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Philippe Pastor
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The Huguenots in England
This is a much-revised version of Professor Cottret's acclaimed study of the Huguenot communities in England, first published in French by Aubier in 1985. The Huguenots in England presents a detailed, sympathetic assessment of one of the great migrations of early modern Europe, examining the social origins, aspirations and eventual destiny of the refugees, and their responses to their new-found home, a Protestant terre d'exil. Bernard Cottret shows how for the poor weavers, carders and craftsmen who constituted the majority of the exiles the experience of religious persecution was at once personal calamity, disruptive of home and family, and heaven-sent economic opportunity, which many were quick to exploit. The individual testimonies contained in consistory registers contain a wealth of personal narrative, reflection and reaction, enabling Professor Cottret to build a fully rounded picture of the Huguenot experience in early modern England. In an extended afterword Professor Emmanuel Le Roy Ladurie considers the Huguenot phenomenon in the wider context of the contrasting British and French attitudes to religious minorities in the early modern period.
Philippe Pastor
None
Plant for the Planet
In 2007, a year of "planetary emergency", when global warming was widely recognized as the defining issue of era, the Billion Tree campaign came to symbolize the readiness of people everywhere to work to protect our climate and collective home. This publication can introduce but a fraction of the energy and results inspired by the Campaign. It is intended to convey the range of partners moved to action: from children to giant corporations, from women's groups to technocrats, dancers to diplomats, farmers to national governments.
Politique
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The Collector
For only the fourth time in two centuries, the French have allowed the Mona Lisa to leave the Louvre, this time at the request of the pope, who wants to exhibit it in the Vatican Museums. However, once on display, the Museums’ former curator notices a nearly imperceptible discrepancy in the painting, leading to the discovery that it’s a forgery. Faced with the crisis of losing the most valuable painting in the world, the pope turns to Mauro Bruno and his associates, who’d previously performed discrete investigations for the Vatican. As they begin, Bruno and his colleagues try to understand how the world’s most famous painting, which is kept inside an alarmed environmental enclosure f...
