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Beiträge zum Gedächtnis von Reinhard Herbig
  • Language: de
  • Pages: 214

Beiträge zum Gedächtnis von Reinhard Herbig

  • Type: Book
  • -
  • Published: 1963
  • -
  • Publisher: Unknown

None

Beiträge zum Gedächtnis von Reinhard Herbig
  • Language: de

Beiträge zum Gedächtnis von Reinhard Herbig

  • Type: Book
  • -
  • Published: 1962
  • -
  • Publisher: Unknown

None

Reinhard Herbig
  • Language: de
  • Pages: 3

Reinhard Herbig

  • Type: Book
  • -
  • Published: 1962
  • -
  • Publisher: Unknown

None

Neue deutsche Forschungen
  • Language: de

Neue deutsche Forschungen

  • Type: Book
  • -
  • Published: Unknown
  • -
  • Publisher: Unknown

None

Das Dionysos-Theater in Athen
  • Language: de
  • Pages: 174

Das Dionysos-Theater in Athen

  • Type: Book
  • -
  • Published: 1936
  • -
  • Publisher: Unknown

None

Reinhard Herbig (23.Februar 1898 - 29.September 1961)
  • Language: de
  • Pages: 13

Reinhard Herbig (23.Februar 1898 - 29.September 1961)

  • Type: Book
  • -
  • Published: 1962
  • -
  • Publisher: Unknown

None

Reinhard Herbig
  • Language: de
  • Pages: 13

Reinhard Herbig

  • Type: Book
  • -
  • Published: 1962
  • -
  • Publisher: Unknown

None

Brill’s Companion to the Classics, Fascist Italy and Nazi Germany
  • Language: en
  • Pages: 485

Brill’s Companion to the Classics, Fascist Italy and Nazi Germany

  • Type: Book
  • -
  • Published: 2017-10-17
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  • Publisher: BRILL

The first ever guide to the manifold uses and reinterpretations of the classical tradition in Mussolini’s Italy and Hitler’s Germany, Brill’s Companion to the Classics, Fascist Italy and Nazi Germany explores how political propaganda manipulated and reinvented the legacy of ancient Greece and Rome in order to create consensus and historical legitimation for the Fascist and National Socialist dictatorships. The memory of the past is a powerful tool to justify policy and create consensus, and, under the Fascist and Nazi regimes, the legacy of classical antiquity was often evoked to promote thorough transformations of Italian and German culture, society, and even landscape. At the same time, the classical past was constantly recreated to fit the ideology of each regime.