage to Mecca, most of which presented in English for the first time. The book addresses how being situated in a specific cultural context and moment in history informs the meanings attributed to the pilgrimage experience. The various contributions reflect on how, in their stories, pilgrims draw on multiple cultural discourses and practices that shape their daily lifeworlds to convey the ways in which the pilgrimage to Mecca speaks to their senses and moves them emotionally. Together, the written memoirs and oral accounts discussed in the book offer unique insights in Islam’s rich and evolving tradition of hajj and ʿumra storytelling. Contributors Kholoud Al-Ajarma, Piotr Bachtin, Vladimir Bobrovnikov, Marjo Buitelaar, Nadia Caidi, Simon Coleman, Thomas Ecker, Zahir Janmohamed, Khadija Kadrouch-Outmany, Ammeke Kateman, Yahya Nurgat, Jihan Safar, Neda Saghaee, Leila Seurat, Richard van Leeuwen and Miguel Ángel Vázquez.
Private Sins, Public Crimes
A groundbreaking scholarly study of crime and punishment in Qajar Iran Drawing on a rich array of primary sources in multiple languages, Farzin Vejdani argues that the ambiguity in defining the boundaries between private and public in Qajar Iran often corresponded with the jurisdictional friction between government authorities and religious scholars regarding who had the authority to police and punish public crimes. This ambiguity had implications for the spaces in which illicit acts were carried out: “private” parties in domestic residences where music, alcohol, and prostitution were present were often tolerated by local police officials but raised the ire of religious authorities and t...
Nahj al-Balāghah: The Wisdom and Eloquence of ʿAlī
Nahj al-Balāghah, the celebrated compendium of orations, letters, and sayings of ʿAlī ibn Abī Ṭālib (d. 40/661) compiled by al-Sharīf al-Raḍī (d. 406/1015), is a masterpiece of Arabic literature and Islamic wisdom studied and memorized avidly and continually for over a thousand years. Showcasing ʿAlī’s life and travails in his own words, it also transcribes his profound reflections on piety and virtue, and on just and compassionate governance. Tahera Qutbuddin’s meticulously researched critical edition based on the earliest 5th/11th-century manuscripts, with a lucid, annotated facing-page translation, brings to the modern reader the power and beauty of this influential text, and confirms the aptness of Raḍī’s title, “The Way of Eloquence.”
Theater in the Middle East
The collected essays from noteworthy dramatists and scholars in this book represent new ways of understanding theater in the Middle East not as geographical but transcultural spaces of performance. What distinguishes this book from previous works is that it offers new analysis on a range of theatrical practices across a region, by and large, ignored for the history of its dramatic traditions and cultures, and it does so by emphasizing diverse performances in changing contexts. Topics include Arab, Iranian, Israeli, diasporic theatres from pedagogical perspectives to reinvention of traditions, from translation practices to political resistance expressed in various performances from the nineteenth century to the present.
