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The Winter Garden Photograph
"A meditation on the power and limitations of images, 'The winter garden photograph' began as an homage to a magazine, 'The Courier', published by UNESCO. Reina María Rodríguez used the magazine's photographs of faraway places to spark an investigation of the mental landscapes comprising her own, [in] contemporary Havana. ... With the original Cuban edition of this book, Rodríguez won her second Casa de las Américas Prize for Poetry. This edition includes ... an interview with Rodríguez, conducted by Rosa Alcalá."--Publisher.
Other Letters to Milena / Otras Cartas a Milena
Other Letters to Milena/Otras cartas a Milena offers a parallel translation of a mixed-genre work by acclaimed Cuban writer Reina María Rodríguez in which poetry merges into creative nonfiction, culminating in a series of essays.
Transnational Spanish Studies
The focus of this book is two-fold. First it traces the expansive geographical spread of the language commonly referred to as Spanish. This has given rise to multiple hybrid formations over time emerging in the clash of multiple cultures, languages and religions within and between great empires (Roman, Islamic, Hispano-Catholic), each with expansionist policies leading to wars, huge territorial gains and population movements. This long history makes Hispanophone culture itself a supranational, trans-imperial one long before we witness its various national cultures being refashioned as a result of the transnational processes associated with globalization today. Indeed, the Spanish language we...
Out of Bounds
Out of Bounds teases out the intricacies of a territorial conception of nationhood in the context of a global reorganization that ostensibly renders historical boundaries irrelevant. Hispanic Caribbean writers have traditionally pointed toward the supposed perfect equivalence of island and nation and have explained local culture as a direct consequence of that equation. The major social, political, and demographic shifts of the twentieth century increasingly call this equation into question, yet authors continue to assert its existence and its centrality in the evolution of Caribbean identity. The author contends that traditional forms of identification have not been eviscerated by globalization; instead, they have persisted and, in some cases, have been intensified by recent geopolitical shifts. Out of Bounds underscores the ongoing role of the nation as the site of identity formation. In this manner, the book presents Hispanic Caribbean cultural production as a case study that acutely dramatizes the paradoxical status of traditional demarcations of self-definition in an increasingly globalized context.
The Whole Island
Cuba's cultural influence throughout the Western Hemisphere, and especially in the United States, has been disproportionally large for so small a country. This landmark volume is the first comprehensive overview of poetry written over the past sixty years. Presented in a beautiful Spanish-English en face edition, The Whole Island makes available the astonishing achievement of a wide range of Cuban poets, including such well-known figures as Nicolás Guillén, José Lezama Lima, and Nancy Morejón, but also poets widely read in Spanish who remain almost unknown to the English-speaking world—among them Fina García Marruz, José Kozer, Raúl Hernández Novás, and Ángel Escobar—and poets ...
Writing Islands
How contemporary Cuban writers build transnational communities In Writing Islands, Elena Lahr-Vivaz employs methods from archipelagic studies to analyze works of contemporary Cuban writers on the island alongside those in exile. Offering a new lens to explore the multiplicity of Cuban space and identity, she argues that these writers approach their nation as part of a larger, transnational network of islands. Introducing the term “arcubiélago” to describe the spaces created by Cuban writers, both on the ground and in print, Lahr-Vivaz illuminates how transnational communities are forged and how they function across space and time. Lahr-Vivaz considers how poets, novelists, and essayists...
Trauma, Taboo, and Truth-Telling
Silences, taboos, and "public secrets" carry their own deep meaning about Argentina's painful legacy of repression.
La Detención Del Tiempo
Poetry. Translated from the Spanish by Kristin Dykstra. Bilingual Edition. Reina María Rodríguez is the author of many books of poetry and prose--and something of a living legend in Havana's literary world. These poems are selected from En la arena de Padua (Ediciones Unión, 1992), the book that established the language of crisis for which she is known today. Haunting poems explore the ghosts of people, places, economies, and time itself. Includes a translator's note by Dykstra and an afterward by Roberto Tejada that together help situate Rodríguez (and other recent Cuban poetry) in historical terms. "Reina María Rodríguez sings across borders of real bodies and image nations. A critical voice for a poetics of the Americas hundreds of years in the making, Rodríguez's poems overflow with insistent rhythms of everyday, refracted by a hundred mirrors facing inward, adjacent, beyond; turning on the promise of each next line. This poetry expresses the necessity not of phrase or stanza, not of breath or idea... but of motion."--Charles Bernstein.
Assimilation/generation/resurrection
"Cuban author Jose Lezama Lima (1910-76) produced some of the most enigmatic and important poetry in the Spanish language. He did this during a turbulent moment in Cuban history - a period of social unrest, radical change in political systems, and attempts at cultural self-definition. While some have argued that his poetry evades these circumstances, Assimilation/Generation/Resurrection adopts a contextual approach and reveals the extent of Lezama's engagement with the defining political and cultural issues of his day. It also lays bare the underlying connection of this poetry to a weave of intertexts - Lezama's productive interaction with several traditions." "Intimidating in its philosophi...
