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Presents annotated translations of papyrus writings and tomb inscriptions from the middle and late periods of ancient Egypt.
This volume presents new research by the Topoi group "The Conception of Spaces in Language" on the expression of spatial relations in ancient languages. The six articles in this volume discuss static and dynamic aspects of the spatial grammars of Ancient to Medieval Greek, Akkadian, Hittite, and Hieroglyphic Ancient Egyptian, as well as field data on eight modern languages (Arabic, Hebrew, English, German, Russian, French, Italian, and Spanish). Among the grams discussed are spatial particles, motion verbs, case and, most prominently, spatial prepositions. All ancient language data are fully explained in linguistic word-by-word glosses and are therefore accessible to scholars who are not themselves experts on the respective languages. Taken together, these contributions extend the scope of research on spatial grammar back to the third millennium BCE.
The Nine Eyes, also known as Ascension Keys, are the nine levels of consciousness that served as the foundation for Egypt's awakened civilization. This guidebook offers an exploration into multidimensional being for the spiritual traveler.
Gold Award Winner, 2024 Nonfiction Book Awards Runner-up, 2024 History category, San Francisco Book Festival Runner-up, 2024 General Non-Fiction, New York Book Festival For much of recorded history, people considered the heart to be the most important organ in the body. In cultures around the world, the heart—not the brain—was believed to be the location of intelligence, memory, emotion, and the soul. Over time, views on the purpose of the heart have transformed as people sought to understand the life forces it contains. Modern medicine and science dismissed what was once the king of the organs as a mere blood pump subservient to the brain, yet the heart remains a potent symbol of love a...
A cloth bag containing ten copies of the title.
In The Egyptian Elite as Roman Citizens Giorgia Cafici offers the analysis of private, male portrait sculptures as attested in Egypt between the end of the Ptolemaic and the beginning of the Roman Period. Ptolemaic/Early Roman portraits are examined using a combination of detailed stylistic evaluation, philological analysis of the inscriptions and historical and prosopographical investigation of the individuals portrayed. The emergence of this type of sculpture has been contextualised, both geographically and chronologically, as it belongs to a wider Mediterranean horizon. The analysis has revealed that eminent members of the Egyptian elite decided to be represented in an innovative way, echoing the portraits of eminent Romans of the Late Republic, whose identity was surely known in Egypt.
The ancient Egyptian toponym Naref and the god Osiris Naref have hitherto been the subject of brief discussions. This study gathers for the first time all data available on these issues, revises traditionally accepted ideas, and offers integral interpretations — contextualizing them in the local milieu. The book aims to approach the funerary, legal, and royal mythological associations developed around Naref (an important landmark of the Herakleopolitan territory), attested for the first time in the so-called Coffin Texts and enduring until the Roman Period. It also seeks to analyse the characteristics of Osiris Naref, a prominent deity in the Herakleopolitan pantheon from the New Kingdom o...