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Public Sculpture of Greater Manchester is a complete catalog and illustrated guide to all of Greater Manchester's public sculptures and monuments. Manchester historian Terry Wyke provides detailed individual entries for each sculpture featured, including information about the artist and the commissioning agent, date of installation, and the sculpture's historical and artistic significance. More than 350 black-and-white photographs reveal the diversity and beauty of Manchester's many public monuments. The eighth volume in Liverpool University Press's highly acclaimed and prize-winning Public Sculpture of Britain series, Public Sculpture of Greater Manchester will be an incomparable resource for both armchair and actual travelers, as well as for English historians and art scholars alike. "These are excellent volumes in an outstanding and continuing series, one of the most original and important such projects under way. They set an international standard for the recording and publication of public sculpture."—Judging panel, 2003 William MB Berger Prize for British Art History, on the Public Sculpture of Britain series
Documents some 450 public monuments and sculptures of the northeast of England. Entries on each piece contain bandw photos and details on materials, physical conditions, ownership and commissioning, and use and interpretation at various times in history. From this emerges a picture both of the development of public sculpture and monuments in the region and of the contribution these objects make to ideas of local identity. Material is arranged geographically. Includes bandw maps, a glossary, introductory essays, and brief biographies of sculptors and architects. Distributed by ISBS. Annotation copyrighted by Book News Inc., Portland, OR
As the financial capital of the British Empire, the City commissioned imposing statues of those who had made it what it was. More surprising is the wealth of architectural sculpture, including the friezes of the Institute of Chartered Accountants, the most important of the 'New Sculpture'.
This book provides a detailed survey of the significant public sculpture located across South Yorkshire, including statues, memorials, architectural sculpture and reliefs. Each artwork is fully discussed in terms of the circumstances of its commission, the design and making process, and public responses. Style and iconography is also covered. The range of works available in the region is impressive with notable contributions by some of the country's most significant artists including the very earliest works by Sir Francis Chantrey in Sheffield and later work at Owston, a double memorial by Peter Scheemakers at Barnby Dun, a Pomeroy frieze and other reliefs on Sheffield's Town Hall, and work ...
This volume contains important sculptures by most of the greatest British sculptors and some continental sculptors - John Flaxman, Auguste-Nicolas Cain, John Gibson, Francis Chantrey, Carlo Marochetti, Hamo Thornycroft, George Frampton, J. H. Foley and many others." "The study of architectural sculpture, falling between the history of art and the history of architecture, has been until very recently generally neglected - even by that great pioneer, Rupert Gunnis. Ray Mackenzie has in this volume for the first time demonstrated the importance of Glasgow's architectural sculpture and explained its function with a wealth of detail."--BOOK JACKET.
The Westminster Borough of London, which includes much of the city's fashionable West End, boasts a large concentration of public sculptures, including war memorials, commemorative monuments, fountains, and other prominent works of art. Public Sculpture of Historic Westminster: Volume I documents nearly three hundred of these works, with illustrations and details of construction, selections of artists and sites, and conservation history. In the case of statues commemorating public figures, a brief biography is also provided focusing on the achievements celebrated. Additional sections discuss the use of Parliament Square, Trafalgar Square, and the Victoria Embankment as sites for commemoration.
"In this tenth volume in the Publich Sculpture of Britain series, the varied and important, though often little-known, public sculpture of the Boroughs of Wandsworth, Lambeth, Southwark and Lewsham is illustrated and catalogued in detail."--BOOK JACKET.
Birmingham not only attracted major sculptors from London, but as a great manufacturing city it possessed busy workshops of local sculptors, often closely associated with its progressive and important art school. As a result the city has an extensive range of monuments and sculptures accessible to the public. This book documents this heritage as fully as possible, from the earliest surviving item to modern, recently erected sculptures.
In this sixth volume of Public Sculpture of Britain, the reader is presented with some dramatic contrasts in public sculpture. Public Sculpture of Warwickshire meticulously catalogues the vast array of work that exists in this region. Richly illustrated, the book reveals how Lady Godiva in Coventry and William Shakespeare in Stratford proved in different ways irresistible subjects for public sculpture, resulting in inspirational masterpieces by Reid Dick and Ronald Gower. Close scrutiny is also given to the modern sculpture. The post war reconstruction of Coventry symbolized the whole nation's recovery on both a social and economic front, and demonstrated through some of the most dynamic and innovative sculpture of modern times. The Public Sculpture of Britain series is profusely illustrated and catalogues in great detail sculpture in Britain available to the public. It is the published outcome of the National Recording Project of the Public Monuments and Sculpture Association, and it will eventually cover the whole of Britain. Earlier volumes in the series covered Liverpool, Birmingham, North-East England, and Leicestershire & Rutland.
The "Black Country" is an area historically known as the cradle of the Industrial Revolution—a thriving regioin built around deep coal seams, conjuring up images of fiery red furnaces by night and black, sooty citadels by day. Yet today the resource-rich region also features many striking public sculptures. This volume provides a comprehensive catalog to all of the historic sculptures and public monuments in Staffordshire and the Black Country. George Noszlopy and Fiona Waterhouse catalog each individual sculpture in detail, including information about the sculptor, the sculpture's historical and artistic significance, the commissioning agent, and the date of installation. The volume also features 350 black-and-white photographs that document the diverse and rich beauty of the region's public monuments. The ninth volume in the widely acclaimed, award-winning Public Sculpture of Britain series, Public Sculpture of Staffordshire and the Black Country is an invaluable resource for British historians, art scholars, and travelers alike.