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This collection brings together primary sources on the British textile industry across the long nineteenth-century, a subject that is both global and multidisciplinary. This set provides an extensive range of resources on the calico printing industry, textile warehousing and shipping, and textile waste and recycling.
Illustrated largely in colour, 'The Secret Life of Textiles' offers brief catalogue summaries of 48 archive groups of textile pattern books that make up six regional holdings, and will be of interest to scholars, historians, and those with an interest in textiles, pattern design and local history.
Interdisciplinary volume which brings together papers by leading authorities in textile and costume studies, discussing a wide range of textiles and costumes from tapestries to embroideries, archaeological to ethnographic textiles and exotic costumes in Europe and Asia.
During the nineteenth and early twentieth centuries the production of dress shifted dramatically from being predominantly hand-crafted in small quantities to machine-manufactured in bulk. The increasing democratization of appearances made new fashions more widely available, but at the same time made the need to differentiate social rank seem more pressing. In this age of empire, the coding of class, gender and race was frequently negotiated through dress in complex ways, from fashionable dress which restricted or exaggerated the female body to liberating reform dress, from self-defining black dandies to the oppressions and resistances of slave dress. Richly illustrated with over 100 images and drawing on a plethora of visual, textual and object sources, A Cultural History of Dress and Fashion in the Age of Empire presents essays on textiles, production and distribution, the body, belief, gender and sexuality, status, ethnicity, and visual and literary representations to illustrate the diversity and cultural significance of dress and fashion in the period.
Published in conjunction with the exhibition originally scheduled to be held at the Royal Ontario Museum from April 4, 2020 to September 27, 2020.
Cognitive networks can be crucial for the evolution of future communication systems; however, current trends have indicated major movement in other relevant fields towards the integration of different techniques for the realization of self-aware and self-adaptive communication systems. Evolution of Cognitive Networks and Self-Adaptive Communication Systems overviews innovative technologies combined for the formation of self-aware, self-adaptive, and self-organizing networks. By aiming to inform the research community and the related industry of solutions for cognitive networks, this book is essential for researchers, instructors, and professionals interested in clarifying the latest trends resulting in a unified realization for cognitive networking and communication systems.
Continuous Replay, which is titled after a dance work of Zane's, is the first comprehensive presentation of his photography.
"This publication focuses on the interrelationship between archival and bibliographic research and the study of extant objects. Papers consider how archival and bibliographic research can inform our knowledge of textiles and dress in terms of their production, consumption, dissemination and deterioration and in turn, how the study of extant objects can give added depth to this analysis. The authors include conservators, curators, historians and conservation scientists."--BOOK JACKET.
The Handbook of Fashion Studies identifies an innovative spectrum of thematic approaches, key strands and interdisciplinary concepts that continue to push forward the boundaries of fashion studies. The book is divided into seven sections: Fashion, Identity and Difference; Spaces of Fashion; Fashion and Materiality; Fashion, Agency and Policy; Science, Technology and New fashion; Fashion and Time and, Sustainable Fashion in a Globalised world. Each section consists of approximately four essays authored by established researchers in the field from the UK, USA, Netherlands, Sweden, Canada and Australia. The essays are written by international subject specialists who each engage with their section's theme in the light of their own discipline and provide clear case-studies to further knowledge on fashion. This consistency provides clarity and permits comparative analysis. The handbook will be essential reading for students of fashion as well as professionals in the industry.
This study, first published in 1980, argues that higher education for women was accepted by the end of the nineteenth-century, and higher education was becoming a desirable preparation for teachers in girls’ schools. By accepting the opponents’ claim that higher education for women had the potential to revolutionise relations between the sexes, this fascinating book demonstrates how the relevance of the nineteenth-century serves to enhance our understanding of the contemporary women’s movement. This title will be of interest to students of history and education.