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The Holocaust, the French, and the Jews
Drawing on the extensive memoir literature of Jews who survived the Nazi period in France, Zuccotti paints a collective portrait of the victims, of those who tried to help them, of those who persecuted them and of the vast majority of French people who looked the other way. Zuccotti concludes that “benign neglect, vague goodwill, and, occasionally, active support” helped three-quarters of French Jews survive, while almost half of foreign-born Jews living under Nazi occupation or in the Vichy government “free” zone were sent to extermination camps with the active help of the French authorities. “Valuable and lucid. [...] Susan Zucccotti's book is admirable in many important ways.”...
Louis Fourteenth
An intimately detailed portrait of France's most powerful and flamboyant ruler
Cinepoetry: Imaginary Cinemas in French Poetry
Cinepoetry analyzes how French poets have remapped poetry through the lens of cinema for more than a century. In showing how poets have drawn on mass culture, technology, and material images to incorporate the idea, technique, and experience of cinema into writing, Wall-Romana documents the long history of cross-media concepts and practices often thought to emerge with the digital.In showing the cinematic consciousness of Mallarm? and Breton and calling for a reappraisal of the influential poetry theory of the early filmmaker Jean Epstein, Cinepoetry reevaluates the bases of literary modernism. The book also explores the crucial link between trauma and trans-medium experiments in the wake of two world wars and highlights the marginal identity of cinepoets who were often Jewish, gay, foreign-born, or on the margins.What results is a broad rethinking of the relationship between film and literature. The episteme of cinema, the book demonstates, reached the very core of its supposedly highbrow rival, while at the same time modern poetry cultivated the technocultural savvy that is found today in slams, e-poetry, and poetic-digital hybrids.
The Films of Roberto Rossellini
A close analysis of the seven films that mark important turning points in Rossellini's evolution: The Man with a Cross (1943), Open City (1945), Paisan (1946), The Machine to Kill Bad People (1948-52), Voyage in Italy (1953), to General della Rovere(1959), and The Rise to Power of Louis XIV (1966).
French Riviera and Its Artists
Get swept up in the glitz and glamour of the French Riviera as author and filmmaker John Baxter takes readers on a whirlwind tour through the star-studded cultural history of the Côte d'Azur that's sure to delight travelers, Francophiles, and culture lovers alike. Readers will discover the dramatic lives of the legendary artists, writers, actors, and politicians who frequented the world's most luxurious resort during its golden age. In 25 vivid chapters, Baxter introduces the iconic figures indelibly linked to the South of France—artist Henri Matisse, who lived in Nice for much of his life; F. Scott Fitzgerald, whose Riviera hosts inspired his controversial Tender is the Night; Coco Chane...
The House of Fragile Things
A powerful history of Jewish art collectors in France, and how an embrace of art and beauty was met with hatred and destruction In the dramatic years between 1870 and the end of World War II, a number of prominent French Jews—pillars of an embattled community—invested their fortunes in France’s cultural artifacts, sacrificed their sons to the country’s army, and were ultimately rewarded by seeing their collections plundered and their families deported to Nazi concentration camps. In this rich, evocative account, James McAuley explores the central role that art and material culture played in the assimilation and identity of French Jews in the fin-de-siècle. Weaving together narrative...
Huguenot Heritage
Director of the 1985 Huguenot Heritage tercentenary commemoration, Gwynn surveys the contributions to Britain and Ireland by the French-speaking Calvinist refugees who crossed the Channel between the 16th and 18th centuries. Among the topics are the situation in France, settlements in England, government reaction, crafts and trades, churches, opposition, the impact of Louis XIV's defeat, and assimilation. The first edition was published by Routledge in 1985; the second incorporates literature published and artefacts discovered since then, and is more comprehensively footnoted. All referencing material has been updated tin the light of new findings. And the plate section has been expanded to take into account recently available pictures of Huguenot artefacts and scenes.
Attending to Women in Early Modern England
"This volume contains the edited proceedings from the 1990 symposium "Attending to Women in Early Modern England," which was sponsored by the Center for Renaissance and Baroque Studies and the University of Maryland at College Park. Edited by Betty S. Travitsky and Adele F. Seeff in collaboration with a national committee of scholars, the book focuses on the interdisciplinary study of women in early modern England, addressing such areas of scholarly concern as what new research concepts can guide scholarship on early modern women? How were the public and private identities of these women constructed? What were the similarities between visible and invisible women in early modern England? How can - and should - studies on early modern women transform the classroom?"--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Champlain's Dream
Winner of the Pritzker Literature Award for Lifetime Achievement in Military Writing In this sweeping, enthralling biography, acclaimed historian David Hackett Fischer brings to life the remarkable Samuel de Champlain—soldier, spy, master mariner, explorer, cartographer, artist, and Father of New France. Born on France's Atlantic coast, Champlain grew to manhood in a country riven by religious warfare. The historical record is unclear on whether Champlain was baptized Protestant or Catholic, but he fought in France's religious wars for the man who would become Henri IV, one of France's greatest kings, and like Henri, he was religiously tolerant in an age of murderous sectarianism. Champlai...
