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Irish Late Iron Age Equestrian Equipment in its Insular and Continental Contextis the first practical archaeological study of Irish Iron Age lorinery. The volume examines the bits and bosals (Y-pieces) holistically, using practical stable-yard knowledge merged with archaeological techniques such as morphometrics, use-wear, GIS, functional comparison to European and British equipment and distribution analysis to place it within its time and place. Irish Iron Age artefacts have always been beset by issues of chronology, but by using these various analytical methods, a more precise timeframe for the objects is indicated. A complex relationship with Roman Britain and the Empire also becomes visi...
The second volume of Saints and Sinners on Horseback introduces new equine and human characters whose lives and deaths continue to have social, cultural, and religious influence centuries after their time on earth. Humans record their own deeds, but sometimes forget to honour the horses who made their successes possible. This volume recognises the unnamed equids who exertan influence over the human mind in compelling ways. Equally, the names of some individual horses ring down through the ages, whether for their heroism or as symbols for justice and injustice. Where horses meet humans, religion, magic, and the supernatural are never far away, creating a rich fund of stories for Saints and Sinners on Horseback.
The historical horse is at once material and abstract, as is the notion of the border. Borders and frontiers are not only markers delineating geographical spaces but also mental constructs: there are borders between order and disorder, between what is permitted and what is prohibited. Boundaries and liminal spaces also exist in the material, economic, political, moral, legal and religious spheres. In this volume, the contributing authors explore the theme of the liminality of the horse in all of these historical arenas, asking how does one reconcile the very different roles played by the horse in human history?
The story of my life is about dog racing and a good deal more. It is about cruelty, the human capacity for cruelty towards human animals and animals of other species. Dog racing, commonly known as Greyhound racing, is not a sport because no legitimate sport uses enslaved/involuntary participants and murders many of them once they start losing and no longer are competitive and profitable. Dog racing is, in fact, a deadly form of entertainment, as are horse racing, dog fighting, cock fighting, hunting and circuses that use enslaved other-specied animals. Incidentally, I remember Greta talking about a form of entertainment that was popular in Ancient Rome and which took place in public arenas. ...
Initial remote sensing survey at Tlachtga, Co. Meath in 2011–12 highlighted the presence of multiple, partially overlapping phases of enclosure at the site. Three subsequent seasons of excavation provided critical interpretive evidence, with over 15,000 fragments of animal bone, human remains, charred plant material, evidence of metalworking, and a hoard of Anglo-Saxon silver coins dating to the late 10th century AD. The main activity at the site spans four broad periods and two main phases of monumental construction: a late Bronze Age to early Iron Age ‘Hillfort Phase’ (1100–400 BC) and a late Iron Age to early medieval (AD 400–600) ringfort phase associated with a smaller foundat...
Saying that horses shaped the medieval world – and the way we see it today – is hardly an exaggeration. Why else do we imagine a medieval knight – or a nomadic warrior – on horseback? Why do we use such metaphors as “unbridled” or “bearing a yoke” in our daily language? Studies of medieval horses and horsemanship are increasingly popular, but they often focus on a single aspect of equestrianism or a single culture. In this book, you will find information about both elite and humble working equines, about the ideology and practicalities of medieval horsemanship across different countries, from Iceland to China. Contributors are Gloria Allaire, Luise Borek, Gail Brownrigg, Agnès Carayon, Gavina Cherchi, John C. Ford, Loïs Forster, Jürg Gassmann, Rebecca Henderson, Anna-Lena Lange, Romain Lefebvre, Rena Maguire, Ana Maria S. A. Rodrigues, and Alexia-Foteini Stamouli.
Since early discoveries of so-called Celtic Art during the 19th century, archaeologists have mused on the origins of this major art tradition, which emerged in Europe around 500 BC. Classical influence has often been cited as the main impetus for this new and distinctive way of decorating, but although Classical and Celtic Art share certain motifs, many of the design principles behind the two styles differ fundamentally. Instead, the idea that Celtic Art shares its essential forms and themes of transformation and animism with Iron Age art from across northern Eurasia has recently gained currency, partly thanks to a move away from the study of motifs in prehistoric art and towards considerati...
New things are forgotten old things - this rediscovery of the past is especially important in horsemanship and equestrian sports. Despite advances in sciences and technology, the physiologies and psychologies of the two principal agents, the equid and the human, have undergone relatively few changes since horse domestication. The studies collected in this volume outline such essential and recurring challenges in equestrianism as gender issues, equine identification, the use of hyperflexion and groundwork in training, as well as many others, from prehistory to this day.
The purpose of archaeology is to reconstruct and present the past as it was lived, warts and all. Too often that ideal has been restricted to the affairs and structures of the great and (often not so) good, ignoring what happened after the battles were won or lost. Everyday life carried on for the vast majority of people who cooked, built walls and fences, herded and tended animals, and made pottery, metal tools and foodstuffs. Each of these domestic tasks required tools and equipment, and each object tells a story of the user's identity, both regional and personal. This volume presents a selection of worldwide studies of domestic objects and lives, from Scottish ceramics to Mayan urban zones. Each of these chapters demonstrate the commonalities humans share when there is 'no place like home', enhancing archaeological knowledge of the realities of life in the past.
A guide to the oldest tourist destination on earth. It includes coverage of Nile cruises and diving in the Red Sea and Mediterranean, as well as coverage of Cairo, with accommodation and restaurants organised by district. It highlights various places to eat, drink. It takes a look at Egypt's history and culture.