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Hollywood Through Private Eyes
  • Language: en
  • Pages: 292

Hollywood Through Private Eyes

  • Type: Book
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  • Published: 2006
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  • Publisher: Peter Lang

Revision of the author's thesis (Ph. D.)--University of Manchester, 2003.

Samuel Beckett's Abstract Drama
  • Language: en
  • Pages: 300

Samuel Beckett's Abstract Drama

  • Categories: Art
  • Type: Book
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  • Published: 2007
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  • Publisher: Peter Lang

Samuel Beckett's Play, written 1962-63, was an aesthetic watershed inaugurating his late, 'abstract' dramatic style. This book gets close to Beckett's creative process by examining the possible influence of Arnold Schoenberg's twelve-tone music and Vassily Kandinsky's abstract painting upon this formal shift; by tracing Beckett's developing attitude to abstraction and its relation to his long-standing preoccupation with the 'breakdown' of the subject-object relation and the ultimate failure of all expression; and by following his formal choices through manuscript drafts. The author goes on to analyse Beckett's attempt to adapt his new methods to the media of film and television, and to demonstrate how Beckett's late works for stage and screen develop alongside one another right up to his 1985 adaptation of the play What Where for television. Throughout the book, unpublished manuscript materials such as Beckett's letters, drafts, notes on philosophy, psychology and art, and his 'German diaries' augment a detailed account of the submerged sources that Beckett appropriated to the evolving needs of his abstract dramatic art.

Gay Shame
  • Language: en
  • Pages: 257

Gay Shame

  • Type: Book
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  • Published: 2024-04-25
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  • Publisher: Swift Press

'Boisterous and uncompromising ... An important argument' The Times Only a few years ago, it seemed that the fight for gay rights was won in the UK: legal equality was achieved, prejudice rapidly dying out. Mission accomplished, right? Wrong, argues Gareth Roberts. Homophobia is making a major comeback under the guise of the ideology of 'gender identity'. The enforcers of this new creed insist that attraction to people of the same sex is 'hateful'. They argue that effeminate men and butch women can't just be gay, but must 'really' be trans. Worse, this ideology has colonised the gay rights movement, capturing institutions like Stonewall and the gay press completely. Anyone who disagrees risks professional suicide. So what happened to the funny, grown-up culture, truth-telling and knowing irony of many gay men? How and why was the older gay rights activism, which gifted such progress to homosexual people, hijacked? In this passionate, witty polemic, Gareth Roberts answers these questions and argues that we need a new gay liberation movement.

Digging the Seam
  • Language: en
  • Pages: 280

Digging the Seam

The 1984–5 Miners’ Strike was one of the most important political events in British history. It was a bitter dispute that polarised public opinion, divided nation and families alike, and the results in terms of the destruction of centuries of industrial and cultural tradition are still keenly felt. The social and political consequences of this dispute, which have resonated for the past quarter century, have been subject to detailed analysis and reflection. The consequences for the arts and popular culture are less clearly mapped. This book attempts to begin to redress this imbalance and signal the importance of popular cultural activity both during and after the strike. The essays that a...

Changing Performance
  • Language: en
  • Pages: 292

Changing Performance

  • Type: Book
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  • Published: 2007
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  • Publisher: Peter Lang

This book examines changes in performance practice in mainstream British theatre since 1945 which focus on the attempt by directors and companies to replace the realism of inter-war theatre with more physically and vocally expressive acting and ensemble approach to production processes. The aim was to replace the capitalist line-management approach of the commercial theatre with a more democratic collaborative structure that would encourage contribution to the creation of the performance text by the director, writer, actors, designers and technicians. Theatre is viewed as a mode of socio-cultural practice and its evolution in Britain during the second half of the twentieth century is explore...

Out of the Shadows
  • Language: en
  • Pages: 323

Out of the Shadows

Film noir was a cycle in American cinema which first came into prominence during World War II, peaked in the 1950s, and began to taper off as a definable trend by 1960. Over the years, a group of films from the period emerged as noir standards, beginning with Stranger on the Third Floor in 1940. However, since film noir is too wide-ranging, it cannot be kept within the narrow limits of the official canon that has been established by film historians. Consequently, several neglected movies made during the classic noir period need to be re-evaluated as noir films. In Out of the Shadows: Expanding the Canon of Classic Film Noir, Gene Phillips provides an in-depth examination of several key noir ...

Some Like It Wilder
  • Language: en
  • Pages: 493

Some Like It Wilder

One of the most accomplished writers and directors of classic Hollywood, Billy Wilder (1906–2002) directed numerous acclaimed films, including Sunset Boulevard (1950), Sabrina (1954), The Seven Year Itch (1955), Witness for the Prosecution (1957), and Some Like It Hot (1959). Featuring Gene D. Phillips's unique, in-depth critical approach, Some Like It Wilder: The Life and Controversial Films of Billy Wilder provides a groundbreaking overview of a filmmaking icon. Wilder began his career as a screenwriter in Berlin but, because of his Jewish heritage, sought refuge in America when Germany came under Nazi control. Making fast connections in Hollywood, Wilder immediately made the jump from screenwriter to director. His classic films Five Graves to Cairo (1943), Double Indemnity (1945), and The Lost Weekend (1945) earned Academy Awards for best picture, director, and screenplay. During the 1960s, Wilder continued to direct and produce controversial comedies, including Kiss Me, Stupid (1964) and The Apartment (1960), which won Oscars for best picture and director. This definitive biography reveals that Wilder was, and remains, one of the most influential directors in filmmaking.

Approaching Historical Sources in their Contexts
  • Language: en
  • Pages: 255

Approaching Historical Sources in their Contexts

  • Type: Book
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  • Published: 2020-04-13
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  • Publisher: Routledge

In Approaching Historical Sources in Their Contexts, 12 academics examine how space, time and performance interact to co-create context for source analysis. The chapters cover 2000 years and stretch across the Americas and Europe. They are grouped into three themes, with the first four exploring aspects of movement within and around an environment: buildings, the tension between habitat and tourist landscape, cemeteries and war memorials. Three chapters look at different aspects of performance: masque and opera in which performance is (re)constructed from several media, radio and television. The final group of chapters consider objects and material culture in which both spatial placement and...

Into the Dark
  • Language: en
  • Pages: 304

Into the Dark

  • Type: Book
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  • Published: 2016-05-24
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  • Publisher: Hachette UK

You know film noir when you see it: the shadowed setting; the cynical detective; the femme fatale; and the twist of fate. Into the Dark captures this alluring genre with a cavalcade of compelling photographs and a guide to 82 of its best films. Into the Dark is the first book to tell the story of film noir in its own voice. Author Mark A. Vieira quotes the artists who made these movies and the journalists and critics who wrote about them, taking readers on a year-by-year tour of the exciting nights when movies like Double Indemnity, Mildred Pierce, and Sunset Boulevard were sprung on an unsuspecting public. For the first time, we hear the voices of film noir artists speak from the sets and o...

Changed Men
  • Language: en
  • Pages: 247

Changed Men

Postwar culture and anxiety over the reintegration of veterans into American society Millions of GIs returned from overseas in 1945. A generation of men who had left their families and had learned to kill and to quickly dispatch sexual urges were rapidly reintegrated into civilian life, told to put the war behind them with cheer and confidence. Many veterans struggled, openly or privately, with this transition. Others in society wondered what the war had wrought in them. As Erin Lee Mock shows in this insightful book, the “explosive” potential of men became a central concern of postwar American culture. This wariness of veterans settled into a generalized anxiety over men’s “inherent...