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The Plant Contract
The Plant Contract argues that visual and performance art can help change our perception of the vegetal world, and can return us to nature and thought. Via an investigation into the wasteland, robotany, feminist plants, and nature rights, this phytology-love story investigates how contemporary art is mediating the effects of plant-blindness, caused by human disassociation from the natural world. It is also a gesture of respect for the genius of vegetal life, where new science proves plants can learn, communicate, remember, make decisions, and associate. Art is a litmus test for how climate change affects human perception. This book responds to that test by expressing plant-philosophy to a wider public, through an interrogation of plant-art.
Covert Plants
Covert Plants contributes to newly emerging discourses on the implications of vegetal life for the arts and culture. This stretches to changes in our perception of 'nature' and to the adapting roles of botany, evolutionary ecology, and environmental aesthetics in the humanities. Its editors and contributors seek various expressions of vegetal life rather than the mere representation of such, and they proceed from the conviction that a rigorous approach to thinking with and through vegetal life must be interdisciplinary. At a time when urgent calls for restorative care and reparative action have been sounded for the environment, this essay volume presents a range of academic and creative pers...
The Plant Contract
The wasteland and the wilding: the aesthetic of abandoned and reclaimed green spaces -- Green man: human-plant hybrids -- Robotany and aesthetics -- Bio rights: earth of agonies and eco-punks -- Eco-feminism: plants as becoming-woman -- Ungrounding plant life: the after-effects -- On rhizomes and dead trees
The Plant Thieves
The Plant Thieves reveals remarkable stories from the National Herbarium of New South Wales — its people, its archives and its most guarded specimens. Who gets to collect plants, name them, propagate them, extract their chemicals, sell them and use them? Whose knowledge is it? And what can the people that work with plants, just outside the law, teach us about plant care? In The Plant Thieves, Prudence Gibson explores the secrets of the National Herbarium of New South Wales and unearths remarkable stories of plant naming wars, rediscovered lost species, First Nations agriculture, illegal drug labs and psychoactive plant knowledge. Gibson reveals the tale of the anti-inflammatory plant that ...
Janet Laurence
Well - known for her installations and major public art commissions that engage with architectural and biological forms, acclaimed Australian artist Janet Laurence is fascinated by the interplay of plant species, animals and people. In her work, represented in all major collections in Australia, Laurence constructs atmospheric spaces that allow for deep reflection on questions of climate change, ecology and extinction. Here, Prudence Gibson offers a new understanding of Laurence's BioArt and what her work says about humanity's relationship to the world.
A Geology of Media
Media history is millions, even billions, of years old. That is the premise of this pioneering and provocative book, which argues that to adequately understand contemporary media culture we must set out from material realities that precede media themselves—Earth’s history, geological formations, minerals, and energy. And to do so, writes Jussi Parikka, is to confront the profound environmental and social implications of this ubiquitous, but hardly ephemeral, realm of modern-day life. Exploring the resource depletion and material resourcing required for us to use our devices to live networked lives, Parikka grounds his analysis in Siegfried Zielinski’s widely discussed notion of deep ti...
The Octopus Man
'Astonishing' Stephen Fry 'Exceptional' Douglas Stuart, author of the Booker Prize-winning SHUGGIE BAIN 'Now is the time for this book' DBC Pierre, author of the Booker Prize-winning VERNON GOD LITTLE 'Funny. Disturbing. Brilliant' Lily Allen Funny, smart, damaged, Tom is lost in the machinery of the British mental health system, talking to a voice no one else can hear; the voice of Malamock, the Octopus God - sometimes loving, sometimes cruel, but always there to fill his life with meaning. Once an outstanding law student, Tom is now cared for by his long-suffering sister Tess, who encourages him into an experimental drugs trial that promises to silence the voice forever. The Octopus God, however, does not take kindly to being threatened... Deeply moving and tragi-comic, The Octopus Man is a bravura literary performance that asks fundamental questions about belief and love.
Janet Laurence
Well-known for her installations and public art commissions that engage with architectural and biological forms, Janet Laurence is fascinated by the interplay of plant species, animals and people. In her work, represented in all major collections in Australia, Laurence constructs atmospheric spaces that allow for deep reflection on questions of ecology and extinction. Here, Prudence Gibson surveys Laurence's BioArt, and her radical interpretation of humanity's relationship with the world.
Vegetal Entwinements in Philosophy and Art
The first reader in critical plant studies, exploring a rapidly growing multidisciplinary field—the intersection of philosophy with plant science and the visual arts. In recent years, philosophy and art have testified to how anthropocentrism has culturally impoverished our world, leading to the wide destruction of habitats and ecosystems. In this book, Giovanni Aloi and Michael Marder show that the field of critical plant studies can make an important contribution, offering a slew of possibilities for scientific research, local traditions, Indigenous knowledge, history, geography, anthropology, philosophy, and aesthetics to intersect, inform one another, and lead interdisciplinary and tran...
All the Birds, Singing
‘A thoughtful and intense account of a young woman seemingly determined to disappear from the world’s radar...’ Observer Jake Whyte is the sole resident of an old farmhouse on an unnamed British island, a place of ceaseless rains and battering winds. It’s just her, her untamed companion, Dog, and a flock of sheep. Which is how she wanted it to be. But something is coming for the sheep – every few nights it picks one off, leaves it in rags. It could be anything. There are foxes in the woods, a strange boy and a strange man, rumours of an obscure, formidable beast. And there is Jake’s unknown past, perhaps breaking into the present, a story hidden thousands of miles away and years ago, in a landscape of different colour and sound, a story held in the scars that stripe her back. ‘Unsettling, dark and extraordinarily fresh’ The Times ‘A hair-prickling thriller... It's the quality of [Wyld's] prose that really blows your mind’ Metro **Shortlisted for the Costa Novel Prize** **Longlisted for the Women's Prize for Fiction**
