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Death in a Bowl
Death in a Bowl, first published in 1931, is a hard-boiled detective novel in the style of genre-master Dashiell Hammett. The novel features Ben Jardinn, a rough, hard-drinking private investigator based in an office near Grauman’s Chinese Theatre in Hollywood. Jardinn is called into action following the murder of a famous orchestra conductor during a concert at the open-air Hollywood Bowl.
The Virgin Kills
A killer stalks the guests of an eccentric millionaire at a Hudson River boating event in this classic thriller from one of the unsung masters of early noir mystery In the years between the world wars, in the heyday of Dashiell Hammett, Raymond Chandler, and Leslie Charteris, Raoul Whitfield was a mystery author to be reckoned with. Considered by many to be more realistic than his famous contemporaries, Whitfield wrote gripping tales of murder and mayhem, full of unanticipated twists and turns. His work was often featured in Black Mask, the legendary mystery magazine of the 1930s. The time is ripe to rediscover one of the godfathers of noir fiction. The guests of millionaire gambler Eric Ven...
Green Ice
In this Golden Age noir classic, a falsely convicted man is released from prison only to find he’s being framed for multiple murders In the 1930s, when pulp magazines like Black Mask reigned and noir fiction was in its heyday, mystery author Raoul Whitfield ranked with Dashiell Hammett and Raymond Chandler as one of the genre’s heavy hitters. Widely acknowledged by those in the know as a pioneer of hard-boiled detective fiction, Whitfield wrote action-packed tales of murder and mayhem that noir aficionados adored. His debut novel, Green Ice, is considered by many to be his masterpiece. Mal Ourney has spent the last two years in Sing Sing for a crime he didn’t commit, taking the rap for...
Down & Out: The Magazine Volume 1 Issue 3
This third issue of Down & Out: The Magazine features a new Jim Brodie story by Barry Lancet, whose novel Japantown has been optioned by J.J. Abrams and Warner Brothers for the Hollywood treatment. Here we have Brodie on a trip to his home in Japan and a quest to find out what’s going on with the yakuza and a perplexing kidnapping. But first up is a story by Canadian favorite Peter Sellers; he delivers a nasty little crime story of love and loyalty in the workplace in his own unique style. Patti Abbott gives us a searing story proving once again how nothing torches the human soul like that of another person’s expectations. Art Taylor, one of the best and most prolific short story artists...
Pulp Fiction
Harlan Ellison introduces a collection of 16 taut and muscular tales starring some of fiction's hardest-boiled criminals, crooks, deperados and rogues. Anti-heroes to a man, these are the guys who can be guaranteed to outwit the cops, make off with the dough and get the girl. Just don't get in their way. Legendary writers you've already heard of like Dashiell Hammett, Erle Stanley Gardner, Cornell Woolrich and Raymond Chandler are here. Legendary writers that you should have heard of like Frederick Nebel, James M. Cain, Norbert Davis, Leslie Charteris, C. S. Montayne and Raoul Whitfield are also where they should be - with the greats.Tailor-made for pulp novices and hard-boiled fans with a soft spot for the masters, this collection shows that some writing has an edge that time just can't dull.
Land of Smoke and Mirrors
Unlike the more forthrightly mythic origins of other urban centers—think Rome via Romulus and Remus or Mexico City via the god Huitzilopochtli—Los Angeles emerged from a smoke-and-mirrors process that is simultaneously literal and figurative, real and imagined, material and metaphorical, physical and textual. Through penetrating analysis and personal engagement, Vincent Brook uncovers the many portraits of this ever-enticing, ever-ambivalent, and increasingly multicultural megalopolis. Divided into sections that probe Los Angeles’s checkered history and reflect on Hollywood’s own self-reflections, the book shows how the city, despite considerable remaining challenges, is finally blow...
Re-Covering Modernism
In the first half of the twentieth century, modernist works appeared not only in obscure little magazines and books published by tiny exclusive presses but also in literary reprint magazines of the 1920s, tawdry pulp magazines of the 1930s, and lurid paperbacks of the 1940s. In his nuanced exploration of the publishing and marketing of modernist works, David M. Earle questions how and why modernist literature came to be viewed as the exclusive purview of a cultural elite given its availability in such popular forums. As he examines sensational and popular manifestations of modernism, as well as their reception by critics and readers, Earle provides a methodology for reconciling formerly separate or contradictory materialist, cultural, visual, and modernist approaches to avant-garde literature. Central to Earle's innovative approach is his consideration of the physical aspects of the books and magazines - covers, dust wrappers, illustrations, cost - which become texts in their own right. Richly illustrated and accessibly written, Earle's study shows that modernism emerged in a publishing ecosystem that was both richer and more complex than has been previously documented.
Noir Fiction and Film
The argument of Noir Fiction and Film is curiously counterintuitive: that in a century of hard-boiled fiction and detective films, characteristics that at first seemed trivial swelled in importance, flourishing into crucial aspects of the genre. Among these are aimless descriptions of people and places irrelevant to plot, along with detectives consisting of little more than sparkling dialogue and flippant attitudes. What weaves together such features, however, seems to be a paradox: that a genre rooted in solving a mystery, structured around the gathering of clues, must do so by misdirecting our attention, even withholding information we think we need to generate the suspense we also desire....
Sports in the Pulp Magazines
From the late 1800s through the first half of the 1900s, pulp magazines--costing a dime and filled with both fiction and nonfiction--were a staple of American life. Though often overlooked by popular culturalists, sports were one of the staples of the pulp scene; such standards as the National Police Gazette and All-Story carried some sports stories, and several publications, such as Sport Story Magazine, were entirely devoted to them. An overview of the pulps is followed by an examination of those devoted to sports: how they came into being, the development of the genre, the popularity of its heroes, and coverage of real-life events. The roles of editors, writers, artists, and publishers are then fully covered. A chapter on Street & Smith, the foremost publisher of sports pulps, follows, while a concluding chapter discusses the reasons for the demise of the pulps in the early 1950s.
