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Letter from Pierre Naville to Jean Carrive, regarding the Bureau des recherches surréalistes and Révolution surréaliste.
The acclaimed author of On Changing the World examines the ways in which surrealism intersects with a variety of revolutionary political approaches. In this expanded edition, the luminary critical theorist dismisses the limited notion of surrealism as a purely artistic movement, repositioning surrealism as a force in radical political ideologies, ranging from utopian ideals to Marxism and situationism. Taking its title from André Breton’s essay “Arcane 17,” which casts the star as the searing firebrand of rebellion, Michael Löwy’s provocative work spans many perspectives. These include surrealist artists who were deeply interested in Marxism and anarchism (Breton among them), as we...
This illuminating study of Benjamin's final essay helps unlock the mystery of this great philosopher. Revolutionary critic of the philosophy of progress, nostalgic of the past yet dreaming of the future, romantic partisan of materialism-Walter Benjamin is in every sense of the word an "unclassifiable" philosopher. His last text was written in a state of urgency, as he attempted to escape the Gestapo in 1940, before finally committing suicide. "On the Concept of History" is one of the most important philosophical and political writings of the twentieth century, argues Michael Löwy in this scrupulous, clear and fascinating examination. Löwy uses the concept of "elective affinity," the mutual attraction between two cultural figures, derived from the amorous encounter of two souls in Goethe's novel Elective Affinities. Looking in detail at Benjamin's celebrated but often mysterious text, and restoring the philosophical, theological and political context, Löwy strives to understand and highlight the complex relationship between redemption and revolution in Benjamin's philosophy of history.
This collection of essays provides a portrait of the intellectual relationship between these two men. It addresses several points of contact and covers themes of the debate from the different periods in their shared history.
In the famous conclusion to Being and Nothingness, Jean-Paul Sartre announced that he would devote his next philosophical work to moral problems. Although he worked on this project in the late 1940s, Sartre never completed it to his satisfaction, and it remained unpublished until after his death in 1980. Presented here for the first time in English, Notebooks for an Ethics is Sartre's attempt to articulate a moral philosophy. In the Notebooks he addresses any number of themes and topics relevant to an effort to formulate a concrete and revolutionary socialist ethics, among them the differences between force and violence, the relationship of means and ends, and the relationship of oppression ...
Co-founder and co-editor of October magazine, a veteran of Artforum of the 1960s and early 1970s, Rosalind Krauss has presided over and shared in the major formulation of the theory of postmodernism. In this challenging collection of fifteen essays, most of which originally appeared in October, she explores the ways in which the break in style that produced postmodernism has forced a change in our various understandings of twentieth-century art, beginning with the almost mythic idea of the avant-garde. Krauss uses the analytical tools of semiology, structuralism, and poststructuralism to reveal new meanings in the visual arts and to critique the way other prominent practitioners of art and literary history write about art. In two sections, "Modernist Myths" and "Toward Postmodernism," her essays range from the problem of the grid in painting and the unity of Giacometti's sculpture to the works of Jackson Pollock, Sol Lewitt, and Richard Serra, and observations about major trends in contemporary literary criticism.
A study of the role of 'little magazines' and their contribution to the making of artistic modernism and the avant-garde across Europe, this volume is a major scholarly achievement of immense value to those interested in material culture of the 20th century.
In a work of encyclopedic scope, International Trotskyism, 1929-1985 is sure to become the definitive reference work on a movement that has had a significant impact on the political culture of countries in every part of the world for more than half a century. Renowned scholar Robert J. Alexander has amassed, from disparate sources, an unprecedented amount of primary and secondary material to provide a documentary history of the origins, development, and nature of the Trotskyist movement around the world. Drawing on interviews and correspondence with Trotskyists, newspaper reports and pamphlets, historical writings including the annotated writings of Trotsky in both English and French, histor...
Winner of the 2020 European Walter Benjamin Prize, The Revolution is the Emergency Break is a rich discussion of Walter Benjamin’s lesser-known writings by renowned social scientist Michael Löwy. Translated into several languages but available in English for the very first time, Löwy’s book brings together the philosophical, literary, theological and cultural aspects of Benjamin’s writings, including his relation to figures such as Gershom Scholem and Franz Rosenzweig, his interpretation of historical materialism, surrealism, anti-fascism and anarchism, his contribution to understanding capitalism as a religion, and his relevance for Latin America and ecology today. The concept of revolution in his writings – not only the political ones but also those that deal with art, literature or theology, run through the work, connecting the various chapters. The Revolution is the Emergency Break also features four new chapters in this collection. Written in a clear-eyed, accessible language, The Revolution is the Emergency Break is a must-read for researchers, teachers and students interested in the works of this influential German intellectual.