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Light My Fire
The Doors were arguably the most important rock-and-roll band of the 1960s, unquestionably a catalyst for American music as we know it. Their music was the product of late-sixties southern California, with its idyllic facades. The Doors looked beyond these facades and wrote music about what they found, making them the ultimate symbol for rebellion and alienation: the key to the 1960s, counter-culture. Keyboardist Ray Manzarek co-founded the Doors with legendary guitarist Jim Morrison in 1965. Together with Robby Krieger and John Densmore they created a musical and cultural legend. Their original mix of jazz, classical, Californian surf, Flamenco guitar and Chicago blues made an irreversible ...
The Poet in Exile
Years after the death of the former lead singer of America's most notorious rock band, his musical collaborator begins to receive a series of mysterious postcards bearing cryptic verses and signed only "J."
The Poet in Exile
Years after the death of the former lead singer of America's most notorious rock band, his musical collaborator begins to receive a series of mysterious postcards bearing cryptic verses and signed only "J."
Love Becomes a Funeral Pyre
'Explodes in to life from the opening paragraph' RECORD COLLECTOR Think you know the story of Jim Morrison and The Doors? This revelatory and explosive biography from critically acclaimed rock journalist Mick Wall will make you think again. 'The pick of the best guitar tomes: Wall's account pulls no punches, cataloguing each of the primal scenes - early performances, indecent exposure, Jim's sexuality, decline and death' GUITARIST In 1971, Jim Morrison was found dead in a club toilet in Paris. He was 27 years old. Since then, The Doors have been the subject of a mystery fuelled by sensationalised rumours and empty conjecture. In this definitive account of Jim Morrison and The Doors, critically acclaimed rock writer Mick Wall unravels the myths surrounding the iconic band and its frontman, and captures the unique and unforgettable spirit of the sixties. A brilliantly penetrating and long-overdue biography, Love Becomes a Funeral Pyre questions the idolisation of Jim Morrison and considers the story of The Doors in all of its uncomfortable truth.
Snake Moon
The year is 1863. Deep in the backwoods of Coker County, Tennessee, farmer Boone Dillard and his family live in ritualistic harmony with the earth and its seasons, content to eke out a living from the land, unaware even of the Civil War that engulfs the nation around them... that is, until Boone is seduced by a mysterious traveling peddler’s dulcet promises of fame, fortune, and glory. As Boone and his hulking yet childlike brother-in-law Jebber set forth in search of their destiny, they set into motion a haunting and disturbing chain of events that threatens to tear the family apart, awaken restless ghosts, and alter the course of their lives forever. From rock and roll legend Ray Manzare...
Riders on the Storm
“This book is the real story.”—Robby Krieger “[John] Densmore's is the first Doors biography that feels like it was written for the right reasons, and it is easily the most informed account of the Doors' brief but brilliant life as a group. . . . Densmore is a fluent, articulate writer who both comprehends the Doors' unearthly power and is on familiar terms with their antecdedents in literature, theater, and myth.”—Rolling Stone “Well-written and touching . . . tells it all and tells it honestly.”—The New York Times Book Review “John Densmore's Riders of the Storm is as good an account of the history of the Doors as has been printed to date.”—USA Today “Riders on the Storm is very enjoyable, especially its homespun and self-experienced insights. John Densmore is a survivor and a seeker.”—Oliver Stone
Inside the Fire
Douglas Cameron, once an aspiring rock musician and a huge Doors fan, describes his three-week stint as a roadie for the Doors in 1969, at the beginning of the band's decline, as well as his other interactions with band members over the years.
The Doors
A fan from the moment the Doors' first album arrived, Greil Marcus saw the band many times at the legendary Filmore Auditorium and the Avalon Ballroom in 1967. Five years later it was all over. Forty years after the singer Jim Morrison was found dead in Paris and the group disbanded, Greil Marcus muses on how one could drive from here to there, changing fom one FM pop station to another, and be all but guaranteed to hear two, three, four Doors songs in an hour. Whatever the demands in the music, they remained unsatisfied, in the largest sense unfinished, and absolutely alive. There have been many books on the Doors. This is the first to bypass their myth, their mystique, and the death cult both of Jim Morrison and the era he was made to personify, and focus solely on the music. It is a story untold; all these years later it is a new story.
Set the Night on Fire
Few bands are as shrouded in the murky haze of rock mythology as The Doors, and parsing fact from fiction has been a virtually impossible task. But now, after fifty years, The Doors' notoriously quiet guitarist is finally breaking his silence to set the record straight. Through a series of vignettes, Robby takes readers back to where it all happened: the pawn shop where he bought his first guitar; the jail cell he was tossed into after a teenage drug bust; his parents' living room where his first songwriting sessions with Jim Morrison took place; and the many concert venues that erupted into historic riots. Robby also goes into heartbreaking detail about his life's most difficult struggles, ranging from drug addiction to cancer, but he balances out the sorrow with humorous anecdotes about run-ins with unstable fans, famous musicians, and one really angry monk. SET THE NIGHT ON FIRE is at once an insightful time capsule of 1960s counterculture and a moving reflection on what it means to find oneself as a musician. It's not only a must-read for Doors fans, but an essential volume of American pop culture history.
The Doors Unhinged
In The Doors Unhinged, New York Times bestselling author and legendary Doors drummer John Densmore offers a powerful exploration of the 'greed gene' - that part of the human psyche that propels us toward the accumulation of more and more wealth, even at the expense of our principles, friendships and the well-being of society. This is the gripping account of the legal battle to control The Doors's artistic destiny. In it, Densmore looks at the conflict between his bandmates and him as they fought over the right to use The Doors's name, revealing the ways in which this struggle mirrored and reflected a much larger societal issue: that no amount of money seems to be enough for even the wealthie...
