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Voices of Anger and Hope
The leading historian in this field here offers a number of specific studies which do much to illuminate the politics, literature and culture of alternative visions. Contents: Introduction. "Moral Force" and "Physical Force" in the Poetry of Chartism: John Mitchell and David Wright of Aberdeen; Mrs Rochester and Mr Cooper: Alternative Visions of Class, History and Rebellion in the "Hungry Forties"; Voices of Anger and Hope from the 1840s to the 1940s: Hugh Williams, T.E. Nicholas and Idris Davies; Bart Kennedy: Hater of Slavery, Tramp and Professor of Walking; Rebels on the Stage: Turn-of-the-Century Plays by Wilde, Galsworthy, Jones and Lawrence; The Shipbuilders' Story; Felled Trees - Fallen Soldiers; Individual, Community and Conflict in Scottish Working-Class Fiction, 1920-1940; Genteel Anarchism: Herbert Read's Poetry of Two Wars; Foregrounding the Kitchen: Everyday Domestic Life in Painting and Drama (with illustrations); Anti-authoritarianism in James Kelman's Late-Twentieth-Century Fiction; John Burnside's Living Nowhere as Industrial Fiction. Index.
James Kelman
One of the most powerful and provocative writers to have emerged in Britain in recent years, James Kelman has engendered a good deal of criticism over his use of 'bad' language. This text examines his work, exploring the social and political issues that he raises.
Ecology and the Literature of the British Left
Premised on the belief that a social and an ecological agenda are compatible, this collection offers readings in the ecology of left and radical writing from the Romantic period to the present. While early ecocriticism tended to elide the bitter divisions within and between societies, recent practitioners of ecofeminism, environmental justice, and social ecology have argued that the social, the economic and the environmental have to be seen as part of the same process. Taking up this challenge, the contributors trace the origins of an environmental sensibility and of the modern left to their roots in the late eighteenth and early nineteenth centuries, charting the ways in which the literary ...
A History of Irish Working-Class Writing
"Michael Pierse is Lecturer in Irish literature at Queen's University Belfast. His research mainly explores the writing and cultural production of Irish working-class life. Over recent years this work has expanded into new multidisciplinary themes and international contexts, including the study of festivals, digital methodologies in public humanities and theatre-as-research practices. Michael has contributed to a range of national and international publications, is the author of Writing Ireland's Working Class: Dublin after O'Casey (2011), and has been awarded several Arts and Humanities Research Council awards and the Vice Chancellor's Award at Queen's"--
Ecology and the Literature of the British Left
Premised on the belief that a social and an ecological agenda are compatible, this collection offers readings in the ecology of left and radical writing from the Romantic period to the present. While early ecocriticism tended to elide the bitter divisions within and between societies, recent practitioners of ecofeminism, environmental justice, and social ecology have argued that the social, the economic and the environmental have to be seen as part of the same process. Taking up this challenge, the contributors trace the origins of an environmental sensibility and of the modern left to their roots in the late eighteenth and early nineteenth centuries, charting the ways in which the literary ...
Factory Girl
It is at last being recognized that, contrary to common understanding, there were working-class women poets in the nineteenth century. Yet this growing awareness is rarely accompanied by a sustained engagement with their poetry. Painstaking research into the life and work of an author remains constricted to the Brownings and Rossettis of both sexes. The present study breaks with this academic habit. It is the first critical biography of the Glaswegian writer who signed her poems as 'The Factory Girl'. It is an essay in recovery and exploration, situating Ellen Johnston at the intersection of gender, class and nation. It documents her range of subjects, styles and voices. The book is concluded by a selection of Ellen Johnston's verse.
British Industrial Fictions
This volume represents the contexts, aspirations and dramas experienced by the people who worked in industry in Britain for 200 years. This fictional material was usually produced in conscious resistance to the dominent culture of the day, sometimes by middle-class sympathisers, but often by workers themselves who found time, somehow, to write about their stark experiences.
Community in Modern Scottish Literature
Community in Modern Scottish Literature is the first book to examine representations and theories of community in Scottish writing of the twentieth and twenty-first centuries across a broad range of authors and from various conceptual perspectives. The leading scholars in the field examine work in the novel, poetry, and drama, by key Scottish authors such as MacDiarmid, Kelman, and Galloway, as well as less well known writers. This includes postmodern and postcolonial readings, analysis of writing by gay and Gaelic authors, alongside theorists of community such as Nancy, Bauman, Delanty, Cohen, Blanchot, and Anderson. This book will unsettle and yet broaden traditional conceptions of community in Scotland and Scottish literature, suggesting a more plural idea of what community might be.
The Rise of Socialist Fiction - 1880-1914
Leading scholars combine here a sustained attempt to trace the growth of socialist fiction in the crucial period of the formation of the modern British labour movement. While the importance of the long-neglected literary tradition is now recognised, no other studies have been as comprehensive as this collection. The essays here go beyond the limited concentration on slum fiction which long characterised studies. The remit of this work is the exploration of the emergence of the alternative tradition in English literature, the relationship between socialist fiction and the mainstream. The work also connects the British contribution with the European socialist novel.
