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Centennial Hauntings
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All the World Is Awry
Free-thinking poet, grammarian, social critic, and satirist, Abū al-‛Alā' al-Ma‛arrī (973–1057 CE) remains one of the more celebrated and intriguing personalities in the history of Arab Islamic civilization. Although the controversies surrounding his skepticism, cynicism, and anticlericalism have never been completely resolved, his more disquieting writings are commonly available in the Arab world, cited in standard histories of Arabic literature, and the subject of scholarly studies. Al-Ma‛arrī is universally recognized as a giant among the litterateurs of Islam, deservedly famous for the role that he played in the development of Arabic verse as a more serious vehicle of religio...
Authority, Privacy and Public Order in Islam
This book contains selected papers delivered during the 22nd Congress of L'Union Europenne des Arabisants et Islamisants, held in Poland, from 29th September to 4th October 2004. The proceedings have been arranged into four thematic sections: (1) Theology and Philosophy, (2) Literature, (3) History of State and Society, and (4) Philology and Linguistics, though quite a number of the papers were of an interdisciplinary character. The authors of the 37 publications presented in this volume represent the international academic community and present in their articles the results of the latest research and studies into the areas touching on history, culture, literature, religion and art to mention a few. They constitute various attempts to answer the following questions: What is the meaning of Authority? and What is the place of the individual in Society? The book is essential source reading for specialists and students. This book is also recommended to all those who wish to become better acquainted with the problems and issues of the Arab-Muslim world.
O ye Gentlemen: Arabic Studies on Science and Literary Culture
O ye Gentlemen explores two vital strands in Arabic culture: the Greek tradition in science and philosophy and the literary tradition. They are permanent and, though drawing on Islam as a dominant religion, they are by no means dependent on it. That the strands freely interweave within the broader scope of Schrifttum is shown by more than thirty essays on subjects as varied as the social organisation of bees, spontaneous generation in the Shiʿite tradition, astronomy in the Arabian nights, the benefits of sex, precious stones in a literary text, the virtue of women in Judaeo-Arabic stories, animals in Middle Eastern music and the transmission of Arabic science and philosophy to the medieval West.
Neither Belief nor Unbelief
The book re-examines the religious thought and receptions of the Syrian poet Abū l-ʿAlāʾ al-Maʿarrī (d.1057) and one of his best known works - Luzūm mā lā yalzam (The Self-Imposed Unnecessity), a collection of poems, which, although widely studied, needs a thorough re-evaluation regarding matters of (un)belief. Given the contradictory nature of al-Maʿarrī’s oeuvre and Luzūm in particular, there have been two major trends in assessing al-Maʿarrī’s religious thought in modern scholarship. One presented al-Maʿarrī as an unbeliever and a freethinker arguing that through contradictions, he practiced taqīya, i.e., dissimulation in order to avoid persecution. The other, often a...
The Poetics of Anti-Colonialism in the Arabic Qaṣīdah
Representing the most sustained investigation of the aesthetics of Anti-Colonialism in modern Arabic poetry, this book chronicles the evolution of a distinct poetics that sought to maintain the integrity of the qaṣīdah without circumventing its historical moment. It painstakingly analyses a selection of odes by four leading twentieth-century poets, Aḥmad Shawqī, Maʿrūf al-Ruṣāfī, Badr Shākir al-Sayyāb and ʿAbd al-Wahhāb al-Bayātī. It will be of particular interest to scholars and students of Arabic literature, Islamic and Middle Eastern studies, Postcolonial studies, Comparative literature, and Cultural studies.
Crying in the Middle Ages
Sacred and profane, public and private, emotive and ritualistic, internal and embodied, medieval weeping served as a culturally charged prism for a host of social, visual, cognitive, and linguistic performances. Crying in the Middle Ages addresses the place of tears in Jewish, Christian, and Islamic cultural discourses, providing a key resource for scholars interested in exploring medieval notions of emotion, gesture, and sensory experience in a variety of cultural contexts. Gertsman brings together essays that establish a series of conversations with one another, foregrounding essential questions about the different ways that crying was seen, heard, perceived, expressed, and transmitted throughout the Middle Ages. In acknowledging the porous nature of visual and verbal evidence, this collection foregrounds the necessity to read language, image, and experience together in order to envision the complex notions of medieval crying.
Spanish Hebrew Poetry and the Arabic Literary Tradition
This work deals extensively with the Arabic themes and literary devices used by Hebrew Andalusian poets in 11th century Muslim (and Christian) Spain. Special interest is devoted to the four main poets of the Hebrew Golden Age in Spain, namely Samuel Ha-Nagid, Solomon Ibn Gabirol, Moses Ibn Ezra and Yehuda Ha-Lewi.
Wolfhart Heinrichs ́ Essays and Articles on Arabic Literature
Wolfhart Heinrichs’ Essays and Articles on Arabic Literature: General Issues, Terms is the first of two volumes that showcase a great number of Heinrichsʼ writings on his central field of research: Arabic literature. This volume specifically looks at poetry and rhetoric, and their indigenous theories and terminologies. Wolfhart Heinrichs (1941-2014) was James Richard Jewett Professor of Arabic at Harvard University. He is remembered as a significant adviser to Fuat Sezginʼs fundamental Geschichte des arabischen Schrifttums; as an editor of and contributor to the Encyclopaedia of Islam, Second edition; and, most importantly, as an author of many independent studies on Arabic literature, m...
Muhammad's Grave
In this probing study of death rites, Leor Halevi plays prescriptive texts against material culture, advancing a new way of interpreting the origins of Islam. He shows how religious scholars produced codes of funerary law to create new social patterns in the cities of Arabia, Mesopotamia, and the eastern Mediterranean. They distinguished Islamic from Christian, Jewish and Zoroastrian rites; and they changed the way men and women interacted publicly and privately. Each chapter explores a different layer of human interaction, following the movement of the corpse from the deathbed to the grave. Highlighting economic and political factors, as well as key religious and sexual divisions, Halevi forges a fascinating link between the development of funerary rites and the efforts of an emerging religion to carve its own distinct identity. Muhammad's Grave is a groundbreaking history of the rise of Islam and the roots of contemporary Muslim attitudes toward the body and society.
