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Embodiment in Cognition and Culture
This volume shows that the notions of embodied or situated cognition, which have transformed the scientific study of intelligence have the potential to reorient cultural studies as well. The essays adapt and amplify embodied cognition in such different fields as art history, literature, history of science, religious studies, philosophy, biology, and cognitive science. The topics include the biological genesis of teleology, the dependence of meaning in signs upon biological embodiment, the notion of image schema and the concept of force in cognitive semantics, pictorial self-portraiture as a means to study self-perception, the difference between reading aloud and silent reading as a way to make sense of literary texts, intermodal (kinesthetic) understanding of art, psychosomatic medicine, laughter as a medical and ethical phenomenon, the valuation of laughter and the body in religion, and how embodied cognition revives and extends earlier attempts to develop a philosophical anthropology. (Series A)
The Betrayal
At the end of World War II the Allies faced a threefold challenge: how to punish perpetrators of appalling crimes for which the categories of 'genocide' and 'crimes against humanity' had to be coined; how to explain that these had been committed by Germany, of all nations; and how to reform Germans. The Allied answer to this conundrum was the application of historical reasoning to legal procedure. In the thirteen Nuremberg trials held between 1945 and 1949, and in corresponding cases elsewhere, a concerted effort was made to punish key perpetrators while at the same time providing a complex analysis of the Nazi state and German history. Building on a long debate about Germany's divergence fr...
One Hundred Years of Masochism
Just over a century has passed since the sexologist Richard von Krafft-Ebing coined the term “masochism” in a revised edition of his Psychopathia Sexualis (1890). Put into circulation as part of the fin-de-siècle process through which sexuality and sexual practices considered deviant became medicalized, this suspicious concept grew in significance and explanatory power in the expanding new context of psychoanalytic discourse. Today the study of masochism shows signs of becoming a discipline in its own right, the political, social, and cultural ramifications of which exceed and, indeed, render problematic, traditional psychoanalytic perspectives on the phenomenon. The essays in this volu...
Music and Ideas in the Sixteenth and Seventeenth Centuries
This essential summation of Palisca's life work was nearly finished by his death in 2001, and it was brought to completion by Thomas J. Mathiesen.
Latin
Though not without its rivals, Latin stood at the apex of Western culture from the Renaissance until relatively recently. Franoise Waquet offers an enthralling, original history of the language's uses, its detractors and defenders, and the social hierarchies its practitioners inscribed. Granted a new lease of life by the Humanists and the Catholic Church, Latin was the form in which generations of schoolchildren were taught to read, millions of people worshipped, and an international community of scholars communicated with one another. It conveyed sacredness, but also obscenity; learning, as well as pedantry; science, but also trickery and mumbo-jumbo. Few individuals even among the clergy or the most learned scholars have ever managed to speak it with any degree of correctness or fluency, let alone elegance. Why, despite rationalist criticisms that Latin was inaccessible to the great majority of people, and inconvenient and time-consuming for the rest, did it maintain such a strong presence - some would say a tyranny - for so long?
Grandeur And Misery
A central question in European history is how did a great power pre-eminent in 1918 lie defeated by the same enemy less than 20 years later. Until recently the explanation has been sought in fundamental weaknesses that could only leave the French of 1940 hamstrung and demoralized. Recent studies have challenged that view and now, for the first time, the revisionist approach is displayed in a single volume, both summarizing the research of others and drawing on the author's own work in the archives. The book is about as far from 'dry as dust' diplomatic history as it's possible to get. Its very readable and the author manages to show with the telling anecdote that even a serious subject has i...
Friedrich Schiller
"A final chapter addresses Schillerian intertextuality in the twentieth century, and the survival of Schillerian ideals of freedom and aesthetic education in modern mutations. Foremost among these texts are Anthony Burgess's A Clockwork Orange and Stanley Kubrick's film of that novel."--Jacket.
Female Performers in British and American Fiction
The female performer with a public voice constitutes a remarkably vibrant theme in British and American narratives of the long nineteenth century. The tension between fictional female performers and other textual voices can be seen to refigure the cultural debate over the ‘voice’ of women in aesthetically complex ways. By focusing on singers, actresses, preachers and speakers, this book traces and explores an important tradition of feminine articulation. Drawing on critical approaches in literary studies, gender studies and philosophy, the book conceptualizes voice for the discussion of narrative texts. Examining voice both as a thematic concern and as an aesthetic effect, the individual chapters analyse how the actual articulation by female performers correlates with their cultural visibility and agency. What this study foregrounds is how women characters succeed in making themselves heard even if their voices are silenced in the end.
Sound Writing
"This book examines how writers and artists from the 1870s to the 1960s turned their attention to the physical process of spoken language. Their goal was to capture this vocal-acoustic phenomenon-the bodily articulation of sound-in legible form. At stake was a crossing-over from the audible to the visible, from speech to notation, from body to trace. This book shows how the search for such possibilities-and the various media, techniques, and concepts employed-transformed the age-old genre of poetry into a site of radical linguistic experimentation"--
Hegel's Naturalism
Terry Pinkard draws on Hegel's central works as well as his lectures on aesthetics, the history of philosophy, and the philosophy of history in this deeply informed and original exploration of Hegel's naturalism. As Pinkard explains, Hegel's version of naturalism was in fact drawn from Aristotelian naturalism: Hegel fused Aristotle's conception of nature with his insistence that the origin and development of philosophy has empirical physics as its presupposition. As a result, Hegel found that, although modern nature must be understood as a whole to be non-purposive, there is nonetheless a place for Aristotelian purposiveness within such nature. Such a naturalism provides the framework for ex...
