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Celebration & The Room
A restaurant. Two curved banquettes. It's a celebration. Violent, wildly funny, Harold Pinter's new play displays a vivid zest for life. In The Room, Harold Pinter's first play, he reveals himself as already in full control of his unique ability to make dramatic poetry of the banalities of everyday speech and the precision with which it defines character. Harold Pinter's latest play, Celebration, and his first play, The Room directed by the author himself, premièred as a double-bill at London's Almeida Theatre in March 2000.
No Man's Land
'The work of our best living playwright in its command of the language and its power to erect a coherent structure in a twilight zone of confusion and dismay.' The TimesDo Hirst and Spooner really know each other, or are they performing an elaborate charade? The ambiguity - and the comedy - intensify with the arrival of Briggs and Foster. All four inhabit a no-man's-land between time present and a time remembered, between reality and imagination.No Man's Land was first presented at the National Theatre at the Old Vic, London, in 1975, revived at the Almeida Theatre, London, with Harold Pinter as Hirst and revived by the National Theatre, directed by Harold Pinter, in 2001.
Harold Pinter Plays 1
This volume contains Harold Pinter's first six plays, including The Birthday Party. The Birthday Party Stanley Webber is visited in his boarding house by two strangers, Goldberg and McCann. An innocent-seeming birthday party for Stanley turns into a nightmare. 'Mr Pinter's terrifying blend of pathos and hatred fuses unforgettably into the stuff of art.' Sunday Times The Room and The Dumb Waiter In these two early one-act plays, Harold Pinter reveals himself as already in full control of his unique ability to make dramatic poetry of the banalities of everyday speech and the precision with which it defines character. 'Harold Pinter is the most original writer to have emerged from the "new wave" of dramatists who gave fresh life to the British theatre in the fifties and early sixties.' The Times The Hothouse The Hothouse was first produced in 1980, though Harold Pinter wrote the play in 1958, just before commencing work on The Caretaker. In this compelling study of bureaucratic power, we can see the full emergence of a great and original dramatic talent. ' The Hothouse is at once sinister and hilarious, suggesting an unholy alliance of Kafka and Feydeau.' Spectator
The Films of Harold Pinter
The Films of Harold Pinter is a collection of ten original essays on the screenplays of master British dramatist and screenwriter Harold Pinter. Written by noted Pinter and film specialists, the book explores individual Pinter masterpieces such as The French Lieutenant's Woman, The Go-Between, Accident, and The Pumpkin Eater. Along with offering explications of the films themselves, it also provides insights into Pinter's creative process and the differences between the novel, drama, and film. Despite having written twenty-three film scripts and concentrating his recent artistic attention almost exclusively on screenwriting, Pinter's work for the screen has been paid sparse critical attention over the years. This book leaves little doubt, however, that Harold Pinter has made important contributions to the cinema, not the least of which has to do with the primary characteristics of his screenplays—in almost every case he has produced a script that is a work of art in its own right, one that can stand on its own.
Harold Pinter
Published to celebrate Harold Pinter becoming Nobel Laureate in 2005, this box set contains four of Pinter's plays: The Birthday Party, No Man's Land, Mountain Language and Celebration.
The Birthday Party
Stanley Webber is visited in his boarding house by strangers, Goldberg and McCann. An innocent-seeming birthday party for Stanley turns into a nightmare. The Birthday Party was first performed in 1958 and is now a modern classic, produced and studied throughout the world.
Harold Pinter Plays 2
The second volume of Harold Pinter's collected work includes The Caretaker. The Caretaker It was with this play that Harold Pinter had his first major success. The obsessive caretaker, Davies, is a classic comic creation, and his uneasy relationship with the enigmatic Aston and Mick a landmark in twentieth-century drama. 'The play remains a masterpiece.' Daily Telegraph The Collection This one-act play for television explores the sexual manoeuvres between two couples in the clothing trade. 'Taps the adrenal flow of contemporary guilt and anxiety.' Time The Lover Richard and Sarah conduct themselves with apparent respectability in the mornings, whilst living out a sequence of erotic rituals in the afternoons. 'Beautifully written... the sexiest play I remember seeing on the television.' Sunday Times The volume also includes Night School and The Dwarfs, plus five revue sketches written during the same period.
Harold Pinter Plays 3
This revised third volume of Harold Pinter's work includes The Homecoming, Old Times, No Man's Land, four shorter plays, six revue sketches and a short story. It also contains the speech given by Pinter in 1970 on being awarded the German Shakespeare Prize. The Homecoming 'Of all Harold Pinter's major plays, The Homecoming has the most powerful narrative line... You are fascinated, lured on, sucked into the vortex.' Sunday Telegraph 'The most intense expression of compressed violence to be found anywhere in Pinter's plays.' The Times Old Times 'A rare quality of high tension is evident, revealing in Old Times a beautifully controlled and expressive formality that has seldom been achieved since the plays of Racine.' Financial Times 'Harold Pinter's poetic, Proustian Old Times has the inscrutability of a mysterious picture, and the tension of a good thriller.' Independent No Man's Land 'The work of our best living playwright in its command of the language and its power to erect a coherent structure in a twilight zone of confusion and dismay.' The Times
Tea Party and the Basement
THE STORIES: TEA PARTY. As The New Yorker describes: TEA PARTY is about a middle-aged self-made business man named Sisson who engages a young secretary, marries a beautiful young second wife, and takes his new brother-in-law into his business--all
Harold Pinter
Harold Pinter made his dramatic début in 1958 with The Birthday Party, a piece which was received with almost total incomprehension by critics and public alike. But time has shown that this reaction was due to the unfamiliarity of his dramatic style, rather than to inherent obscurities in his work, and The Caretaker, produced two years later, quickly earned the cinema, the radio and television: during the past decade he has established himself as the most consistently successful serious dramatist of his generation. This study traces the development of Pinter's writing from the so-called comedy of menace exemplified by The Birthday Party in which the mood alternates between the jocular and t...
