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Interpreting Subsurface Seismic Data presents recent advances in methodologies for seismic imaging and interpretation across multiple applications in geophysics including exploration, marine geology, and hazards. It provides foundational information for context, as well as focussing on recent advances and future challenges. It offers detailed methodologies for interpreting the increasingly vast quantity of data extracted from seismic volumes. Organized into three parts covering foundational context, case studies, and future considerations, Interpreting Subsurface Seismic Data offers a holistic view of seismic data interpretation to ensure understanding while also applying cutting-edge technologies. This view makes the book valuable to researchers and students in a variety of geoscience disciplines, including geophysics, hydrocarbon exploration, applied geology, and hazards. - Presents advanced seismic detection workflows utilized cutting-edge technologies - Integrates geophysics and geology for a variety of applications, using detailed examples - Provides an overview of recent advances in methodologies related to seismic imaging and interpretation
Less than 45 miles from San Francisco and Silicon Valley, La Honda is an isolated rural community nestled in the majestic coastal redwood forests of the Santa Cruz Mountains. Pioneers in the late 19th century were loggers and ranchers who competed against grizzly bears and mountain lions for food. Outlaws like the Younger brothers (partners with Jesse James) used La Honda's isolation to avoid justice. Gradually the community became a mountain retreat for cityweary San Franciscans, and in the 1960s, La Honda was home to One Flew Over the Cuckoo's Nest author Ken Kesey and his psychedelic Merry Pranksters. Today's La Honda is an enigma--its size and character have barely changed while the rest of the San Francisco Peninsula has exploded around it.
2019 Choice Outstanding Academic Title Transgender Cinema gives readers the big picture of how trans people have been depicted on screen. Beginning with a history of trans tropes in classic Hollywood cinema, from comic drag scenes in Chaplin’s The Masquerader to Garbo’s androgynous Queen Christina, and from psycho killer queers to The Rocky Horror Picture Show’s outrageous queen, it examines a plethora of trans portrayals that subsequently emerged from varied media outlets, including documentary films, television serials, and world cinema. Along the way, it analyzes milestones in trans representation, like The Crying Game, Boys Don’t Cry, Hedwig and the Angry Inch,and A Fantastic ...
The rugged character and indomitable spirit of the early pioneers of Stephen F. Austins Texas colony had their roots in a turbulent, distant past. From the early 1600s, their courageous ancestors had pushed westward, leaving the European shores to carve out a new nation from the wilderness. They fled religious and political oppression in search of a better life in which freedom was of supreme importance. Many came with tales of their former struggles in Londonderry, Ireland during the great siege, of terrible massacres and clan rivalries in the times of William Wallace and Robert the Bruce, King of Scotland. They vividly remembered the tribulations of Martin Luther and the deadly religious s...
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Transgender Cinema gives readers the big picture of how trans people have been depicted on screen. Beginning with a history of trans tropes in classic Hollywood cinema, from comic drag scenes in Chaplin's The Masquerader to Garbo's androgynous Queen Christina, and from psycho killer queers to The Rocky Horror Picture Show's outrageous queen, it examines a plethora of trans portrayals that subsequently emerged from varied media outlets, including documentary films, television serials, and world cinema. Along the way, it analyzes milestones in trans representation, like The Crying Game, Boys Don't Cry, Hedwig and the Angry Inch, and A Fantastic Woman. As it traces the evolution of trans people onscreen, Transgender Cinema also considers the ongoing controversies sparked by these movies and series both within LGBTQ communities and beyond. Ultimately it reveals how film and television have shaped not only how the general public sees trans people, but also how trans people see themselves.
Women in television news have made great strides in the past twenty-five years. No longer limited to being the token pretty face on the nightly newscast, women have taken their places as working journalists in newsrooms, on the campaign trail, in war zones, and in the highest echelons of network news management. Barbara Walters and Connie Chung have even occupied the coveted network anchor's chair, if only briefly. In this book, 70 of the foremost women in television news reflect on their professional successes, the personal and professional sacrifices that often bought those successes, and the barriers that still confront women in the news business. Weaving their interviews into a compellin...