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The President of Planet Earth
Shortlisted for the 2018 Irish Times Poetry Now Award In his fifth collection of poems, David Wheatley twins his birthplace and his current home, Ireland and Scotland, to engage issues of globalism, identity, and language. He takes inspiration from the Russian Futurist poet Velimir Khlebnikov, self-nominated President of Planet Earth, who in a state of apocalyptic rapture envisioned a new world culture, its rise and its dramatic undoing. In The President of Planet Earth Wheatley brings an experimental sensibility to bear on questions of land and territory, channelling the messianic aspirations of modernism into subversive comedy. We move between Pictish pre-history, the imaginary South American nation of 'Oblivia', and post-independence referendum Scotland. Wheatley marries classical, Gaelic, Scots and continental traditions. He deploys several styles - prose poetry; concrete poetry; translations from Middle Irish, Latin and French; sestinas and sonnets in Scots - to heady effect. The President of Planet Earth refashions language and the world it shapes, devising a transformative poetics.
Here
HERE is fierce poetic imagination that faces indifference and cynicism with a rallying call for individual activism and collective action.
Coyote's Soundbite
Excitement spreads like wildfire through the jungle. Earth-goddesses are planning a conference! From Australia to Antarctica, Amazon to Africa, goddesses will debate the burning environmental issues of our times . . . and bushy-tailed, smooth-talking Coyote wants in on the action. Can this infamous trickster come up with a plan to infiltrate the conference and leave a lasting legacy for our planet? This is a rip-roaring poem by a master poet.
My Silver Planet
Reveals the hidden origins of kitsch in poetry from the eighteenth century. Taking its title from John Keats, My Silver Planet contends that the problem of elite poetry’s relation to popular culture bears the indelible mark of its turbulent incorporation of vernacular poetry—a legacy shaped by nostalgia, contempt, and fraudulence. Daniel Tiffany reactivates and fundamentally redefines the concept of kitsch, freeing it from modernist misapprehension and ridicule, by tracing its origin to poetry’s alienation from the emergent category of literature. Tiffany excavates the forgotten history of poetry’s relation to kitsch, beginning with the exuberant revival of archaic (and often spuriou...
Poems from a Green and Blue Planet
A stunning collection of new and classic poems from around the world celebrating the diversity of life on our green and blue planet, to be shared with all the family. With new poems from Raymond Antrobus, Mona Arshi, Kate Tempest, Hollie McNish and Sabrina Mahfouz. Dive into this book and be swept away on a journey around our green and blue planet, from the peak of the snowiest mountaintop to the bottom of the deepest, bluest ocean. Meet the birds circling its skies and the beasts prowling its plains; meet the people toiling in its fields and forests, and those living at the top of city tower blocks... Explore all the worlds that make up our world, and hear the voices, past and present, that sing out from it. From haikus to sonnets, from rap to the Romantics, this joyous collection celebrates life in all corners of our beautiful planet.
Little Glass Planet
The poems in Dobby Gibson’s new book transform the everyday into the revelatory Little Glass Planet exults in the strangeness of the known and unknowable world. In poems set as far afield as Mumbai and Marfa, Texas, Dobby Gibson maps disparate landscapes, both terrestrial and subliminal, to reveal the drama of the quotidian. Aphoristic, allusive, and collaged, these poems mine our various human languages to help us understand what we might mean when we speak to each other—as lovers, as family, as strangers. Little Glass Planet uses lyric broadcasts to foreshorten the perceived distances between us, opening borders and pointing toward a sense of collectivity. “This is my love letter to the world,” Gibson writes, “someone call us a sitter. / We’re going to be here a while.” Elegiac, funny, and candid, Little Glass Planet is a kind of manual for paying attention to a world that is increasingly engineered to distract us from our own humanity. It’s a book that points toward hope, offering the possibilities of a “we” that only the open frequency of poetry can create, possibilities that are indistinguishable from love.
Earth Verse: Haiku from the Ground Up
Rocks, fossils, earthquakes. Seventeen short syllables? Earth Science haiku! In a stunning combination of haiku and impressionistic (but accurate) art, this one-of-a-kind book encourages readers to think playfully about our planet and its wondrous processes. Sibert Medal–winning author Sally M. Walker covers Earth’s many marvels — fossilized skeletons of plants and animals, terrific volcanic eruptions, the never-ending hydrologic cycle — in sometimes straightforward, sometimes metaphoric three-line haikus. Expertly drawn art by William Grill, author-illustrator of Shackleton’s Journey, provides a visual reference for each poem. In clear and creative back matter, Walker and Grill further use their skills to provide additional detailed explanations for the science behind each concept. A unique, artistic intersection of poetry and science, Earth Verse is sure to enthrall any and all readers interested in the world around them.
Planets
"Literature-based, across the curriculum."--Cover
Writers' Haven
None
This Rock, That Rock
To celebrate 50 years since the first moon landing by Apollo 11 in 1969, here is an original collection of 50 poems. In his poems Dom tells us of two incredible things--the Moon is incredible: it controls our tides, to give us 24-hour days, and it keeps our planet stable enough to have seasons. Dom reminds us that poetry too is incredible because it is the most flexible form of expressing ourselves and has been always how we used to tell stories, particularly about our ways of seeing this incredible Moon. The Moon is an inspiring rock of possibilities. To tell us this, Dom uses lots of poetry forms: short poems and long ones, silly ones and serious ones. There are haiku and sonnets, acrostics and shapes. He uses kennings and metaphors and slang. He uses established rhythms which you might find in older poems and he uses the rhythms he hears in his head when his son smiles at him. So take up the challenge: Read the poems, fly to the moon, land on it, orbit it. Go to walk on it, live on it, steal it, eat it!
