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Tractatus Figurarum
Notational complexity, or subtilitas, was engendered in the late fourteenth century by a thorough probing of all the rhythmic possibilities within the accepted mensurations. As French and Italian notational practices began to diverge at the beginning of the Ars nova, composers invented new rhythmic symbols?figurae?asøtheir innovations required, and this resulted in a variety of notations that were as confusing to the musician of the day as they are to the modern scholar. In the third quarter of the fourteenth century, a notational system combining elements of the French and Italian systems was put forth in the Tractatus figurarum. This system proposed a standard of set of figurae for simult...
The Euclidean Division of the Canon
The Division of the Canon is an ancient Pythagorean treatise on the relationship between mathematical and acoustical truths. Euclidean in style, sectional in nature, and essentially Pythagorean, the Division has been susceptible to quotation since antiquity and has attracted the attention of many musicologists, classicists, mathematicians, and historians of science.
Thesaurus Musicarum Latinarum
The Thesaurus Musicarum Latinarum is a full-text database of music theory written in Latin, extending from Augustine?s De musica through treatises of the sixteenth century. This new edition of the Thesaurus Musicarum Latinarum: Canon of Data Files includes full instructions on the various ways in which users can access the database, as well as the ?Principles of Orthography? and ?Table of Codes for Noteshapes, Rests, Ligatures, Mensuration Signs, Clefs, and Miscellaneous Figures,? both of which provide essential explanations of the special ways in which the texts have been encoded to facilitate searching and maximize use within various computer environments. Also included is a table of conte...
Between Creativity and Norm-Making
This volume deals with contrasting developments in the period between 1400-1550. It is one that is characterized by a search for greater personal liberty and more opportunities for creative expression, on the one hand, and a quest to secure stability by establishing binding norms, on the other.
Music as Concept and Practice in the Late Middle Ages
'Music as Concept and Practice in the Late Middle Ages' is an entirely new addition to the New Oxford History of Music series rather than a revision of the volume's predecessor published in 1960. It takes account not only of the developments in late-medieval music scholarship during the latter decades of the twentieth century, but also of the experience gained through significant changes in the performance practice of the late-medieval repertory witnessed during this period. All the chapters include areas of discussion whose coverage in the series hitherto has been either wholly lacking or, at best, marginal: Muslim and Jewish musical traditions of the Middle Ages, late-medieval office chant...
Regule
The Regule of Robertus de Handlo and the Summa of Johannes Hanboys are among the few major texts of medieval English music theory. The first directly influenced the latter, and both deal with unique notational practices found in English music of the fourteenth century. These two texts were edited by Edmon de Coussemaker in the nineteenth century in editions that have come to be recognized as seriously deficient. Now Peter M. Lefferts has paired them in a new critical edition that is far superior in its accuracy and scholarly underpinnings. The Regule of 1326 provides one of the two most comprehensive views of late ars antiqua notational developments. Handlo takes as his point of departure th...
Music and the moderni
Challenges current accounts of the French ars nova, a musical art that was both criticised and heralded for its modernity.
Metadata and Semantic Research
This book constitutes the thoroughly refereed proceedings of the 13th International Conference on Metadata and Semantic Research, MTSR 2019, held in Rome, Italy, in October 2019. The 27 full and 15 short papers presented were carefully reviewed and selected from 96 submissions. The papers are organized in the following tracks: metadata and semantics for digital libraries, information retrieval, big, linked, social and open data; metadata and semantics for agriculture, food, and environment; digital humanities and digital curation; cultural collections and applications; european and national projects; metadata, identifiers and semantics in decentralized applications, blockchains and P2P systems.
A Performer's Guide to Medieval Music
A Performer's Guide to Medieval Music is an essential compilation of essays on all aspects of medieval music performance, with 40 essays by experts on everything from repertoire, voices, and instruments to basic theory. This concise, readable guide has proven indispensable to performers and scholars of medieval music.
Italian Literature Before 1900 in English Translation
"Italian Literature before 1900 in English Translation provides the most complete record possible of texts from the early periods that have been translated into English, and published between 1929 and 2008. It lists works from all genres and subjects, and includes translations wherever they have appeared across the globe. In this annotated bibliography, Robin Healey covers over 5,200 distinct editions of pre-1900 Italian writings. Most entries are accompanied by useful notes providing information on authors, works, translators, and how the translations were received. Among the works by over 1,500 authors represented in this volume are hundreds of editions by Italy's most translated authors - Dante Alighieri, [Niccoláo] Machiavelli, and [Giovanni] Boccaccio - and other hundreds which represent the author's only English translation. A significant number of entries describe works originally published in Latin. Together with Healey's Twentieth-Century Italian Literature in English Translation, this volume makes comprehensive information on translations accessible for schools, libraries, and those interested in comparative literature."--Pub. desc.
