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"The Assegai Program" unfolds as four military soldiers undergo a transformative experiment, merging their DNA with that of extraterrestrial beings to create meta-human capabilities. Among then is Vandar, a soldier from Demorizia, propelled by a solemn vow of vengeance against the American Government. His motivation stems from the loss of his friend Kandel, whose DNA became a pivotal element in the ambitious project. The narrative weaves together themes of science fiction, military intrigue, and personal vendettas, exploring the moral and ethical implications of manipulating human genetics. As the soldiers grapple with their newfound powers, the tension builds, promising a gripping tale of revenge, loyalty, and the consequences of tampering with the very essence of humanity. "The Assegai Program" delves into a world where the boundaries of morality blur against the backdrop of intergalactic experimentation.
This book explores the manner in which architectural settings and action contexts influenced the perception of decoration in the Roman world. Crucial to the relationship between ancient viewers and media was the concept of decor, a term employed by Vitruvius and other Roman authors to describe the appropriateness of particular decorative elements to the environment in which they were located. The papers in this volume examine a diverse range of decorated spaces, from press rooms to synagogues, through the lens of decor. In doing so, they shed new light on the decorative principles employed across Roman Italy and beyond.
Begun in Poveromo, Italy, in 1932, and extensively revised in 1938, Berlin Childhood around 1900 remained unpublished during Walter Benjamin's lifetime, one of his "large-scale defeats." Now translated into English for the first time in book form, on the basis of the recently discovered "final version" that contains the author's own arrangement of a suite of luminous vignettes, it can be more widely appreciated as one of the masterpieces of twentieth-century prose writing. Not an autobiography in the customary sense, Benjamin's recollection of his childhood in an upper-middle-class Jewish home in Berlin's West End at the turn of the century becomes an occasion for unified "expeditions into t...
"The first book to critically examine American journalists' and media companies' roles in Hitler's Germany, reigniting the debate on the relationship between political power and the media. Despite Hitler's international use of propaganda, and despite the power of the US press, historians have neglected American journalists' activity in Nazi Germany. American media companies expanded their presence in Germany after 1933, and the Associated Press (AP) conducted business with Hitler's regime throughout the war. Norman Domeier's study, now in English, is the first to examine critically and in detail the roles of American journalists and media companies in Hitler's Germany, showing that they knew...
The New York Times bestselling memoir from the creator of some of the most iconic television programs ever, including All in the Family, Maude, Good Times, The Jeffersons, and Mary Hartman, Mary Hartman. “Charming, candid, and copious . . . There is still a lot of zest, passion, and whimsy in the man who taught Americans to laugh at their failings.” —The New York Times Norman Lear’s iconic television programs—most memorably All in the Family—drew in as many as 120 million viewers each week. These shows dealt with the most serious issues of the day—racism, poverty, abortion—yet still left audiences howling with laughter. But TV is only a fraction of Lear’s tale. The renowned...