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Rajam Krishnan and Indian Feminist Hermeneutics
This book interprets the feminist theories of Rajam Krishnan, a doyen of Tamil literature, who has been a forerunner of many contemporary ideologies. The text provides the much-needed tools for the vast corpus of contemporary research in the global domain of Indian women’s literature. To interpret literature with non-native theoretical models may not be dispensed as an erroneous fallacy, but the fact remains that there prevails an oft-felt, unarticulated need for our own native theories which may imbue a greater elucidation of our culture, ethos, epistemes and practices.
Suzhalil Mithakkum Deepangal
Rajam Krishnan was a feminist Tamil writer from Tamil Nadu, India.Rajam Krishnan was born in Musiri, Tiruchirapalli district. She had very little formal education and appears to have been largely an autodidact. She started publishing in her twenties. She is known for writing well researched social novels on the lives of people usually not depicted in modern Tamil literature - poor farmers, salt pan workers, small-time criminals, jungle dacoits, under-trial prisoners and female labourers. She has written more than 80 books.Her works include forty novels, twenty plays, two biographies and several short stories. In addition to her own writing, she was a translator of literature from Malayalam to Tamil.In their anthology of Women's Writing in India in the 19th and 20th Century, Susie J Tharu and K Lalita credit Krishnan with "having set a new trend in Tamil literature," referring to the extensive research that Krishnan did in evaluating social conditions as background for her writing. In 1973, she was awarded the Sahitya Akademi Award for Tamil for her novel Verukku Neer.
Women Writing in India: The twentieth century
These ground-breaking collections offer 200 texts from eleven languages, never before available in English or as a collection, along with a new reading of cultural history that draws on contemporary scholarship on women and India. This extraordinary body of literature and important documentary resource illuminates the lives of Indian women through 2,600 years of change and extends the historical understanding of literature, feminism, and the making of modern India. The biographical, critical, and bibliographical headnotes in both volumes, supported by an introduction which Anita Desai describes as "intellectually rigorous, challenging, and analytical," place the writers and their selections within the context of Indian culture and history.
The Growth of the Novel in India, 1950-1980
This Collection Of Essays Is Meant To Be A Survey Of The Novel In Twelve Major Indian Languages During The Period 1950 To 1980. While Seeking To Bring Into Focus The Major Trends And Tendencies That Characterise The Growth Of The Novel In These Languages, The Book Atempts To Explore The Traditions Being Established In Indian Novel Today And The New Directions The Novel Is Likely To Take In Our Languages. Gobinda Prasad Sarma Convincingly Shows How The Assamese Novel Reflects The Assamese Society And How Experimentation With New Techniques Has Widened The Horizons Of Assamese Novel: And K. Sivathamby, Through A Brilliant Analysis Of The Interconnection Between The Societal Factors And Develop...
Indian Ink
The most significant works in recent New Zealand theatre, Krishnan's Dairy, The Candlestickmaker, and The Pickle King form a loose trilogy connected by theme and theatrical style that explores three eternal questions: Will I find love? How can I find happiness? and What is worth preserving? Western theatrical traditions fuse with Indian flavors in the telling of three stories that are accessible to all cultures.
Nature, Culture and Gender
Folktales in India have been told, heard, read and celebrated for many centuries. In breaking new ground, Indian folktales have been reread and examined in the light of the Mother Earth discourse as it manifests in the lifeworlds of women, nature and language. The book introduces ecofeminist criticism and situates it within an innovative folktale typology to connect women and environment through folklore. The book proposes an innovative paradigm inspired by the beehive to analyze motifs, relationships, concerns, worldviews and consciousness of indigenous women and men who live close to nature as well as other socially marginalized groups. In the current global context fraught with challenges for ecology and hopes for sustainable development, this book with its interdisciplinary approach will interest scholars and researchers of literature, environmental studies, gender studies and cultural anthropology.
Bama
Bama is a Tamil Dalit feminist writer and novelist. Her autobiographical novel Karukku, which chronicles the joys and sorrows experienced by Dalit Christians in Tamil Nadu, catapulted her to fame. As a prolific writer, she has experimented with all kinds of genres, such as novels, short stories, poems, autobiographical writing, children’s literature, and discursive essays. This book presents a dedicated study of Bama’s work as a writer and activist and situates her in the context of Dalit literature in general and Tamil Dalit literature in particular. It recognises Bama as writer of great relevance especially in bringing to the fore the problematics of Dalit issues and their possible modes of aesthetic articulation through a new Dalit language. Part of the Writer in Context series, this book will be useful for scholars and researchers of Indian literature, Dalit Literature, Dalit Studies, Tamil literature, English literature, comparative literature, postcolonial studies, cultural studies, Green studies. global south studies and translation studies.
Footprints On The Path
Rajam Krishnan's Paathayil Pathinda Adigal, a tamil biographical novel, trace the life of Manalur Maniammal, a woman communist leader who fought for the rights of farming labourers, industrial workers, sweepers and scavengers in the East Thanjavur district in Tamilnadu. Her brief association with the Indian National Congress and the Communist Party, failed to acknowledge and appreciate her significant contributions towards uplifting these marginalized communities. Rajam Krishnan resurrects the forgotten/silenced history of Maniammal through this text.
Water for the Roots
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