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Keenie Meenie
An explosive account of a secret group of mercenaries based on newly declassified documents.
From the Lives We Knew
Eighteen-year-old Khalil Khouri leaves his home overlooking Bethlehem in the West Bank to seek work in Amman, Jordan. Discouraged, he turns to go home, but it is 1967, the year of the Six-Day War. The bridge crossing the Jordan River is bombed. The rising sun reveals its remains. The rushing river drowns the broken stone supports and twisted steel triangles. Israeli soldiers prevent anyone from crossing to the West Bank. Khalil has lost the address of his American pen pal, Edwin Kirby. He has nothing. Told by Palestinians, Kosovars, Iraqis, and Americans, The Lives We Knew depicts the resilience of the human spirit and the possibility of finding kindred spirits almost anywhere.
Band Boys
What was it like to play music in a teenage rock and roll band in the era of 45-RPM records, dances in the school cafeteria, and the Beatles on AM radio? Band Boys reveals the inner workings of the lives of the Blue Beats - six teenage boys mastering music in a thriving town that embraced them and the music they loved. Sporting Silvertone amplifiers, a pack of electric guitars, a used set of drums, a screaming Farfisa organ, and unbridled enthusiasm, the Blue Beats plunge headlong into the teenage band craze of the 1960s. Find the band boys dancing as Order of the Arrow braves, working in fast food restaurants, inspired by school music teachers, encouraged by an optimistic Boy Scout leader, and supported by wise council from families. Uncovering the secret behind forming a band and keeping it alive, Band Boys tells more than a story of boys, bands, and music but portrays a legacy created from human relationships and built on events that bind lives together. To round out Band Boys, concise biographies of popular musicians and musical instrument developers, plus a unique glossary are provided.
My First 1,000 Jumps
You are holding the only comprehensive history of the early days of the sport of skydiving yet published. It is the story of not just one skydiver but the story of many, the true pioneers of the sport. Just as important this book includes a complete history of the national organization established for the express purpose of promoting sport parachuting. While this history is restricted to a short fifteen years (1961-1975), those years were the most productive, most far-reaching, and the most exciting for the fledgling idea of jumping out of perfectly good airplanes for the sheer joy of it all, eventually establishing the sport of skydiving as an integral part of the world of aviation sports. ...
The Fire-Raiser
He let the matchstick burn, knowing the power in his hand... flame filled the inside of his head. It ran along his arteries. It licked around his bones. Kitty Wix is knocked over as a strange loping figure is seen fleeing the burning stables. But who is the 'fire-raiser' and why is he creating such terror? Kitty has her own suspicions, and so do other children in the town. When the crazed man with fire in his head strikes again, the children find themselves in terrible danger. A thrilling children's classic from the award-winning author of The Fat Man, Salt and Gool. Also available as an eBook
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Where Water Meets the Rock
In her fourth collection of poetry, Where Water Meets the Rock, Lindsey Martin-Bowen explores loss and recuperation in three sections. “Erosion,” the book’s elegiac opening sequence, laments a trinity of tragic Greek personas: Pasiphaë, Psyche, and Antigone. The middle section, “Frenzies,” a series of zany poems, emulates the ensuing topsy-turvy world that follows deep loss. And finally, “On the Shore” completes the triad, concluding that by re-seeing and re-building life, one can heal the psyche and the spirit. Once again, through the use of her recurring sea-rock metaphor, Martin-Bowen has employed a poetic technique that effectively maintains both a visual and auditory descriptive style, which, according to New Letters editor Robert Stewart, is defined by her “refreshing reliance on imagery and understatement.”
