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Museum Cooperation Between Africa and Europe
This book brings together analyses of a wide variety of approaches to museum cooperation. Featuring a variety of African and European points of view and providing detailed empirical evidence, it establishes a new field of museological study and provides suggestions for future museum practice.
Collections as Relations
This book explores anthropological and global art collections as a catalyst, a medium, and an expression of relations. Relations—between and among objects and media, people, and material and immaterial contexts—define, configure, and potentially transform collection-related social and professional networks, discourses and practices, and increasingly museums and other collecting institutions themselves. The contributors argue that a focus on the—often contested—making and remaking of relations provides a unique conceptual entrypoint for understanding collections’—and ‘their’ objects’ and media’s—complex histories, contemporary webs of interactions, and potential futures....
Colonial Aspects of Finnish-Namibian Relations, 1870–1990
This edited collection re-examines the long history of Finnish-Namibian relations through the lens of colonialism without colonies as well as anti-colonialism. The book argues that although Finland never acquired colonies, Namibia was once treated in the areas of culture and knowledge formation in a manner now recognised as colonial. Namibian people’s ways of being in the world was transformed when the Finnish Missionary Society started its work in Owambo in 1870 and introduced Christianity and European modes of education, medicine, material culture and social practices. In time, cultural colonialism faded and during the Namibian struggle for independence from South African rule in 1966–1990 Finns took an actively anti-colonial approach. The book was written as a collaborative effort of Namibian, Finnish and South African scholars.
Histories of Exhibition Design in the Museum
Histories of Exhibition Design in the Museum: Makers, Process, and Practice offers a new model for understanding exhibition design in museums as a human and material process. It presents diverse case studies from around the world, from the nineteenth century to the recent past. It moves beyond the power of the finished exhibition over both objects and visitors to highlight historic exhibition making as an ongoing task of adaptation, experimentation, and interaction that involves intellectual, creative, and technical choices. Attentive to hierarchies of ethnicity, race, class, gender, sexuality, and ableism that have informed exhibition design and its histories, the volume highlights the labo...
Confronting Colonial Objects
The treatment of cultural colonial objects is one of the most debated questions of our time. Calls for a new international cultural order go back to decolonization. However, for decades, the issue has been treated as a matter of comity or been reduced to a Shakespearean dilemma: to return or not to return. Confronting Colonial Objects seeks to go beyond these classic dichotomies and argues that contemporary practices are at a tipping point. The book shows that cultural takings were material to the colonial project throughout different periods and went far beyond looting. It presents micro histories and object biographies to trace recurring justifications and contestations of takings and retu...
Milk and Honey
An innovative historical analysis of the intersection of religion and technology in making the modern state, focusing on bodily production and reproduction across the human-animal divide. In Milk and Honey, Tamar Novick writes a revolutionary environmental history of the state that centers on the intersection of technology and religion in modern Israel/Palestine. Focusing on animals and the management of their production and reproduction across three political regimes—the late-Ottoman rule, British rule, and the early Israeli state—Novick draws attention to the ways in which settlers and state experts used agricultural technology to recreate a biblical idea of past plenitude, literally a...
Cultural Heritage Management in Africa
Cultural Heritage Management in Africa explores the diversity of Africa’s cultural heritage by analysing how and why this heritage has been managed, and by considering the factors that continue to influence management strategies and systems throughout the African continent. Including contributions from prominent scholars and heritage professionals working across Africa, the volume presents critical, contemporary perspectives on the state of heritage in the area. Chapters analyse the practices that emanated from different colonial experiences and consider what impact these had – and continue to have – on the management of African heritage. It also critically examines the ideological inf...
The Post/Colonial Museum
The African museum landscape is changing. A new generation of scholars and curators is setting international standards for the reappraisal and revision of colonial collections, the conception of curatorial spaces, and the integration of new groups of actors. In the face of the ghostly survival of colonial epistemologies in archives, displays, and architectures, it is a matter of breaking up institutional encrustations and infrastructures, inventing new museum practices, and bringing archives to life. Scholars and museum experts predominantly working in Africa and South America discuss the post/colonial history of museums, their political-economic entanglements, the significance of diasporic objects, as well as the prospects for restitution and its consequences. The contributions to this issue of ZfK are all presented in English. Based on the works of Waverly Duck and Anne Rawls, the debate section is devoted to forms of everyday racism and the way interaction orders of race are institutionalized.
Museums, Narratives, and Critical Histories
In response to systemic racism and institutions’ implications in histories of colonialism, nationalism, and exclusion, museum curators have embraced new ways of storytelling to face entangled memories and histories. Critical museum practices have consciously sought to unsettle established forms of representation, break with linear narratives of progress, and experiment with new modes of multivocal, multimedia, and subjective storytelling. The volume features analyses of narratives and narration in museums and heritage institutions today, as well as visions for future museum practices on a local, regional, national, transnational, and global scale. It is divided into three sections: Narrati...
