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Ancient Greek Portrait Sculpture
This book offers a new approach to the history of Greek portraiture by focusing on portraits without names. Comprehensively illustrated, it brings together a wide range of evidence that has never before been studied as a group. Sheila Dillon considers the few original bronze and marble portrait statues preserved from the Classical and Hellenistic periods together with the large number of Greek portraits known only through Roman 'copies'. In focusing on a series of images that have previously been ignored, Dillon investigates the range of strategies and modes utilized in these portraits to construct their subject's identity. Her methods undermine two basic tenets of Greek portraiture: first, ...
Bernini and the Birth of Baroque Portrait Sculpture
Gian Lorenzo Bernini was the greatest sculptor of the Baroque period, and yet—surprisingly—there has never before been a major exhibition of his sculpture in North America. Bernini and the Birth of Baroque Portrait Sculpture showcases portrait sculptures from all phases of the artist’s long career, from the very early Antonio Coppola of 1612 to Clement X of about 1676, one of his last completed works. Bernini’s portrait busts were masterpieces of technical virtuosity; at the same time, they revealed a new interest in psychological depth. Bernini’s ability to capture the essential character of his subjects was unmatched and had a profound influence on other leading sculptors of his day, such as Alessandro Algardi, Giuliano Finelli, and Francesco Mochi. Bernini and the Birth of Baroque Portrait Sculpture is a groundbreaking study that features drawings and paintings by Bernini and his contemporaries. Together they demonstrate not only the range, skill, and acuity of these masters of Baroque portraiture but also the interrelationship of the arts in seventeenth-century Rome.
The Portrait in Clay
Simulating a workshop studio course, this book provides action-photography sequences that enable readers to observe every step a master sculptor takes in building a portrait in clay.
Presence
Explores the peculiar power of the sculpted portrait and where that power comes from.
Portrait Sculpture
Since 1756, the British Museum has acquired, by gift, bequest or purchase, some 90 works of portrait sculpture. Presented in a variety of media, most of the sitters are eminent statesmen, scholars and authors and many of the works are by sculptors of the first rank, yet the pieces have rarely been on public display and are correspondingly little known. The portraits have been closely studied and catalogued in this illustrated volume. For each piece, Aileen Dawson considers the gensis, material, place in the artist's oeuvre, and history in the museum.
Portrait Sculpture
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Portrait Sculpture
Presented in catalogue form are 64 portrait heads, headless torsos, and fragments (of both categories) ranging in date from the first half of the 1st century B. C. to the 5th century A. D. The catalogue is preceded by an introduction dealing with finding-places, material, forms of portraits, and subjects. Special emphasis is placed on stylistic criteria for dating each work, and the more interesting examples are discussed in some detail. There are not many great works of art illustrated, but many interesting types. As the author says in her introduction, "the Agora portraits interest us, not because they are unique, but because they are representative."
MAGICAL MIXTURES PB
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