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Polnische Aufständische in Ost- und Westpreußen (1831-1833)
Um den Novemberaufstand in Polen (1830-1831), der mit einer Niederlage endete, rankt sich eine romantische Legende. Die letzten Etappen dieser Freiheitserhebung ereigneten sich in Ostund Westpreußen, diesen “vergessenen” Provinzen des preußischen Staates. Hier traf die geschlagene polnische Armee ein, hier mussten die Militärmitglieder über ihre Rückkehr ins Heimatland bzw. den Aufbruch in die Emigration entscheiden. Für viele Offiziere und Soldaten begann von hier aus der Weitermarsch nach Frankreich, begleitet vom begeisterten Empfang im liberalen Deutschland, von Polenvereinen und Polenliedern. Die meisten Internierten optierten für die Rückkehr ins Heimatland. Dort lebten ihr...
Materiały i prace
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The Last Plague in the Baltic Region 1709-1713
The Last Plague in the Baltic Region, 1709-1713 offers a thorough description and analysis of the terrible plague epidemic that ravaged the Baltic region in the years between 1709 and 1713 ? at the same time when the region was razed by the Great Northern War (1700-?21). Sweden under Carolus XII had lost its supremacy, and Russia under Peter the Great emerged as the new major power in the region. With the marching armies came the plague and its effects, which were particularly devastating, since it hit a population already weakened by famines and desolation caused by the war. Drawing on substantial documentation in city and state archives, the study addresses a range of important discussions...
Woyna Chocimska
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Devaytis
This novel by Maria Rodziewiczówna tells the story of Devaytis, a woman who must navigate the complex social and political landscape of pre-World War II Europe. With vivid descriptions and memorable characters, this book is an engaging read for anyone interested in historical fiction. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Stefan Gierowski
In paintings from Stefan Gierowski's first, figurative creative stage, one can notice traces of a post-cubist rhythmisation of a form and simplifications borrowed from the naïve art. Around 1957, the artist stepped into non-figurative painting, which became his main area of interest. He started painting abstract compositions, in which the intellectual factor, manifesting itself in a clear composition, was dominated by emotions. Already at that time, his paintings included an announcement of the issues related to light, space, and movement, which eventually reigned in his practice. Around 1960, Gierowski's works started demonstrating an inclination towards a geometric structuring of painting...
