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A second, fully updated edition of this concise introduction to the phenomenon of decolonization.
This book explores the rapid diffusion and 'hybridization' of popular culture as the result of three conditions of the world since the end of World War II: instantaneous communications, widespread consumption in a market-based economy and the visualization of reality. It considers the dominance of American entertainment media and habits of consumption, assessing adaptation and negative reactions to this influence.
By 1914 France had amassed over ten million square kilometres, and 60 million people including the colonies of Algeria, Tunisia, Morocco, the colony in S.E. Asia known as Indochina and a vast block of West Africa. This study gives the undergraduate student a factual geographical and historical background to the establishment of the early twentieth century French colonial empire. The author describes in detail the physical struggles between the colonies and their rules and the subsequent demise of the Empire.
France's effort to maintain its presence as a great world power is the subject of Myopic Grandeur, a study of French foreign policy initiatives in the Far East from World War I until the conclusion of World War II.
In this timely and well-argued book, author Philip Nicholson offers a provocative explanation of the force and place of race in modern history, showing that race and nation have a linked history. Using the deliberately ironic metaphor of the double helix, the author shows the close historical connection of race and nation as each interrelates with the other in shaping and carrying social and institutional practices over many centuries. Five themes recur throughout the work: modernity is built on the twin pillars of race and nation; national instability, rivalry, and imperial conquest -- outside of dynastic, religious, or feudal disputes -- evoke differential (i.e., racial) human social categories, loyalties, and mythologies; racial vilification emerges out of material and cultural expropriation; racial degradation is typically the inverse projection of dominant national normative values, beliefs, or ideals; and race and nation share in the twists and turns of modern history and are inseparably linked and interdependent.
This book weaves together research on cultural change in Central Europe and Eurasia: notably, Bosnia and Herzegovina, Kazakhstan, Latvia, Poland, Russia, and Ukraine. Examining massive cultural shifts in erstwhile state-communist nations since 1989, the authors analyze how the region is moving in both freeing and restrictive directions. They map out these directions in such arenas as LGBTQ protest cultures, new Russian fiction, Polish memory of Jewish heritage, ethnic nationalisms, revival of minority cultures, and loss of state support for museums. From a comparison of gender constructions in 30 national constitutions to an exploration of a cross-national artistic collaborative, this insightful book illuminates how the region’s denizens are swimming in changing tides of transnational cultures, resulting in new hybridities and innovations. Arguing for a decolonization of the region and for the significance of culture, the book appeals to a wide, interdisciplinary readership interested in cultural change, post-communist societies, and globalization.
During the Cold War, scientific discoveries were adapted and critiqued in many different forms of media across a divided Europe. Now, more than 30 years since the end of the Cold War, Science on Screen and Paper explores the intersections between scientific research and media by drawing from media history, film studies, and the history of science. From public relations material to educational and science films, from children’s magazines to television broadcasts, the contributions in this collected volume seek to embrace medial differences and focus on intersectional themes and strategies for the representation of science.
Originally established in 1775 the town of Lexington, Kentucky grew quickly into a national cultural center amongst the rolling green hills of the Bluegrass Region. Nicknamed the "Athens of the West," Lexington and the surrounding area became a leader in higher education, visual arts, architecture, and music, and the center of the horse breeding and racing industries. The national impact of the Bluegrass was further confirmed by prominent Kentucky figures such as Henry Clay and John C. Breckinridge. The Idea of the Athens of the West: Central Kentucky in American Culture, 1792-1852, chronicles Lexington's development as one of the most important educational and cultural centers in America during the first half of the nineteenth century. Editors Daniel Rowland and James C. Klotter gather leading scholars to examine the successes and failures of Central Kentuckians from statehood to the death of Henry Clay, in an investigation of the area's cultural and economic development and national influence. The Idea of the Athens of the West is an interdisciplinary study of the evolution of Lexington's status as antebellum Kentucky's cultural metropolis.
The German Colonial Experience provides readers with an understanding of how the Germans gained, explored, pacified, ruled, and exploited their colonies prior to their loss in World War I. Knoll and Hiery show how Africans, Chinese, and Pacific Islanders reacted to German rule, how the Germans ran the daily affairs of government, their vision for the colonized peoples, and how the colonizers and the colonized perceived one another. In other words, how did German colonial rule actually work? This book intensely scrutinizes colonial documents, most of them in German script, from archives not only in Germany, but also from places such as Australia, New Guinea, and Samoa. Many of these documents have never previously been published, even in the original German.
This book is the first comprehensive study of leisure in an African colonial city.