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An Introduction to Philosophical Analysis
This book provides an in-depth, problem-oriented introduction to philosophical analysis using an extremely clear, readable approach. The "Fourth Edition" does not only update coverage throughout the book, but also restores the introductory chapter "Words and the World" the most distinguished, widely acclaimed feature of the first two editions. "
Self and Society
How does his social environment change an individual, and why do these changes occur? Can social institutions be shaped and molded profoundly enough to afford each member of a society his maximum potential for happiness, effective functioning, and complete development? In this new work a distinguished psychologist evolves a theory of personality and society designed to help guide the work of institutions responsible for individual growth and development. Drawing on his vast experience--as an educator, a prison psychologist, a practicing psychoanalyst, and as the director of major studies in child development, personality assessment, the social psychology of higher education, and alcoholism a...
Scholarship and Freedom
A powerful and original argument that the practice of scholarship is grounded in the concept of radical freedom, beginning with the freedoms of inquiry, thought, and expression. Why are scholars and scholarship invariably distrusted and attacked by authoritarian regimes? Geoffrey Galt Harpham argues that at its core, scholarship is informed by an emancipatory agenda based on a permanent openness to the new, an unlimited responsiveness to evidence, and a commitment to conversion. At the same time, however, scholarship involves its own forms of authority. As a worldly practice, it is a struggle for dominance without end as scholars try to disprove the claims of others, establish new versions of the truth, and seek disciples. Scholarship and Freedom threads its general arguments through examinations of the careers of three scholars: W. E. B. Du Bois, who serves as an example of scholarly character formation; South African Bernard Lategan, whose New Testament studies became entangled on both sides of his country’s battles over apartheid; and Linda Nochlin, whose essay “Why Have There Been No Great Women Artists?” virtually created the field of feminist art history.
The Sculptor and his Stone
This book argues for the inseparability of classical Hellenism from the Greek patristic tradition from a distinctly Eastern Orthodox perspective. Postulating a common striving for truth in both domains, it places emphasis on the contributions of theancients and Greek paideia to Christian learning and culture. In the spirit of the late Werner Jaeger, the essays contained in the volume provide a fruitful strategy for looking anew at the Greek classical world and Christianity through the eyes of the Greek Fathers, the direct inheritors of the ancient Greek worldview. Collectively, the author and contributors excellently demonstrate that, conflated with the visionary insights of the Jewish prophets and of Jewish messianism, the wisdom of the ancients served to pave the way for the unfolding of the fullness of Christian teaching and its spiritually enlightening revelation.
Bathers, Bodies, Beauty
"What meets the eye in Renoir's paintings of nude bathers? To some viewers, they are the very picture of female sensuality and beauty. To others, they embody a whole tradition of masculine mastery and feminine display. Yet others find in these naked women a fantasy of bodily liberation. The points of view are many, various, and occasionally startling. Linda Nochlin's aim in looking at works of art is not to construct a unitary response but to pull things apart, to leave the reader unsettled, confronting the contradictions - about the body, beauty, and ways of viewing - in the work of impressionists, modern masters, contemporary realists, and postmodernists."--BOOK JACKET.
ARTnews
Vols. for 19-- -1949/50 include: Art news annual (title varies slightly). issued as a separate section of a regular number; 195--1959 issued as a separate volume.
Theories and Documents of Contemporary Art
An essential text in the field of contemporary art history, it has now been updated to represent 30 countries and over 100 new artists. The internationalism evident in this revised edition reflects the growing interest in contemporary art throughout the world from the U.S. and Europe to the Middle East, Asia, Africa, Latin America, and Australia.
