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Introduction to Prakrit provides the reader with a guide for the more attentive and scholarly study of Prakrit occurring in Sanskrit plays, poetry and prose--both literary and inscriptional. It presents a general view of the subject with special stress on Sauraseni and Maharastri Prakrit system. The book is divided into two parts. Part I consists of I-XI Chapters which deal with the three periods of Indo-Aryan speech, the three stages of the Middle Period, the literary and spoken Prakrits, their classification and characteristics, their system of Single and Compound Consonants, Vowels, Sandhi, Declension, Conjugation and their history of literature. Part II consists of a number of extracts from Sanskrit and Prakrit literature which illustrate different types of Prakrit--Sauraseni, Maharastri, Magadhi, Ardhamagadhi, Avanti, Apabhramsa, etc., most of which are translated into English. The book contains valuable information on the Phonetics and Grammar of the Dramatic Prakrits--Sauraseni and Maharastri. It is documented with an Index as well as a Students' Bibliography.
This volume explores aspects of yoga over a period of about 2500 years. In its first part, it investigates facets of the South Asian and Tibetan traditions of yoga, such as the evolution of posture practice, the relationship between yoga and sex, yoga in the theistic context, the influence of Buddhism on early yoga, and the encounter of Islam with classical yoga. The second part addresses aspects of modern globalised yoga and its historical formation, as for example the emergence of yoga in Viennese occultism, the integration of yoga and nature cure in modern India, the eventisation of yoga in a global setting, and the development of Patañjali’s iconography. In keeping with the current trend in yoga studies, the emphasis of the volume is on the practice of yoga and its theoretical underpinnings.
This book is for chemical engineers, fuel technologists, agricultural engineers and chemists in the world-wide energy industry and in academic, research and government institutions. It provides a thorough review of, and entry to, the primary and review literature surrounding the subject. The authors are internationally recognised experts in their field and combine to provide both commercial relevance and academic rigour. Contributions are based on papers delivered to the Fifth International Conference sponsored by the IEA Bioenergy Agreement.
This book provides an account of the organisation, practices and history of the Daśanāmī-Saṃnyāsīs, one of the largest sects of sādhu-s (‘holy men’) in South Asia. According to tradition, the sect was founded by the legendary south-Indian philosopher Śaṅkarācārya, whose floruit was most probably around 700CE. While the first three chapters of this book examine the sect’s organisation and its various branches, the latter chapters explore its history. This is the first full-length study of the Daśanāmī-Saṃnyāsīs to be published since the 1970s, and will be particularly useful both for students of Hinduism and for readers with a particular interest in the religious history of mediaeval India.
The religious tradition of the Jainas, unique in many respects, presents a fascinating array of doctrinal and social structures that stem from the anti-vedic movements of ancient times. Drawing extensively on primary sources, Professor Jaini provides a comprehensive introduction to the Jaina experience. Beginning with the Life of Mahavira the author elucidates the essentials of Jaina cosmology and philosophy as well as of the path of purification through which the soul may escape from its Karmic defilements and attain eternal salvation. This path constitutes the integral element within the broader frame-work of Jaina literature, lay ritual and the socio-historical factors, which enabled Jainism to survive and prosper to the present day. In particular, the author has examined the cardinal doctrine of ahimsa (non-harming), both in its impact upon Jaina religious consciousness and as a standard in applying its sacred principles to the conduct of every day life.
From the early years of the Common Era to 1700, Indian intellectuals explored with unparalleled subtlety the place of emotion in art. Their investigations led to the deconstruction of art's formal structures and broader inquiries into the pleasure of tragic tales. Rasa, or taste, was the word they chose to describe art's aesthetics, and their passionate effort to pin down these phenomena became its own remarkable act of creation. This book is the first in any language to follow the evolution of rasa from its origins in dramaturgical thought—a concept for the stage—to its flourishing in literary thought—a concept for the page. A Rasa Reader incorporates primary texts by every significan...
For nearly a thousand years the brilliant analysis of aesthetic experience set forth in the Locana of Abhinavagupta, India's founding literary critic, has dominated traditional Indian theory on poetics and aesthetics. The Locana, presented here in English translation for the first time, is a commentary on the ninth-century Dhvanyaloka of Anandavardhana, which is itself the pivotal work in the history of Indian poetics. The Dhvanyaloka revolutionized Sanskrit literary theory by proposing that the main goal of good poetry is the evocation of a mood or "flavor" (rasa) and that this process can be explained only by recognizing a semantic power beyond denotation and metaphor, namely, the power of...