You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
“One of the best accounts of the reality of gentrification and urban development in China . . . grounded with solid historical, ethnographic and legal evidence” (Urban Studies). In recent decades, the centuries-old city of Shanghai has been demolished and rebuilt into a gleaming megacity. With its world famous skyscrapers, it now ranks with New York and London as a hub of global finance. But that transformation has come at a grave human cost. In Shanghai Gone, Qin Shao applies the concept of domicide—the eradication of a home against the will of its dwellers—to the sweeping destruction of neighborhoods, families, and life patterns that made way for the new Shanghai. Shao gives voice ...
Shanghai has been demolished and rebuilt into a gleaming megacity in recent decades, now ranking with New York and London as a hub of global finance. But that transformation has come at a grave human cost. This compelling book is the first to apply the concept of domicide--the eradication of a home against the will of its dwellers--to the sweeping destruction of neighborhoods, families, and life patterns to make way for the new Shanghai. Here we find the holdouts and protesters, men and women who have stubbornly resisted domicide and demanded justice. Qin Shao follows, among others, a reticent kindergarten teacher turned diehard petitioner; a descendant of gangsters and squatters who has bec...
This is a multidimensional study of a simulation of modernity that transformed Nantong, a provincial town, from a rural backwater to a model of progress in early twentieth-century China. The author analyzes this transformation by depicting the new institutional and cultural phenomena used by the elite to exhibit the modern: a museum, theater, cinema, sports arenas, parks, photographs, name cards, paper money, clocks, architecture, investigative tourism, and public speaking. In focusing on this exhibitory modernity and its role in reconstructing this local community and in promoting “the Nantong model” nationwide, the book sheds intriguing new light on the connections between local and national politics and rural and urban experience.
This study examines economic, social, political, and cultural changes as funneled through the teahouses of Chengdu during the first half of the twentieth century.
Curating Revolution examines how Mao-era exhibitions shaped popular understandings of, and participation in, the political campaigns of China's Communist revolution.
Frazier's comparative study of popular protest in twentieth-century Shanghai and Mumbai highlights recurring debates over migration and citizenship.
Urbanizing China in War and Peace rewrites the history of rural-urban relations in the first half of the twentieth century by arguing that urbanization is a total societal transformation and as important a factor as revolution, nationalism, or modernity in the history of modern China. Linking the global and the local in space and time, China's urbanization was not only driven by industrial capitalism and the expansion of the state, but also shaped how these forces influenced daily life in the city and the countryside. Although the conflict that beset China after the Japanese invasion in 1937 affected the development of cities, towns, and villages, it did not derail previous changes. To truly...
Directory of foreign diplomatic officers in Washington.
Remembered today primarily as a poet, calligrapher, and critic, the protean Su Shi was an outspoken player in the contentious politics and intellectual debates of the Northern Song dynasty. In this comprehensive study, Egan analyzes Su's literary and artistic work against the background of eleventhcentury developments within Buddhist and Confucian thought and Su's dogged disagreement with the New Policies of Wang Anshi. Egan explicates Su's views on governance, the classics, and Buddhism; and he describes Su's social-welfare initiatives, arrest for disloyalty, and exiles. Finding a key to the richness of Su's artistic activities in his vacillation on the significance of aesthetic pursuits, Egan explores Su's shi and ci poetry and Su's promotion of painting and calligraphy, looking specially at the problem of subjectivity. In a concluding chapter, he reconsiders Su's role as a founder of the wenren ("literati") and challenges the conventional understanding of both Su and the Northern Song wenren generally.
A ground-breaking collection addressing historical justice post-Mao through issues of property, rehabilitation, reconciliation, and memory.