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Downstage Upfront
In its first 40 years, from conception to maturity, through stages of growth both painful and pleasurable, Downstage - New Zealand's first and longest running regional professional theatre company - has lived an extraordinary life. This large and lavishly illustrated 'biography' is published to celebrate Downstage's birthday. It covers all the drama and larger-than-life personalities that have characterised Downstage's life, and the many great productions such as Colin McColl's internationally acclaimed relocation of Ibsen's Hedda Gabler to Karori. A major contribution to New Zealand's cultural history.
Displacement, Development, and Climate Change
This book focuses on one critical challenge: climate change. Climate change is predicted to lead to an increased intensity and frequency of natural disasters. An increase in extreme weather events, global temperatures and higher sea levels may lead to displacement and migration, and will affect many dimensions of the economy and society. Although scholars are examining the complexity and fragmentation of the climate change regime, they have not examined how our existing international development, migration and humanitarian organizations are dealing with climate change. Focusing on three institutions: the United Nations High Commissioner for Refugees, the International Organization for Migrat...
Reimagining Community Festivals and Events
This book celebrates and builds on Alan Clarke (1956–2021) and Allan Jepson’s 2015 book Exploring Community Festivals and Events. It showcases how far the study of community festivals and events has come in the intervening years, and in so doing it is a response to recent calls for researchers to take a more critical approach to event studies. This is an interdisciplinary book that draws together empirical research across a wide range of community event types, sizes and within diverse communities. Chapters in this book are grouped into four themes that highlight the breadth and depth of work being done: reviving and maintaining tradition(s); a focus on belonging; challenges and tensions;...
Keri Hulme Our Kuru Pounamu
Keri Hulme (1947-2021) was the first novelist from Aotearoa New Zealand to win the Booker Prize, for the bone people, published by a Spiral collective. Keri Hulme: Our Kuru Pounamu is Spiral's celebration of Keri's life and work, with tributes, essays, poems, stories, interviews, ephemera, art works and photographs. This is the third edition. It includes two stories Keri wrote at secondary school — they cover themes continued in the bone people, which Keri started to write when she was 18. These come from Keri's family — her whānau was always at the centre of her life; from her tahu-tuhituhi, her beloved writing associates; and from her neighbours and friends. To include her in the kōr...
Picking Up the Traces
The story of the generation of New Zealand writers who came of age in the 1930s and who deliberately and decisively changed the course of literature is told in this book, shedding important new light on the key participants, including Allen Curnow, Denis Glover, and Robin Hyde. The movement is traced through small circulation magazines and small press publications from 1932 to 1941. The repudiations and loyalties by which the movement defined itself are explored, including its opposition to the literary establishment and to late Georgian verse, its naming of its precursors and allies from the 1920s, and its choice of overseas models such as the British Moderns and the new American short-story writers for the creation of a new literature. oppose the cultural myths supported by the literary establishment and the writers' responses to the world-wide social upheavals of the period -- the Depression, the international crises of 1935 to 1939, and World War II.
Transnational Advocacy in the Digital Era
This title explores the role of digital advocacy organizations, a major new addition to the international arena. It provides a detailed investigation of the power that these organizations have, the ways in which they differ from traditional NGOs, their memberships and networks, and how their campaigns are launched and distributed.
Shaping the News
This is an unusual study of the way in which New Zealand television presents local news. It takes a well-known and often controversial annual event, the Waitangi Day commemorations, and explores in considerable detail how this has been handled from 1990 to 1995. As well as giving an illuminating picture of how television news is produced, it also offers insights into the way in which Maori issues are treated by mainly Pakeha news teams and the powerful if often unconscious shaping of attitudes towards race relations and biculturalism presented by television news programmes.
Fundamentals for Public Health Practice
A comprehensive textbook providing a full overview of the multifaceted nature of public health practice. The book takes a life-span approach and discusses cultural and societal change with direct links to the UK health and social care context.
The Cinema of Australia and New Zealand
From The Story of the Kelly Gang in 1906 to the Lord of the Rings trilogy, Australia and New Zealand have made a unique impact on international cinema. This book celebrates the commercially successful narrative feature films produced by these cultures as well as key documentaries, shorts, and independent films. It also invokes issues involving national identity, race, history, and the ability of two small film cultures to survive the economic and cultural threat of Hollywood. Chapters on well known films and directors, such as The Year of Living Dangerously (Peter Weir, 1982), The Piano (Jane Campion, 1993), Fellowship of the Ring (Peter Jackson, 2001), and Rabbit Proof Fence (Philip Noyce, 2002), are included with less popular but equally important films and filmmakers, such as Jedda (Charles Chauvel, 1955), They're a Weird Mob (Michael Powell, 1966), Vigil (Vincent Ward, 1984), and The Goddess of 1967 (Clara Law, 2000).
Decolonizing the Stage
A study of post-colonial drama and theatre. It examines how dramatists from various societies have attempted to fuse the performance idioms of their traditions with the Western dramatic form, demonstrating how the dynamics of syncretic theatrical texts function in performance.
