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A Fine Line
Featuring six decades of outstanding work by Ontarios design-craftspeople in colour and black and white photographs.
The Guild
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P11, Painters Eleven
In 1953 eleven Canadian Abstract Expressionist artists banded together to break through the barricades of traditional art at a time when landscapes were about the only paintings collectors were buying. Hungry for recognition, raging against the art establishment that was shutting them out, they decided to form a collective, expecting they would gain more attention as a group than as solo artists. In 1954, The Painters Eleven--Jack Bush, Oscar Cahén, Hortense Gordon, Tom Hodgson, Alexandra Luke, Jock Macdonald, Ray Mead, Kazuo Nakamura, William Ronald, Harold Town and Walter Yarwood--held their first exhibition in Toronto. Initially the public response echoed the worldwide sentiments toward ...
SOFA
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Making and metaphor
This multidisciplinary collection of eighteen essays was presented at the conference of the same name. It explores the complex and significant role of contemporary craft in society. The authors show how linguistic and feminist studies are tools for understanding craft. Historical analysis highlights how education, architecture, and industrial design have influenced craft products and our perceptions of them. Social and cultural anthropology show how craft expresses backgrounds of its makers. And ethnology and museum studies reveal the assumptions used in collecting, identifying and exhibiting craft.
Art Et Architecture Au Canada
Identifies and summarizes thousands of books, article, exhibition catalogues, government publications, and theses published in many countries and in several languages from the early nineteenth century to 1981.
Canadian Art in the Twentieth Century
Joan Murray discusses social and political events in combination with the movements, ideas, attitudes, styles, and important groups in Canadian art of this century.
The Art of Contemporary American Pottery
Beauty will always reside in the eye of the beholder, but what about the fine line between beauty and functionality? Can a purely utilitarian form, such as a simple pot, vase, or plate, truly be considered a great work of art? In The Art of Contemporary American Pottery, author Kevin A Hluch takes up the challenge of addressing this debate. Hluch, who examines pottery from a unique perspective as historian, scholar and connoisseur, finds as much meaning and nobility in a thoughtfully crafted clay vessel as he does in a masterpiece painting. There are many reasons why a good pot is a good pot. Some reasons are obvious. Some are subtle. Some only reveal themselves when you know how to look. With the help of more than 200 beautiful color photos featuring the world of the country's best utilitarian potters, and a lengthy list of artists and galleries, Hluch does more than just talk about how great pottery is made. He talks about what makes great pottery.
Who's Who of Canadian Women, 1999-2000
Who's Who of Canadian Women is a guide to the most powerfuland innovative women in Canada. Celebrating the talents and achievement of over 3,700 women, Who's Who of Canadian Women includes women from all over Canada, in all fields, including agriculture, academia, law, business, politics, journalism, religion, sports and entertainment. Each biography includes such information as personal data, education, career history, current employment, affiliations, interests and honours. A special comment section reveals personal thoughts, goals, and achievements of the profiled individual. Entries are indexed by employment of affilitation for easy reference. Published every two years, Who's Who of Canadian Women selects its biographees on merit alone. This collection is an essential resource for all those interested in the achievements of Canadian women.
